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IMDbPro

La belleza de las cosas

Título original: Lust och fägring stor
  • 1995
  • 18
  • 2h 10min
PUNTUACIÓN EN IMDb
6,8/10
8,2 mil
TU PUNTUACIÓN
POPULARIDAD
3349
788
La belleza de las cosas (1995)
DramaRomanceWar

Stig, un estudiante de 15 años, se siente atraído por la belleza de Viola, su profesora de 37 años, y ella, atraída por su juventud e inocencia, siente que es un alivio enviado por Dios para... Leer todoStig, un estudiante de 15 años, se siente atraído por la belleza de Viola, su profesora de 37 años, y ella, atraída por su juventud e inocencia, siente que es un alivio enviado por Dios para su marido borracho y miserable.Stig, un estudiante de 15 años, se siente atraído por la belleza de Viola, su profesora de 37 años, y ella, atraída por su juventud e inocencia, siente que es un alivio enviado por Dios para su marido borracho y miserable.

  • Dirección
    • Bo Widerberg
  • Guión
    • Bo Widerberg
  • Reparto principal
    • Johan Widerberg
    • Marika Lagercrantz
    • Tomas von Brömssen
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,8/10
    8,2 mil
    TU PUNTUACIÓN
    POPULARIDAD
    3349
    788
    • Dirección
      • Bo Widerberg
    • Guión
      • Bo Widerberg
    • Reparto principal
      • Johan Widerberg
      • Marika Lagercrantz
      • Tomas von Brömssen
    • 26Reseñas de usuarios
    • 17Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
    • Nominado para 1 premio Óscar
      • 6 premios y 7 nominaciones en total

    Imágenes43

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    + 37
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    Reparto principal47

    Editar
    Johan Widerberg
    Johan Widerberg
    • Stig
    Marika Lagercrantz
    Marika Lagercrantz
    • Viola
    Tomas von Brömssen
    Tomas von Brömssen
    • Kjell
    Karin Huldt
    • Lisbet
    Nina Gunke
    Nina Gunke
    • Stig's Mother
    Björn Kjellman
    Björn Kjellman
    • Sigge
    Kenneth Milldoff
    • Stig's Father
    Frida Lindholm
    • Olga
    Sigge Cederlund
    • Cinema Operator
    Gösta Ekstrand
    Per Olov Börjeson
    Monica Stenbeck
    • Gym Teacher
    George Bisset
    Hilda Suovanen
    Jörgen Svensson
    Nynne Schwartz
    Magnus Andersson
    • Klass 3B Malmö Kommunala Mellanskola
    Mikael Bengtsson
    • Klass 3B Malmö Kommunala Mellanskola
    • Dirección
      • Bo Widerberg
    • Guión
      • Bo Widerberg
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios26

    6,88.2K
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    Reseñas destacadas

    9E Canuck

    Sex and complexity...oh those Euro flicks

    Watching "All Things Fair" as it showed on TV here in Canada on CBC public network last night, was a treat. Only my sensible, nagging partner coaxing me to get to bed on a work night persuaded me we could trust the VCR to tape the last hour or so. Fortunately for his neck, the tape ran out during the closing credits and not before!

    What I liked most about the film (with English subtitles) was the complexity of Sig's world and his relationships. It's a very real world feeling on screen, full of quirky believability, despite Sig's unusual arrangement with his teacher.

    Though I know of a real life story resembling Sig's relationship with his teacher that went very differently for the teacher--ending in her virtual ruin--the behaviour of these film characters, the outcome and the aftermath, rings true nonetheless. No character is one-dimensional, even though the film schools us to sympathize with the choices of some and to repudiate others.

    It's delightful to find in the credits that the director gave the plum lead role to his son. It takes an admirable trust, I think, to turn over a role like this to one's own young kin, complete with whatever there is in the script that MIGHT be autobiographical.

    The female solo vocals in the soundtrack were wonderful. Now, I just need to found out who was singing like a bell whenever love or pain swelled in the story.
    random-70778

    Imagine if the genders were reversed or both the teacher an the child were male, you would see it clearly as rape.

    Rape is rape. The "love scenes" are rape. Imagine if the genders were reversed or both the teacher an the child were male, you would see it clearly as rape. Teachers have authority and power over children and just like in the US -- in Sweden it is legally rape for a teacher in a school to have sex with a minor child who attends that school. There is no age under 18 where a minor may consent with a teacher

    Again if the genders were reversed in this and it were some 35 or 40 year old guy teacher and his 15-year-old girl student would we be saying, as some reviewers here are, that the "love scenes were "tender" and "beautiful." WTF?
    6stefan-144

    Something lacking, something unsaid

    This was to be director Widerberg's last movie. A sweet family farewell, since his son played the lead in it. What his last words may be, as expressed in this movie, though, is hard to say. There is no clear moral in it, for which I am thankful, but a somewhat distressing observation about love: it is a close neighbor to hate, and it will not leave without vengeance.

