24 horas en las vidas de los empleados de Empire Records, que ahora son jóvenes adultos que se enfrentan al prospecto de que la tienda sea comprada por una cadena.24 horas en las vidas de los empleados de Empire Records, que ahora son jóvenes adultos que se enfrentan al prospecto de que la tienda sea comprada por una cadena.24 horas en las vidas de los empleados de Empire Records, que ahora son jóvenes adultos que se enfrentan al prospecto de que la tienda sea comprada por una cadena.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 1 nominación en total
Renée Zellweger
- Gina
- (as Renee Zellweger)
Ethan Embry
- Marc
- (as Ethan Randall)
Brendan Sexton III
- Warren
- (as Brendan Sexton)
Kimber Sissons
- Woman at Craps Table
- (as Kimber Monroe)
Julia Deane
- Kathy
- (as Julia Howard)
Reseñas destacadas
with the recent release of the special edition dvd of this film, i'd suggest you go watch it. yeah, this movie is a light, fluffy gen-x teen movie with its music video moments. however, what was eight years ago just a normal teen movie has gained some semblance of social relevance -- compared to today's teen movies, this film can be seen as some sort of masterpiece.
for one thing, you never see films anymore where teens are actually fighting for something except for a date to the prom. the characters in empire records, yes, are submerged in their overdramatic romantic escapades, but their main prerogative in the film is to prevent a large corporation from buying out their independent record store. are there films that spark that kind of activist spirit in middle- and high- schoolers today? no. we're going backwards.
also, the humor in this film offers up some absurdist wit, which you never find in teen movies now. a kid glues some quarters to the floor so he can laugh at the poor saps who later try desperately to pick them up. a shoplifting teenager gives the fake name of 'warren beatty'. do kids today even know who warren beatty is? i doubt it.
this film was made in 1995, right before many of the laws allowing corporations to buy and control multiple media outlets were passed. the years since '96 have shown us a homogenization of music and movies, especially in the teen sphere, and it is turning today's teens into a bunch of celebrity-obsessed idiots.
compared to your sons and daughters, the kids in empire records can be now seen as role models.
for one thing, you never see films anymore where teens are actually fighting for something except for a date to the prom. the characters in empire records, yes, are submerged in their overdramatic romantic escapades, but their main prerogative in the film is to prevent a large corporation from buying out their independent record store. are there films that spark that kind of activist spirit in middle- and high- schoolers today? no. we're going backwards.
also, the humor in this film offers up some absurdist wit, which you never find in teen movies now. a kid glues some quarters to the floor so he can laugh at the poor saps who later try desperately to pick them up. a shoplifting teenager gives the fake name of 'warren beatty'. do kids today even know who warren beatty is? i doubt it.
this film was made in 1995, right before many of the laws allowing corporations to buy and control multiple media outlets were passed. the years since '96 have shown us a homogenization of music and movies, especially in the teen sphere, and it is turning today's teens into a bunch of celebrity-obsessed idiots.
compared to your sons and daughters, the kids in empire records can be now seen as role models.
i dunno. theres just something about this movie.
yeh, in actuality, its probably dreck. its probably worthless and people probably wont remember its years and years from now when they start making out the lists of '90s movies that changed the sphere of moviemaking.
so what?
for me, this movie really does capture the feel of the mid-'90s. i was like these people once. i wore an outfit scarily like the one liv tyler sports (although without the hideous unders combo, im sure), i knew people like every one of the 'archetypes' from the movie and i really, really wanted to work in a record store. hasnt everybody? and doesnt everybody want there to be a cool record store like this in their town?
i guess for me it is a nostalgia thing, but i watched it (again) the other night with my boyfriend, and we both still laughed during the funny parts and cuddled during the sweet parts and, well, danced during the dance parts.
its just fun to look back on such a 'time-period' movie like that ... the clothes, the attitudes, the music even ... how good is it to hear the gin blossoms again, eh?
