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- Ganó 1 premio Primetime Emmy
- 49 premios y 87 nominaciones en total
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This show could be better if the sound track did not overcome the dialogue. It is not relaxing to watch, because I have to strain to hear the conversation.
Also, the show should be reduced to one hour, because the content is repeated and the show seems to drag. I sometimes have to watch it in pieces because I am distracted by the flatness from the repetition, and the need to break from the strain of listening.
Finally, there is a way to tell a story in which it is not so predictable. Last week Dateline and 20/20 covered the same story-the murders in Idaho. By far, Dateline produced a much better show. I want 20/20 to improve. I'm rooting for you, but I'm about to move on.
Also, the show should be reduced to one hour, because the content is repeated and the show seems to drag. I sometimes have to watch it in pieces because I am distracted by the flatness from the repetition, and the need to break from the strain of listening.
Finally, there is a way to tell a story in which it is not so predictable. Last week Dateline and 20/20 covered the same story-the murders in Idaho. By far, Dateline produced a much better show. I want 20/20 to improve. I'm rooting for you, but I'm about to move on.
They keep repeating the same information over and over again after every commercial break. Lots of filler material as if they're trying to outstretch the segment longer than it needs to be. Lots of dramatization and loud music, which is necessary to keep attention but less is more when it comes to these things. It doesn't have to be THAT loud.
Usually it's instrumental music, but sometimes they decide to play corny radio songs that are supposed to go with the theme of the crime. Which is just blatantly disrespectful to dramatize crimes real people and families have suffered from. I get that we're all here for entertainment but it wouldn't hurt to have some empathy.
This show used to be so good, their episode 'A Monster Among Us' got me hooked. It was done right with a good musical score which was not overbearing or seemed like it was romanticizing the crime. Just the right amount of information and not a bunch of filler crap. PLEASE go back to that.
Usually it's instrumental music, but sometimes they decide to play corny radio songs that are supposed to go with the theme of the crime. Which is just blatantly disrespectful to dramatize crimes real people and families have suffered from. I get that we're all here for entertainment but it wouldn't hurt to have some empathy.
This show used to be so good, their episode 'A Monster Among Us' got me hooked. It was done right with a good musical score which was not overbearing or seemed like it was romanticizing the crime. Just the right amount of information and not a bunch of filler crap. PLEASE go back to that.
Back in the days of Barbara Walters and Hugh Downs, 20/20 was the best news magazine show on TV. I especially liked their undercover investigations, busting scams and criminals. John F. Stossel did his "Give Me A Break" part very well at the time. The older 20/20 shows were the best! And I never missed a show. But ever since Hugh Downs left, the show just hasn't been the same. And now that Barbara Walters has left too, the show has become much of a joke. 20/20 used to be all about protecting the consumer and busting scams and criminals. But now, all they do on 20/20 (besides covering stories that are already all over the news, a lot of which is simply entertainment news) is bust myths. This is sadly, the exact same concept that has also brought down the Discovery Channel. The Discovery Channel used to be all about shows investigating both a lot in science and law, but now all they do is show stupid "reality" shows and bust urban myths. I just can't understand all of this, obviously the people in control of these TV networks today are just some really stupid (and lazy) people.
Guess I should have figured John Stossel was becoming corrupt. The minute he said that drug companies should be charging high prices to seniors, he lost me as a fan.
The show truely became stale when Hugh Downs left. :( Hugh and Barbara were a team. No wonder she's leaving. Probably can't stand John.
Frankly when she leaves, the closest competitor to 20/20? Bill O Rielly. I'm guessing it won't last long if John's the sole host.
Give me a break!!
The show truely became stale when Hugh Downs left. :( Hugh and Barbara were a team. No wonder she's leaving. Probably can't stand John.
Frankly when she leaves, the closest competitor to 20/20? Bill O Rielly. I'm guessing it won't last long if John's the sole host.
Give me a break!!
Once upon a time 20/20 offered outstanding investigative pieces by quality journalists such as John Stossel. So how did it get to the point where too-skeezy-for-TMZ Nancy Grace is now featured?!?! Nancy Grace??? Really???
Is this really the direction ABC wants to take its premier news magazine? There are plenty of tabloid TV shows on the air and, after the addition of Nancy Grace, most of them are more credible than 20/20. It's almost unbelievable that ABC is setting its sights so low these days.
Is this really the direction ABC wants to take its premier news magazine? There are plenty of tabloid TV shows on the air and, after the addition of Nancy Grace, most of them are more credible than 20/20. It's almost unbelievable that ABC is setting its sights so low these days.
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- CuriosidadesIn 1998, ABC News combined 20/20 (1978), with Primetime Live (1989) to compete with Dateline (1992) which aired four days a week, then. The newest programs were titled "20/20 Monday", "20/20 Wednesday", "20/20 Friday", "20/20 Sunday", and 20/20 Downtown (1999). (So there would be a program, would televise daily through out the seven day week. In 2000, ABC News returned 20/20 (1978) and Primetime Live (1989) to their previous hours. ABC kept its newest creation, 20/20 Downtown (1999), as a spin-off, of 20/20 (1978).
- Citas
Hugh Downs - Co-Anchor: I'm Hugh Downs
Barbara Walters - Correspondent: And I'm Barbara Walters and this is 20/20.
- ConexionesEdited into And You Don't Stop: 30 Years of Hip-Hop (2004)
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