More Tales of the City

Far better casting than the original TV series. Looks like the cable aspect of the production (as opposed to American public TV) opened up the writing and performances. Paul Hopkins is a far superior choice to play Michael! That Marcus Whoever was way too nineties for the 70s look and sensibility of Maupin's gay San Francisco.

More Tales of the City is the 1998 cable-produced sequel to the Tales of the City mini-series, which aired on public television in 1993. Both series are based on respective novels by Armistead Maupin.

More Tales' plot and script are substantially shoddier than its predecessor. It focuses mainly on the intrigue and intertwining characters than the development of the personalities or the warmth of their interactions. And where sweet and emotional dialogue exists, the sentiment is marred by three vastly inferior "replacement" actors. The much beloved Michael "Mouse" Tolliver is played by the excessively smirky and over-doing-the-gay-bit Paul Hopkins. His performance is unnatural and devoid of Mouse's innate, lovable charm. Nina Siemaszko's performance is brittle and uneasy, lacking any of the spunk and charisma befitting the quirky Mona Ramsey. Whip Hubley is just plain uninteresting as the (supposedly) handsome, disillusioned Brian Hawkins. I had the opportunity to go back and re-watch the first series and was surprised to discover just how naturally and unaffectedly Marcus D'Amico, Chloe Webb, and Paul Gross inhabited Mouse, Mona and Brian. I had been unaware of just how good they were since I merely considered them as being the characters. Overall, the direction, cinematography and soundtrack are distracting.

If you simply like some of Maupin's most bizarre plot twists for the intrigue in itself, you might enjoy More Tales of the City. If you like more quality and substance, check out Tales of the City.

This one was good in that it lived up to the story that Armistad wrote. I think that this change in cast was not a good one. I preferred the first cast in Tales of the City. I'm so glad that Laura Linney and Olympia Dukakis came back for More. They really helped to keep this glued together. Although I felt that Tales of the City was much better, the underlying story by Armistad Maupin is fantastic and definitely deserves to be made into a movie (or mini-series) for the masses to see. I can't get enough Maupin. Get the books! You'll be glad you did......

This miniseries aired five years after the original TALES OF THE CITY mini. The first series aired on PBS; the second was shown on Showtime cable TV. Although filmed 5 years after the original, the story picks up one year after the first series. Only a few of the original actors have returned: Olympia Dukakis, Laura Linney, Barbara Garrick, William Campbell, and Thomas Gibson. The other returning characters are played by different actors and the the change is noticeable in a bad way.

Mouse is now played by Paul Hopkins, Mona by Nina Siemaszko, Brian by Whip Hubley, Frannie by Diana Leblanc, and Doro by Francoise Robertson.

Among the new characters are Jackie Burroughs as Mother Mucca, Colin Ferguson as Burke, and Swoosie Kurtz as Mona's mother.

Plot continues as Mouse and Mary Ann (Linney) look for love and Mrs. Madrigal (Dukakis) tells more of her backstory. DeDe continues the story of her pregnancy.

The loss of Chloe Webb as Mona and Marcus D'Amico as Mouse is felt. The new actors can't come close to filling out their quirky characters. But the second installment is saved by the fabulous Jackie Burroughs as the outrageous and foul-mouthed Mother Mucca, a character who ties together the story threads of Mona and Mrs. Madrigal.

Unfortunately, the new storylines for Mouse and Mary Ann aren't very interesting. And production values as a whole are a step down. This Canadian production seems skimpy and set-bound, compared to the original.

After watching with great pleasure the original Tales of the City, i delved with excitement into this continuation story of the 28 Barbary residents. However with some disappointment i discovered that a less adventurous director and some unfortunate cast replacements has stolen some of the magic.

Now don't get me wrong, it is still a fun and well written metro-sexual adventure in the heart of Sanfrancisco, and with exceptional performers Dukakis and Linney returning it keeps the spark burning bright. The new addition of Paul Hopkins as Michael 'Mouse' Tolliver is an interesting new slant on a wonderful character and he pulls the transition of well, retaining Marcus D'Amico's youthful hopefulness, whilst adding a new cheeky side to mouse. Paul however is the only new cast member to manage this, Nina Siemaszko is given the impossible task of replacing the magnificent Chloe Webb and Mona suffers terribly for this, not only does she now look 10 years younger, she has lost the kooky charm that gave the character so much punch and spunk, she seams permanently depressed and miserable. The other disappointment is the departure of Paul Gross who's slimy male chauvinist pig Brian was a joy and torture to watch in the original as he carried on with his self destructive behaviour and loathing of women. Whip Hubley (who this time looks 10 years older) simply seams like to much of a nice guy to pull of this role and Brian's character seams to have had a personality transplant within the space of a few months.

With this massive moan over and done with, it is still an enjoyable romp and worth watching for Dukakis's Mrs Madrigal's empathic presence, and Linney's heart and warmth.