im sure many would disagree, but for someone who was right there when it was all happening, so to say, its a gentle reminder of the days before mtv committed suicide, before liv tyler started making 'real' movies, and when phrases like 'whats with Today, today?' could travel through a junior high faster than mono.
yeh, in actuality, its probably dreck. its probably worthless and people probably wont remember its years and years from now when they start making out the lists of '90s movies that changed the sphere of moviemaking.
so what?
for me, this movie really does capture the feel of the mid-'90s. i was like these people once. i wore an outfit scarily like the one liv tyler sports (although without the hideous unders combo, im sure), i knew people like every one of the 'archetypes' from the movie and i really, really wanted to work in a record store. hasnt everybody? and doesnt everybody want there to be a cool record store like this in their town?
i guess for me it is a nostalgia thing, but i watched it (again) the other night with my boyfriend, and we both still laughed during the funny parts and cuddled during the sweet parts and, well, danced during the dance parts.
its just fun to look back on such a 'time-period' movie like that ... the clothes, the attitudes, the music even ... how good is it to hear the gin blossoms again, eh?
im sure many would disagree, but for someone who was right there when it was all happening, so to say, its a gentle reminder of the days before mtv committed suicide, before liv tyler started making 'real' movies, and when phrases like 'whats with Today, today?' could travel through a junior high faster than mono.
I love this movie. This movie is the kind of movie I watch movies for (um....did you follow that?). I would make one suggestion, however....watch it twice before you decide if you like it or not. If you're like me you'll probably be lukewarm the first time you see it but like it more each time you see it after that.
The reason for seeing it twice is because the film's strong points become more evident the second (and beyond) time around. Each character is well-defined, with individual traits and idiosynchracies, but this can be lost the first time through because you're trying to follow the story. There is a very strong soundtrack for the movie, but you appreciate it more the second time through, because you better understand how the music applies to the scene. The actors have great chemistry and the character interactions are great. The movie never takes itself very seriously and it's just a lot of fun to watch. You'll find yourself rewinding it to see certain scenes again and again.
I grant you the movie will never win any Academy nominations. The plot is simplistic and the "neat" ending (all problems solved perfectly in just one day) is unrealistic (not that this bothered me....I personally loved the ending....if I want "reality" I'll watch the evening news). Also, trying to follow the storyline tends to take away from the character interaction the first time you see it; hence, the suggestion to see it at least twice. I actually didn't care for it the first time I saw it because I was looking at it strictly story-wise. The second time I saw it I concentrated on the characters and the dialogue(which I loved), and that's when I realized the appeal. If you're into serious movies that reflect real life and real suffering, you'll probably want to pass on this one. However, if you watch movies to have fun and laugh, watch this one. Also, if you like music- especially a moderately wide variety- you'll enjoy it. It's worth your time, but save the beer for the second viewing. "Sugarhigh" is awesome- Well done, Gina! Hot voice.... Oh, and Damn the Man! 9 out of 10.
The reason for seeing it twice is because the film's strong points become more evident the second (and beyond) time around. Each character is well-defined, with individual traits and idiosynchracies, but this can be lost the first time through because you're trying to follow the story. There is a very strong soundtrack for the movie, but you appreciate it more the second time through, because you better understand how the music applies to the scene. The actors have great chemistry and the character interactions are great. The movie never takes itself very seriously and it's just a lot of fun to watch. You'll find yourself rewinding it to see certain scenes again and again.
I grant you the movie will never win any Academy nominations. The plot is simplistic and the "neat" ending (all problems solved perfectly in just one day) is unrealistic (not that this bothered me....I personally loved the ending....if I want "reality" I'll watch the evening news). Also, trying to follow the storyline tends to take away from the character interaction the first time you see it; hence, the suggestion to see it at least twice. I actually didn't care for it the first time I saw it because I was looking at it strictly story-wise. The second time I saw it I concentrated on the characters and the dialogue(which I loved), and that's when I realized the appeal. If you're into serious movies that reflect real life and real suffering, you'll probably want to pass on this one. However, if you watch movies to have fun and laugh, watch this one. Also, if you like music- especially a moderately wide variety- you'll enjoy it. It's worth your time, but save the beer for the second viewing. "Sugarhigh" is awesome- Well done, Gina! Hot voice.... Oh, and Damn the Man! 9 out of 10.
