Un plan sencillo

Sam Raimi may be most at home with Horror, but his body of work in the last three decades has encompassed a variety of genres, the most intellectual of which is drama. One could argue that a Simple Plan is Raimi's smartest picture but it is not a film where we see any of his distinct auteurism. Equal credit for the film's reasonable competence goes to novelist Scott Smith, adapting his own novel for the screen.

The plot bears some close resemblance to Fargo. One could argue that A Simple Plan is a few steps ahead of the Coen Brothers. It feels far less contrived, and has a bigger heart. Fargo is cold, cynical, but definitely creative. Anyway, that is another movie

Three buddies find a plane wreck in the woods, and inside is a sack containing four million dollars. They agree to keep it hidden until they are convinced that the police are not looking for it. Sounds simple enough, but things get ugly pretty quickly.

I've never thought much for either Bill Paxton or Brigit Fonda, but A Simple Plan shows them at their best, although Billy Bob Thornton's is the most accomplished performance of the movie.

The movie is one worth seeing, it is admirable and thought provoking. There is nothing necessarily unique about it, but then again uniqueness is a rare gift for a movie to have.

A Simple Plan is certainly not a simple film, as some reviewers here had hoped it would be. The point is not how simple life is, but how horribly wrong and out of control things can get. This film takes you to the absolute depths of human greed, desperation, and frailty. It is amazing how many evil deeds one can rationalize by believing "and then it will all be over." A Simple Plan is a great character study which makes you think of what you would do in the same situation. At what point would you draw the line? How far would you go to keep millions of dollars all to yourself? The excellent photography adds to the sense of desperation that permeates the whole film. The vast, snowbound landscape is the perfect image for the feelings the main characters have for their station in life: cold, silent, lifeless, unending, and unrelenting.

Don't watch this movie unless you are prepared to see a group of people reach the end of their rope and make a series of life-changing decisions.

This is not the film to see if you're looking for a feel-good Hollywood anesthetic to cope with the end of the holiday season. If, however, you wish to experience a great film, then I highly recommend *A Simple Plan*. Its disturbing twist on the American dream may be too difficult for some--especially the very dark ending--but that is part of what makes the film such quality fare. Scott B. Smith's screenplay is tight and flawless. Sam Raimi's inspired direction may finally reveal to the rest of the film industry what fans of the Evil Dead trilogy have known for years: that, though his tongue is often firmly in his cheek, Raimi is a fine and grossly underrated filmmaker. Especially impressive is the way he and cinematographer Alar Kivilo approach the snow-covered landscapes. There is an immensity to the frozen wastelands of the film's crucial scenes that is almost worthy of David Lean. Also commendable is Raimi's skillful use of animals (among them crows and foxes) for symbolic purposes.

But the cast, not to be outdone by their crew, is equally notable. Billy Bob Thornton gives his best performance to date, surpassing even his award-winning role in *Sling Blade*. Bill Paxton is phenomenal as a straight-laced-family-man- turned sociopath, and Bridget Fonda's convincing portrayal of Paxton's determined wife complements him well.

Audiences at the screening I saw were commenting on the film's similarities to *Fargo* as they exited the theater, and seemed to belittle *A Simple Plan* for its lack of "originality." Granted, *A Simple Plan* is not entirely original. There are indeed vague shadows of *Fargo*, as well as *Macbeth* and Robert Frost, among others. But there is no such thing as an entirely original work, as great art is made by standing on the shoulders of giants. Make no mistake, this is NOT a cheap replay of *Fargo*. The differences are too numerous to note here, but suffice it to say that *A Simple Plan* is a great work in its own right, and deserves to be appreciated as such.

Hank, Jacob and Lou are out for a ride in Hank's truck when they hit a tree. Walking out into the snow they find a crashed plane in the woods with the pilot dead and a bag of money ($4 million). They decide to keep the money and wait to see if anything is mentioned about it. However as time passes mistrust and betrayal becomes murder as the original simple plan becomes more and more complex.

Sam Rami is a great director, albeit more well known for less subtle films than this such as the Evil Dead movies. However here he shows that he can deal with things that lack in OTT visuals etc but be a good subtle director. The basic story starts simply and gets more convoluted very easily. The plot twists are never absurd even if they are extreme, the way the story builds gradually is one of it's strengths. The best bit is the way that everything is simple (as in the title) – the snow makes all the scenes a simple white, the relationships are simple and the misunderstandings are straight forward. This simple nature makes the twists even more powerful as they come in the middle of a `normal' situation..

The cast are all very good. Paxton is especially good in the lead as the man who doesn't want to take the money originally who then is forced to take the lead in the actions that need doing to cover the crime. Thornton is the best – he not even that recognizable and he deals with his role really well. He may be a simpleton but he doesn't make it just a cartoon role. Briscoe is less well defined and Fonda isn't really key to the plot. Gary Cole has a small part towards the end and Paxton Snr has a small role.

Overall this is very enjoyable. As a noir it is very different to have it in a Fargo landscape. Rami's toned down direction is very good and he does very well with the exciting twists and with the emotional sections too. A different, sometimes slow, but very enjoyable thriller of greed and mistrust.

Say what you will about him, like him or hate him, you gotta admit that Raimi knows the craft. Here, he puts Hitchcock's methods to good use, decades after the master died, and creates amounts of suspense that honor his memory. The tension is thick and impossible to ignore. This is exciting and engaging, and it's completely realistic, down to earth and human, to boot. The pace is spot-on, this never outruns the viewer, in spite of being fast and tight, and so much of the relationships and past being told to us through hints, the behaviour and how situations evolve. More thrillers should be like this. This also qualifies as noir and drama. The acting is beyond reproach, there's not a single performance that is lacking, and I'd say Paxton does pretty good in a lead role. Kudos to Thornton for not turning his part into a caricature. The writing is excellent. I have not read the novel, but I would like to do so. I understand that this isn't entirely as brutal as the book, though it is disturbing, and, at times, violent. The cinematography and editing are incredible. There is some strong language in this. The story is magnificent, and develops so well throughout. Thank you, Sam, for making an effort, for not just going for the lowest common denominator, and for understanding that it was the build-up - not purely the plot twist at the end - that made Alfred, and his films, such treasure. The DVD holds a theatrical trailer. I recommend this to any fan of the director and/or anyone else who helped create it. 8/10