Semillas de rencor

"The opposing groups are just too clearly defined and what we are left with is a comic strip or a caricature, even down to the pipe smoking professor".They even did a bad job on their stereotyping. Laurance Fishburn's accent sounded scottish when you just really anticipate an english accent to go with that pipe.

In one scene where the two parties have their first confrontation I just kept waiting for them to start laughing and it turn into a comedy. I had the hardest time believing these people were serious. They expect you to believe this is *really* how people live but you just dont see it cause you're blind.

I must have been watching a different movie to most of the people adding comments. I didn't see it as a film portraying African Americans as good and whites as bad but as a film in which all the factions were shown to have good and bad sides. Even the guy who becomes the Nazi skinhead was portrayed sympathetically in as much as he is clearly out of his depth in a social situation and becomes a recruit because only the skinheads will accept him when no-one else will. Overall, the African Americans come out as the most sympathetic but not by much.

I agree there are some fairly silly stereotypes, especially Fishburne's character, but they work in the context of the movie. Most refreshing was the fact that an American college is portrayed as a place with real issues like racism and date rape and drunken behaviour. It's refreshing because colleges are usually shown as places where nice middle-class kids never have any problem bigger than being dumped by their boyfriends before everything is resolved in the last reel.

An overly maligned movie. Not perfect but better than a million other college movies. Loved the ending too.

I found this film to be heavily laden with stereotypes - everything from the depiction of fraternity members being sexist, skirt-chasing rapists, to the african-american male doing the 'hood walk, to the white male hick who just has to end up becoming a neo-Nazi. The ending was uncalled for and decidedly cheesy. Makes you wonder if the writers/director ever went to college, and if so which ones, cause the one I went to was not nearly as exciting. I realize that Mr. Singleton was attempting to deal with multiple issues in a limited timespan, which accounts for the film having very little by way of realism, but that doesn't excuse many of the situations being as over the top as they were, nor does it warrant such heavy usage of stereotypes.

And the near lack of non-black and non-white (I don't count Jewish people as not being white) characters only served to lessen my respect for this piece of work. I am South Asian myself (that's the Indian subcontinent for those who feel geographically challenged) and, in general, find our lack of presence in any mainstream production about higher education just a little bit annoying, especially given the large numbers of such people on any college campus. And by presence, I don't mean "boy at fountain" or "girl in classroom" cardboard characters. I mean real, live people with relevant parts.

The cinematography, on the other hand, was great. His crowd scenes in particular were shot beautifully.

After being blown away by Boyz n' the 'hood, I was very disappointed by Higher Learning. I give it a 4 out of 10.

Columbus University is one of the finest in America. Into this place of higher learning comes a mix of students to join the already multicultural pot. Malik is a black track star who feels he is disadvantaged as he has to run and study, while others only have to run. Remy is a white teenager who is forced out of his dorm by his black roommate and finds friendship in an extreme group. Kristen is a young female who struggles to make friends and is assaulted by a man before falling in with a women's group. Their experiences intertwine in the small campus.

If anyone wonders why director John Singleton (he of Boyz n' the Hood) is now making things like 2Fast2Furious, this is as good a place to start looking as anywhere. After an assured start with Boyz, the director made a couple of films that had potential but just came out muddled or lacking something to make them work. Poetic Justice was one of them and this was another. Higher Learning had potential and you can see that it's heart is in the right place but it doesn't come off at all. The plot tries to be a mix of experiences but, because there are three or so characters up front, there is no time to develop them so their experiences are broad cultural brush strokes - the white kid sucked into extremism, the raped girl taken into lesbianism, the black man who has to work harder for everything.

As a result the plot never really engages and it all just goes where you expect it to go - and is less impacting as a result of it's plodding nature. This spills over into the characters too - they are all pretty much stereotypes that fit into their scenario rather than real characters. Singleton shows is bias in his direction and character selection. My wife said something about me watching a lot of `black' films in the past week and I said Higher Learning was not dominated by any one race - but I think I was wrong. Singleton clearly likes the characters played by Busta Rhymes, Ice Cube and Epps - they are cool and put upon where other characters (races) have fewer kind touches placed on them. Personally I thought every character had huge chips on their shoulders about their identity - but the African American characters are the only ones that are held up for praise in relation to their chips!

Having said that I did think Epps did OK - he made a lifeless character a little more interesting. Banks however is as one dimensional as I have grown to expect from her. Rapaport looks very young indeed but he does well. His character is lazily drawn and developed, but he manages to make him a little human - which took work looking at the film as a finished product. Swanson is too dippy and light - but then all the lesbian characters seem to be painted in a weird sort of light. Ice Cube and Busta Rhymes give extended cameos which require them to deliver their rap personas of thugz - they are laughably clichéd! Fishburne adds gravitas as he always does, but he has little to do and is given not only a poor accent, but also some `deep' dialogue that just sounds pretentious or like a fortune cookie.

Overall I saw what this film was trying to do but it didn't manage it. It was ambitious, but the wide spread meant that none of the plots or characters were allowed to develop and instead were left as hollow, broad stereotypes and scenarios. The film tries to go all deep and the final shot of the word `unlearn' against an American flag just feels like Singleton must have thought that he had been making incredibly profound points the whole time - instead it felt that his original idea had had a deeper point, but it was totally lost in delivery.

good acting, bad script...this film attempted to cover every issue of a controversial nature that one might experience in college...problem is the film's too short to effectively and realistically explore and resolve these issues (if he had his heart set on making a film about racism, lesbianism, rape, and interracial conformity then perhaps Singleton might have wanted to invest in a cable mini-series) and for this what we got was a mix of stereotypes/cliches that made this too predictable and, at times, ridiculous to watch. Nevertheless, great acting from Epps, Rappaport and Fishburne.