Un grupo de ladrones profesionales de alto nivel empieza a sentir a la policía de Los Ángeles en los talones cuando, sin saberlo, deja una pista en su último atraco.Un grupo de ladrones profesionales de alto nivel empieza a sentir a la policía de Los Ángeles en los talones cuando, sin saberlo, deja una pista en su último atraco.Un grupo de ladrones profesionales de alto nivel empieza a sentir a la policía de Los Ángeles en los talones cuando, sin saberlo, deja una pista en su último atraco.
- Premios
- 15 nominaciones en total
Resumen
Reseñas destacadas
You know that feeling of having seen it about 3 or 4 times in the last 12 months is not enough? That's what I feel at the moment.
I rate it as Mann's best. It's his most kinetic,vibrant(for a film mostly shot in steely blue),agonising,stirring,brash,violent and brilliance in such a simple story.
What games did you play as a young kid? Cops and robbers.Good guy.Bad guy.
We all know De Niro and Pacino could have been either main part,but can you imagine it any other way round. Pacino doing ice cool calm? De Niro the manic outbursts,arms flailing? It wouldn't work. We know these men now.We know neither will stop at what they do.And yet there is no way either would stop the other.Unless they had too. Which leads us too the characters. All of them.
This is an extended family where you feel you know all of them without knowing anything at all. The cops are similar to the robbers and vice-versa. Perhaps Mann is telling us were all the same.Except in what we do.Every speaking part holds substance in this movie, and the support cast is astonishing when you actually read the caliber of who appeared in this film.Tom Sizmore, Val Kilmer,Ashley Judd,Ted Levine,Wes Studi,Hank Azaria,William Fitchner,Henry Rollins,Dennis Haysbert,Tom Noonan. And Natalie Portman, for chrissake! Try getting that cast again.
A real 10/10 film. And that Moby song at the end(God moving over the face of waters) gets me every time.
This movie made modern-day history because it was the first time two of the great actors of this generation - Pacino and Robert De Niro - finally acted together in the same film. Those two didn't disappoint, either. They were great to watch and one of the huge highlights of the film, to me, was when they faced each other in a simple conversation over a cup of coffee. That conversation has always fascinated me, no matter how many times I've heard it. It was such a "landmark" scene that It's even the subject of a short documentary on the special-edition DVD.
As with the conversation scene, the shootout segment in the streets of Los Angeles still astounds me no matter how many times I see it. The other action scenes are intense and memorable, too, and the cast in here is deep. This isn't just Pacino and De Niro. It's Val Kilmer, Ashley Judd, Jon Voight, Diana Venora, Natlie Portman, Tom Sizemore, Amy Brenamann, Wes Studi, Ted Levine, Mykelti Williamson, on and on.
Put that fabulous cast under Michael Mann, one of the best directors in business, add a great soundtrack and interesting camera-work and you have a great film. At three hours long, it never bores one and at same time, doesn't overdo the action, either. I read one critic criticize this film because of the time taken to examine the personal lives of the main characters, but you can't have three hours of nothing but action. The only scene I felt went on a bit too long was the ending chase at the airport, but that's nitpicking considering the film as a whole.
This is just one of those movies where a great cast and director live up to their billing.
This movie is directed by Michael Mann (Ali) and stars Robert De Niro (Goodfellas), Al Pacino (Scarface), Val Kilmer (Willow), Jon Voight (Anaconda), Mykelti Williamson (Forest Gump), Ashley Judd (Kiss the Girls), Tom Sizemore (Black Hawk Down), Wes Studi (Deep Rising), Natalie Portman (Leon: The Professional), Ted Levine (Silence of the Lambs) and Dennis Haysbert (Far from Heaven).
This cast is absolutely amazing top to bottom. The writing is also excellent and delivers the backstories to each character to perfection and the dialogue is out of this world. The chemistry of the cast throughout the film worked perfectly and the action scenes are intense and very well done. You find yourself rooting for both sides the entire film. The conclusion to such a huge movie is excellent and fits the film perfectly.
This is an all time classic that is an absolute must see and an easy 10/10. I would strongly recommend seeing this.
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- CuriosidadesRather than dubbing in the gunshots during the bank robbery shoot-out, Michael Mann had microphones carefully placed around the set so that the audio could be captured live. This added to the impact of the scene, because it sounded like no other gunfight shown on-screen.
- PifiasIn the final scene, the approach light system at LAX airport is shown turning on and off for individual aircraft as they approach to land. In actuality, approach lights to runways remain lit at the same level of intensity for aircraft. They are not turned 'up' and 'down' for each airplane.
- Citas
Vincent Hanna: I'm angry. I'm very angry, Ralph. You know, you can ball my wife if she wants you to. You can lounge around here on her sofa, in her ex-husband's dead-tech, post-modernistic bullshit house if you want to. But you do not get to watch my fucking television set!
- Versiones alternativasFor the film's Blu-ray release in 2009, director Michael Mann made two minor changes to the film (this Blu-ray cut has been used for all subsequent home video releases):
- When Vincent Hanna (Al Pacino) returns to the restaurant to pick up Justine (Diane Venora), they have a low-key argument about his obsessive police work and how it is affecting the marriage. In the Theatrical Cut, Justine says, "You don't live with me, you live among the remains of dead people. You sift through the detritus, you read the terrain, you search for signs of passing, for the scent of your prey, and then you hunt them down. That's the only thing you're committed to. The rest is the mess you leave as you pass through." In the Blu-ray cut, the line "You sift through the detritus" has been removed. To cover this edit, the camera cuts to Hanna rather than staying on Justine for the entirety of her monologue (which was how the scene played out in the Theatrical Cut).
- When Hanna is speaking to Alan Marciano (Hank Azaria), Marciano questions why he got involved with Charlene Shiherlis (Ashley Judd) at all, and Hanna shouts, "Cause she's got a great ass...and you got your head all the way up it!" The camera cuts to a stunned Marciano, and we hear Hanna say, "Ferocious, aren't I?" The camera then cuts to Hanna and he says, "When I think of asses, a woman's ass, something comes out of me." In the Blu-ray cut, the line "Ferocious, aren't I?" has been removed from the audio track.
- Banda sonoraAlways Forever Now
Music by Passengers
Performed by Passengers
Courtesy of Island Records Ltd.
By Arrangement with PolyGram Film & TV Licensing
Selecciones populares
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Fuego contra fuego
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 60.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 67.436.818 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 8.445.656 US$
- 17 dic 1995
- Recaudación en todo el mundo
- 187.436.818 US$
- Duración
- 2h 50min(170 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1