You Rang, M'Lord?

While it's not news that British comedies are far better than their American counterparts, You Rang M'Lord tops the list of excellent British comedy. The post-Victorian aristocratic setting is perfect for class distinction humor, its underlying political themes subtle enough to serve the humor only. This series reveals that all "classes" of people are driven by basic human nature, the same foibles, desires, hopes, and dreams. The situations are hilarious and tied to an overall theme in each episode, the characters as good as any ever conceived, the acting of each one superb, the costumes and sets flawless. I just wish the series had run for 10 years, as each episode is so much fun.

My early memories of You Rang M'Lord are pretty hazy (I was only small when it was first shown) but I have very fond memories of it. I managed to catch it again when I was fifteen and I still remembered some scenes (the way Madge Cartwright's maid Rose squeaks "Oh, Mr. Teddy!", Mrs. Lipton throwing everything in sight at Alf Stokes and the bit where Lady Lavender throws six tapioca puddings at Ivy are three that really stuck in my mind). I really wish it was repeated more often, as - for instance - Dad's Army is in the UK. As I think an earlier reviewer said, it paints a fantastic picture of society in the twenties and the way in which it was changing at the time. The characterisation is great - Stokes as the scheming butler, Henry who always seems to get hit round the head with something or by someone, Lord Meldrum as the adulterous (presumably widowed) head of the house. A great series that should be seen by anyone who gets the chance.

Without doubt this show is the magnum opus of Perry and Croft, it's 26 episodes enchant and beguile like no other show. Set between the wars in one of London's great houses, it follows the life of Lord Meldrum, his family and their servants. Every facet of this show extols the virtues of the cast, set designers, and writers to perfection. Few shows have ever captured the feel of an era better, capturing as it does the styles, social issues and morals of the transitional era that followed the reign of Victoria. The extraordinary attention to detail at all levels involves one entirely, this mated with a superb script which supports all the visual magic, leaves only the actors to make the best of it all. This they do with extraordinary finesse and believability, one can completely empathize with each character and have sympathy with each role. The show is actually a serial, but with each episode featuring a vignette, it is episodic as well. It is impossible to define any one actor as being a lead as each role attaches itself seamlessly to the story, to create a gorgeous sense of flow and continuity, it is involving, poignant and immensely funny. The troupe consists of many regular players from David Croft's "stable", but in no other show are they better used. The cast and crew are detailed in the body of the IMDb page, but a must mention are the almost background parts played by Perry Benson, Barbara New and Mavis Pugh, as Henry, Mabel and Lady Lavender respectively. Between them, they inject a positively brilliant series of almost surreal comedic asides all through the series, and they add to its charm and depth immeasurably. One could go on and on about all the virtues of this show, but in conclusion, I honestly think that this wonderful story is the absolute epitome of British TV comedy, the like of which, is unlikely to be seen again, it is a work of quality, passion and genius at every level. If you get a chance to see it, you must.

I first saw You Rang, M'lord over 15 years ago. My motivation was in fact Miss Cissy's picture in the TV program - of course I wanted to see anything with a lesbian character! But while I wasn't disappointed in Cissy, I grew fond of the whole household, masters and servants alike. I have since seen it dozens of times on TV, video and DVD.

I truly think You Rang, M'lord is a masterpiece of English sitcom. Firstly, it's a nice parody of the rigid social boundaries in British society ("No, Henry, you don't open the door. Mr. Twelvetrees opens the door. If he is not here, Ivy opens the door. If Ivy is not here, I open the door", lectures Mrs. Lipton.) However, the characters are more than just representatives of their respective social classes. They all have a full-fledged personality, a whole life outside the confines of the series (think of reports about Mabel's husband or visits to the Kitkat Club). Even relatively minor characters, like Lady Agatha, are three-dimensional. Every character is extremely funny and yet likable. The moment one would start to hate Alf or Miss Poppy, they immediately do something (and it might just be a glance or a smile) to win our sympathy back. Psychologically the whole series is perfectly realistic and logical. No wonder there're no 'goofs' listed about this series on IMDb. There aren't any.

I have seen other sitcoms by Jimmy Perry and David Croft, but this one exceeds all of them. The excellent acting contributes to this, too. I couldn't point out one actor over the others; they all do a brilliant job.

You Rang M'Lord must be one of the funniest TV Series ever. It's all about a private family that employs several household staff who look after them. There is a butler, an underbutler, a footman, a cook, several housekeepers etc. Although the series is very funny and certain situations are overdrawn, it nevertheless comes very close to "the real thing". As professional butler and chairman of the International Guild of Professional Butlers I know a little bit about the subject. Do check out the series because you will fall in love with it.