La sala de torturas chinas

When I got this movie I assumed by the title that it would be ALL about torture. This is not the case. Within all the comedic scenes with the kung-fu sexaholics and the invisible guy, I did find satisfaction in knowing that the two main characters did seem to love each other. As I was sitting there watching, I thought, "Oh, what a horrible movie." I am a huge fan of the actress Gong Li (who does not appear in this movie) but a new interest has sparked within me for the young Yvonne Yung. I will be looking up some more of her movies. As far as a recommendation for you, I would say, it's twisted, funny & weird with lots of titties. If you can stomach that kind of stuff, then you should be able to get through this. Yvonne Yung makes it worth the watch. Beware: It's subtitled, so pay attention!

My favorite part of this bizarre movie, aside from the graphic violence and sex, was the poorly translated and wholly inappropriate sub-titling. The entire film already had me precariously balanced between disgust and hilarity, but the way they presented some of the dialogue pushed me over the edge into falling-out-of-my-chair laughter. What sticks in my mind the most (apart from the exploding phallus and aerodynamic coitus) was a scene where a woman in the midst of seriously pounding and fairly graphic sex moans something that was translated as "So comfortable... so comfortable..."

As a native Cantonese speaker, I found this film hilarious with its over the top depiction of Qing dynasty court procedure, Taoist sexual practices and Confucian moralizing.

I have watched this film with some Chinese people who were very westernized or Chinese who were very uptight. They were offended as much as some Western viewers. Other Chinese have found it just as funny as I did.

There is a lot of very fine dialogue that unless you are a Cantonese speaker you cannot appreciate it. The acting is modern and naturalistic. It does not appear stylized or affected in a manner that a historical costume drama would suggest.

The voice over narration at the beginning and end of the film was also hilarious in putting a pseudo scholarly & historical tone to the proceedings.

This is a must see if you have any serious interest in Hong Kong films. Top notch entertainment if you are into this stuff. 10/10

A Chinese TORTURE CHAMBER STORY isn't a great film by any stretch, but it sure has some fun stuff going on... Long and short: a woman goes to work for a rich guy, the rich guy's wife gets jealous that her man is constantly eye-ballin' the hired help, and the wife decides to murder the servants husband and pin it on her husband and the servant-girl. The servant-girl's husband is known around town for having a big donkey-cock, and decides to slip an aphrodesiac in this poor cats medicine, causing his penis to explode (believe me, I couldn't make this sh!!t up if I tried...). Anyway, all goes according to plan until some of the other hired help rat the rich-guy's wife and her lover out.

The torture scenes are relatively tame if your used to this sort of thing, and the sex scenes aren't explicit compared to porn - but there are some truly funny and original things going on in A Chinese TORTURE CHAMBER STORY. The aerial-acrobatic-kung-fu-sex-submission and the invisible-stalker-man-in-the-middle-blow-job scenes were worth the price of admission on this one (not to mention the exploding-penis-hand-job...). The whole film is handled pretty tongue-in-cheek, so the f'ed up subject matter is a little easier to "swallow"...Definitely worth a look - 8/10

I've seen so many Hong Kong movies now that when I eventually came to watch this notorious Category III melodrama I took it all in my stride, but thinking back on it now, it has to be one of the most startling viewing experiences available to any viewer unfamiliar with HK cinema. Its part of a string of CAt III movies seeking respectability through use of historical settings (Sex and Zen, Sex and the Emperor, Lover of the Last Empress etc.), and for all its horrors, its not as sickening as Escape from Brothel or Eternal Evil of Asia. Yvonne Yung-Hung has perfected a set of wounded facial expressions that render her a perfect victim/fantasy figure, and feminist critics will find much to deplore in films like this, finding as they do eroticism in sadistic beatings of defenceless women - when one couple is executed, we only hear about the man's horrible death, but we see a graphic depiction of the woman's killing by wooden horse/dildo contraption. This movie is packed with ideas of how to find sexual grotesquerie in contortions of the human body, and the motif of escalating levels of torture is perfectly apt for Wong Jing's style of producing imaginative variations on his favourite preoccupations of sex and violence. He's only the producer, but his presence is tangible - I guess his closest Western equivalent might be Roger Corman. Fans of historical Cat III films will be pleased to see that the great Elvis Tsui once more steals the show with some spectacular sexual wirework.