Cenizas del paraíso

This Marcelo Pineyro's 1997 directorial effort, shows a man that understands how to involve his viewers into a story that is not only pleasant to look at, but with a message. Working with Aida Bortnik, they have created a film that will surprise a lot of people, fortunate enough to watch it.

The film involves the family of a judge in Buenos Aires and his three sons. Costa Makantasis is an honest man surrounded by corruption in higher places. He is trying to uncover the machinations of Francisco Muro, a powerful man that is involved in many dirty business in Argentina. As luck should have it, his younger son meets Muro's beautiful daughter, Ana. The young woman practically moves into the Makantasis household as she and Nicolas are enjoying their time together.

Nicolas, the older Makantasis son, falls under the spell of Ana, as well. And we also have seen how Pablo, the middle sibling stares at the sexy woman. We realize there is going to be a reckoning because the way Ana is the object of love of two of the brothers who feel passionate about her.

The film begins with events that are the conclusion of the events that culminate in horrible deaths for two key figures in the story. In flashbacks, as a special judge, Beatriz Teller, examines the facts surrounding the mysterious circumstances in the two deaths, we are given the details in order to absorb what really happened.

Mr. Pineyro gets excellent performances of his cast. Hector Alterio, is seen as the head of the Makantasis family. He is a good man who is pursuing a cause that means a danger for himself. The wonderful Cecilia Roth plays the investigating judge Teller with a fury that shows her determination and resolve. Leonardo Sbaraglia, one of the best actors from Argentina, is seen as Pablo, the middle brother. Daniel Kuzniecka makes Nicolas, the older brother, come alive. Leticia Bredice is amazing as Ana, the woman who awakens passion in all the brothers.

The film will satisfy the viewers because of the rich web spun by Marcelo Pineyro to ensnare us into this interesting tale of passion and crime.

This a top of the line police thriller, crossed with sibling/father rivalry drama, criminal who-done-it, and psychological character study. Quite unique really, the film is worthy of its impressive Argentine pedigree: directed by one of the country's greatest, and starring an ensemble of its best players. They range from its eldest living legend in the father/dead judge role to its most promising and popular young ones as the three sons. In between, the talent is just as impressive. This includes returning native Cecilia Roth, and talented local actors, mostly seen on TV. A very entertaining and intelligent film worth a watch.

Viewed this movie once, liked it so much I turned around and viewed it again. I would rate it on equal terms with LA Confidential and The Usual Suspects as one of the best modern crime movies. It is edited in style similar to Memento, looking backward while advancing toward the ending, and this worked to make it unpredictable and entertaining throughout. The movie was very well cast. Letitia Bredice in particular gave an outstanding performance as a highly sexy young woman, yet intelligent and deserving of sympathy in a Marilyn Monroe kind of role. Two other fine performances at the center of the story came from Cecilia Roth as a magistrate trying to work her way through a baffling crime and political interference, and Hector Alterio, also a magistrate, caught between his sense of duty and a situation increasingly threatening to his beloved sons. Highly recommended for lovers of crime movies.

This is basically a movie about family relations: brother with brother, father with son.

Judge Makantasis and his three sons get along so well you can almost feel it as the movie goes on. The scene where all the four dance in the Greek way shows us how well based are the love and caring from one to the others.

Loyalty among brothers, because of a girl. Loyalty with their father, and how their world goes upside down when he dies.

I think is genial the way the director shows the story in a non-chronological order, dividing it in as many parts as brothers. It makes you understand each one's motivation.

A movie about family, fathers, sons, brothers, love, loyalty, sacrifice.

I've seen this movie at least eight times, and I never get tired of watching it. Among the good reasons to afirm this is that is one of the very few Argie films that tells a story, instead of using film as a political weapon.

But in the other hand is his bright and excelently written screenplay (by director Marcelo Piñeyro and known argentinian screenwriter Aida Bortnik), its smart, precise and sharp directing and the gifted performances of all actors in it.

On the scale of 1 to 10, I'll give this masterpiece a 10, because it really deserves it.