    The love affair between the school teacher and the teenage student is interesting when it starts to break up, but its beginning is too swiftly dealt with to make any sense, and its joyous, lustful phase is without depth. Only when things go awry, does the story get interesting, and the actors get to excel in their art.

    The title is from a psalm, which is traditionally sung by students when they leave school for the summer break - or for good. It's a hymn to the summer and its luscious splendor - therefore, a lust of another kind, than the carnal one the movie deals with. Some Widerberg irony, no doubt.

    Using his son as the student in the movie, was not that good an idea, although Johan Widerberg has a rare charisma on screen, and his own odd talent in acting. His father seems not to have been able to treat his son with the same merciless exploitation, as he was quite apt to do with other actors. So, the student is left hanging in a kind of vacuum, as if empty of his own intentions and conflicts. Things happen to him, as if he had nothing to do with them.

    In this type of drama, it is important that the characters are stripped naked - well, mainly their souls, but bodies too, if need be. Widerberg manages the latter with his son, briefly, but not at all the former. When wanting to protect his son, he actually abandons him - for no other reason than the inhibitions in his own fatherhood. Johan, on the other hand, seems to be prepared to do any sacrifice necessary, to make the movie work.

    I could be wrong. But the impression remains: the student's story never really gets to be told, because he is not allowed to be present, completely.
    8raymond-15

    More films of this standard are desirable

    How much I regret the passing of director Bo Widerberg who can create a film such as this one with its dramatic portrayal of human problems, human relationships and human emotions. It was not so much the dialogue but more the unspoken words that grabbed my attention and held me to the end. A long silence can be filled with meaning....a stolen look, a fleeting glance, a flicker of a smile, a movement of the eye....all these subtle messages electrify the air between Viola the teacher and Stig the student in the class room. We know at once that in some magical way their lives have been drawn together and as we are caught up in the drama we seem to know that eventually the ending will not be a happy one.

    Under the guise of having special coaching lessons, Stig gains entrance into his married teacher's household after his evening cinema job. Shy at first he soon experiences the delights of a continuing relationship with Viola who is a very competent teacher in all respects. Perhaps we can pardon Viola for her "cradle snatching" when we find out that her husband has taken to drink and seems almost permanently drunk.

    The love scenes are sensitively handled and the remarkable changes which develop in the characters create an imposing piece of cinema. Stig seems to take on a degree of security in a scene where he accuses the husband of the impossible situation. But who is really to blame? That is the intriguing part of the film.

    There are some aspects that are not explained thus the viewer becomes involved. As for the stolen encyclopaedia, why would Stig carry them off. Is he just in a vindictive mood and does it just to annoy Viola or have those volumes become special to him because they belonged to Viola.
    iota74

    I love this movie so much!

    I watched this movie by VCD and was so greatly touched by it that I watched it over and over again. There are much more I could feel than what I can put down for now. I really would like to know more about the story, its background and any information about the excellent actors and actress. What I have downloaded from the Internet was far from enough, even worse, most of them are written in Swedish. This totally denied me from having a better understanding of the movie. Unfortunately, I failed to get a Swedish-English/Chinese dictionary to help me out. (There is only a very brief one in Shanghai Foreign Book Trader with a price as high as 260 RMB).

    With all my knowledge so far, I think this movie is great in depicting how a youngster copes with whatever comes to him. Despite the sadness and confusion that he has gone through, he also gets the strength out of a kind of impotency. I really admire these artists of their talent in showing us the richness of life and in an elegant and natural way. In my eyes, there should be two kinds of arts: one is what "is", and the other is what "should be". As far as I've seen, many movies are relegated to what is not and what should not be. I just want to ask a favor to whomever you are, if you can help me with a Swedish dictionary and more about the movie. Of course, most importantly, your personal opinion about it.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Karin Huldt was 14 during filming.
    • Pifias
      RCA Red Seal records are shown playing on the phonograph nearly every time Stig and Kjell are listening to classical music, and when Stig is listening to a classical recording at his home; none of the pieces on the soundtrack were RCA recordings.
    • Conexiones
      Featured in Lust och fägring - En film om Bo Widerbergs sista (2015)
    • Banda sonora
      Rinaldo: Lascia ch'io pianga
      Music by George Frideric Handel (as Händel)

      Performed by Lesley Garrett with The Philharmonia Orchestra

      Conducted by Ivor Bolton

      Silva Screen Records (UK)

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    Preguntas frecuentes

    • How long is All Things Fair?
      Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 30 de abril de 1997 (España)
    • Países de origen
      • Dinamarca
      • Suecia
    • Idiomas
      • Sueco
      • Inglés
      • Alemán
    • Títulos en diferentes países
      • All Things Fair
    • Localizaciones del rodaje
      • Malmö, Provincia de Escania, Suecia
    • Empresas productoras
      • Per Holst Filmproduktion
      • Det Danske Filminstitut
      • Nordisk Film & TV-Fond
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 25.000.000 DKK (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 13.128 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 4530 US$
      • 10 mar 1996
    • Recaudación en todo el mundo
      • 13.128 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      2 horas 10 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby SR
    • Relación de aspecto
      • 1.66 : 1

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