Una programadora informática se tropieza con una conspiración, poniendo su vida y la de los que la rodean en gran peligro.Una programadora informática se tropieza con una conspiración, poniendo su vida y la de los que la rodean en gran peligro.Una programadora informática se tropieza con una conspiración, poniendo su vida y la de los que la rodean en gran peligro.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 premios en total
- Resort Desk Clerk
- (as Juan García)
Reseñas destacadas
I'd give it an 8 out of 10 for good suspense and an interesting look at the Internet when it was just beginning.
In 'The Net', Bullock stars as Angela Bennett, a computer-whizz, who while on holiday, encounters a dangerous man, who steals her wallet... and her life.
Soon, the real Angela Bennett disappears, and an ex-con, takes on her identity, swapping her life for Angelas!
Of course, Sandy isn't the type to take this kinda thing lying down - and all on her own, she fights hard to get back the life they took away from her.
A wicked film - that'll leave you breathless for start to finish!! 9/10
Bullock is a computer analyst/programmer who works from home and gets sent a disk by a friend to look at. This disk causes problems which she has to work out during which she has to go on the run, her identity is erased. Angela Bennett is no more. It's scary stuff, and would have been more so back in the 90s when much of this was fairly new - it's very true that all our personal information is on computer so we all are vulnerable.
Sandra plays increasing desperation well, and the story unravels rather than unfolds, and is quite emotional in places - especially those including her mother with Alzeimer's. Jeremy Northam, Brit actor, and rather dishy, plays the antagonist, and plays it well. Being so attractive, his nefarious ways are even worse, and as all her safety is stripped away, he's always there to make her run again. I like that the programming scenes don't have silly graphics (see Hackers) but are clear key/screen clicks and code being typed and this is one of the most realistic of the many hacker films that came out in the 90s.
This has aged well, except some of the technology of course, and it's still relevant. It is interesting to see technology changes ie the ease and normalcy of tracing mobile phones now for example. Note the policeman reading the Miranda rights off a piece of paper - was this filmed around the time they had changed? Historically interesting watching it (again) now, in 2013. A good, entertaining film in a similar vein as The Pelican Brief - intelligent writing and not predictable.
I would liken this to a less ambitious version of 'The Fugitive', a film that released two years prior (and by most accounts a superior thriller). Much of what happens in the course of this film is standard fare, but it is presented with a semblance of realism and never seems to hit any lulls or real snags in rhythm despite the frenetic pacing. The plot isn't entirely plausible or devoid of clichés, but it remains interesting from start to finish, and Bullock carries the role well.
There are scattered scenes that show astute directing on the part of Irwin Winkler, though some of the secondary characters give uneven performances. However, Bullock does an admirable service at depicting a frumpy insular woman uncomfortable with her own sexuality and outer beauty. Her character is both resourceful and vulnerable at once, and it's a fresh pace to see a female lead with some layers to peel back in a genre dominated by men. Dennis Miller is very likable in his role, and ably acts the part with a more downplayed version of his real life persona. He was my favorite character by far and brought a lot of warmth to the role.
I'm usually very critical of any movies I see, and am generally turned off by standard Hollywood fodder, but there is a certain charm to 'The Net' that I can't deny. I liked it in '95, and I like it again almost twenty years later. Like visiting an old friend, there's a familiarity to it that is so hopelessly 90's and so reminiscent of a bygone era--the inception of the internet age--that it carries a certain weight to me unmatched by the multitude of forgettable popcorn thrillers of the decade.
¿Sabías que...?
- CuriosidadesWhen Jack (Jeremy Northam) wraps his handkerchief around Angela's (Sandra Bullock's) bare midriff, it borrows directly from the Alfred Hitchcock thriller Encadenados (1946), wherein Cary Grant does the same thing to Ingrid Bergman, cautioning her that without it, she might catch cold.
- PifiasWhen searching for Praetorian, Angela searches for the owner of IP address: 24.75.345.200 This address would be impossible on the Internet because no subnet address can be greater than 255. This has been reported as a goof, but it was surely deliberate by the filmmakers. It would be very poor practice to show a genuine, usable IP address, because the present or future owner of that address would undoubtedly be subject to massive flooding, ranging from spam to actual malicious hacking attempts. This writer noted the same fact at "Swordfish" in the Trivia section, http://www.imdb.com/title/tt0244244/trivia.
- Citas
Angela: Just think about it. Our whole world is sitting there on a computer. It's in the computer, everything: your, your DMV records, your, your social security, your credit cards, your medical records. It's all right there. Everyone is stored in there. It's like this little electronic shadow on each and everyone of us, just, just begging for someone to screw with, and you know what? They've done it to me, and you know what? They're gonna do it to you.
- ConexionesEdited into Twizzlers: The Movie (2015)
- Banda sonoraA Whiter Shade of Pale
Written by Keith Reid, Gary Brooker and Matthew Fisher (uncredited)
Performed by Annie Lennox
Courtesy of BMG Records (UK) Ltd./Arista Records, Inc.
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- The net (La xarxa)
- Localizaciones del rodaje
- 1200 Santa Monica Blvd, Santa Mónica, California, Estados Unidos(Angela sleeps in the parking lot of a BMW dealership)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 22.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 50.727.965 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 10.037.745 US$
- 30 jul 1995
- Recaudación en todo el mundo
- 110.627.965 US$