This is a films that you can easily watch over and over again and not get sick of. If you are a teenager and havent seen this.. where have you been. Go rent this baby today. This film reminds me of my days working in a certian franchise doing little as possible and slacking off at any time possible. AHHH those where the days..... The acting overall is quite good and along with the pumping soundtrack makes this a joy to watch. GO GET THIS NOW!!!
As one critic bluntly says, in one day everything that can possibly happen to the characters does, and everyone comes out better at the end. Truly this doesn't happen in real life, but in REEL life we call it entertainment. I enjoyed it as a quirky comedy. I probably would not have been so entertained if it didn't have some of my favorite stars, some before they hit it big -- Renee Zellweger, Liv Tyler, Debi Mazar, and Anthony LaPaglia. I was not familiar with Rory Cochrane, but his character Lucas was one of the best here.
So, what's the story? LaPaglia is the manager of this Eastern US record store, Empire Records which has been in business since 1959, the sign tells us. On this fateful day employee Lucas is asked to close the store at midnight, and count all the money, twice. He does, and also observes that plans are in place to sell the business and convert it into a rather dull record store. So, he does what any good employee would do. Instead of putting the $9Thousand in the safe, he gets on his motorcycle and heads to Atlantic City with it! That begins a rather hectic 24 hours, involving all the employees of Empire Records.
Nothing Earth-shaking, just a fun movie to watch.
May 2020 edit: I watched it again and came away with much the same opinions. I found it especially interesting to see Zellweger right before she started her climb with the role in Jerry Maguire a year later. And now she is a fresh Oscar winner, Best Actress as Judy Garland. You can see that she was always exceptional.
So, what's the story? LaPaglia is the manager of this Eastern US record store, Empire Records which has been in business since 1959, the sign tells us. On this fateful day employee Lucas is asked to close the store at midnight, and count all the money, twice. He does, and also observes that plans are in place to sell the business and convert it into a rather dull record store. So, he does what any good employee would do. Instead of putting the $9Thousand in the safe, he gets on his motorcycle and heads to Atlantic City with it! That begins a rather hectic 24 hours, involving all the employees of Empire Records.
Nothing Earth-shaking, just a fun movie to watch.
May 2020 edit: I watched it again and came away with much the same opinions. I found it especially interesting to see Zellweger right before she started her climb with the role in Jerry Maguire a year later. And now she is a fresh Oscar winner, Best Actress as Judy Garland. You can see that she was always exceptional.
¿Sabías que...?
- CuriosidadesRex Manning's music video "Say No More, Mon Amour" was shot on Wrightsville Beach, North Carolina in one day. It was shot before principal photography, intended as a 17-second dance move piece for the main actors and actresses to make fun of. However, the music video director shot for the entire day, and gave the producers a four minute, thirty second music video.
- PifiasAJ removes his shirt during the close-up in-store dancing scene. The long shot shows it back on, and then another close shot shows it off.
- Créditos adicionalesMark and Eddie sitting on the curb in front of the store talking about rock bands.
- Versiones alternativasSpecial Edition DVD contains 16 minutes of deleted footage edited back into the film.
- ConexionesFeatured in WatchMojo: Top 10 Modern Movie Soundtracks Guys Love (2013)
- Banda sonoraTil I Hear It from You
Performed by Gin Blossoms
Written by Jesse Valenzuela, Robin Wilson and Marshall Crenshaw
Courtesy of A&M Records Inc.
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Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 273.188 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 150.800 US$
- 24 sept 1995
- Recaudación en todo el mundo
- 273.261 US$
- Duración1 hora 30 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
- 2.35 : 1
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