La hija de Robert Poste

If you are searching for comparisons to help you decide whether to watch "Cold Comfort Farm" imagine a slightly older "Pollyanna" going to live on a rundown version of "Babe's" English farm with a strange and bleak collection of her country cousins.

This is an excellent and very earthy adaptation of Stella Gibbon's 1932 satirical novel (which itself is an odd marriage of Hardy and Wodehouse). Where the village pub is named "The Condemned Man" and the cows are named Aimless, Feckless, Graceless, and Pointless. Both the novel and its adaptation are joyfully depressing and packed with literary eccentricity and subtle humor. If you like "Faulty Towers" then you can expect to get off on the humor. But if you prefer "Hot Shots! Part Deux", you should probably pass on "Cold Comfort Farm".

There are three possible viewer reactions: It's not funny. I didn't figure out it was a comedy until halfway through but then I found it hilarious. I couldn't stop laughing.

Kate Beckinsale plays Flora Poste (always referred to by her relatives as Robert Poste's daughter), a recently orphaned 19 year old who chooses to live with relatives (the Starkadders) she has never met, at gloomy Cold Comfort Farm in Sussex. Beckinsale, even more radiant than usual, pulls off a nice characterization of the resourceful yet snobbish heroine. Like Pollyanna, she is a catalyst for positive change, but they are calculated changes. Her instinctive snobbishness (Beckinsale has a real talent for this) is played for laughs since everyone would feel a bit superior and distanced from this eccentric collection of misfits.

The adaptation nicely incorporates Gibbons's subtle parody of Jane Austen romantic clichés, from the controlling madwoman in the attic to wood nymph poetess, to the quivering parishioners. Even the production design is a funny send-up of the standard BBC mini-series look.

This is really a terrific production, doubly so for Beckinsale fans.

Then again, what do I know? I'm only a child.

Most movie versions of books are disappointing because a good book is always a far richer experience, but this one doesn't shame its source. In fact it's an amusing romp, largely because all the actors are letter perfect -- not easy with a broadly satiric story like this one. Flora Poste's romantic notions actually produce positive results with the loutish Starkadders, such as matching the etiolated Elfine with her true love and sending the smoldering Seth off to become an American film star, while Flora herself ends the movie linked to her own very suitable suitor. Dialogue and motion picture scenery cannot reproduce the exquisitely sly writing of Stella Gibbons, however, so if you liked this movie, by all means read the 1932 book. It's a classic parody of rustic melodrama.

Humorous film involving a spirited young woman by the name of Flora, who brings her stylish views of living, to the oppressed residents of a country farm. The humor at times is very dark and cutting, and oft times hilarious. They'll be plenty of good, quotable material from this well-crafted film, to go around. My favorite: "...Drain the well, there's a neighbor missing..." The script is very slick, and the performances are even better. If you enjoy offbeat humor mixed with a really sweet story, you'll like this movie.

Absolutely terrific movie is an interesting take on the popular theme of people who come into a mess of unhappiness and create joy. Often these movies rely on a central character who is magical, or has great charm and a love for life, but Flora achieves her ends through pure English practicality, and it is very amusing to see someone approaching misery as a mess to be cleaned up. Flora, excellently portrayed by Beckinsale, is pretentious and rather smug but also well-meaning and likable. In a way she seems to be the personification of British imperialism, although that's probably a bit of a stretch.

Much of the fun of the movie is the ridiculous level of misery and squalor represented by Cold Comfort Farm, which is a parody of the sort of grim worlds one can find from writers like Dickens. Eileen Atkins does a great job, but then they all do. The only real weak point in the movie is Mybug, who seems completely unnecessary. Perhaps he was a significant character who served some purpose in the novel, but here he is just this annoying peripheral character, and had he been cut entirely out of the movie it would have been all the better for it (although I generally like Stephen Fry). In spite of that, an excellent film.

This film was produced for BBC television but had a theatrical release the next year -- probably to take advantage of the popularity of all those Jane Austen movies (Emma, Persuasion, et. al.) It is not a Jane Austen story, but it is a sort of genial romance/comedy of manners (set in the early 1930's?) with a plucky, bright, but penniless heroine. The book it was based on was actually a parody of Gothic romance fiction. Even though this movie is played for laughs (and has many), it still manages to make you care for the characters. Everything works here and (editing, cinematography, performances) and you really appreciate what the director, John Schlesinger, managed to do on a probably skimpy budget.

This movie was the first I ever saw of Kate Beckinsale and I thought she was fantastic in it. I remained a fan for a long while, even though her subsequent movie performances (and choices) have been awful. She finally lost me with her recent laughable turn in Van Helsing. Nevertheless, she WAS good in Cold Comfort Farm, so if you're no fan of Beckinsale don't let that dissuade you from seeing this movie.

Other standouts in the cast are Eileen Atkins, Rufus Sewell, and Ian McKellen who is screamingly funny as a fire and brimstone preacher.

This film is definitely worth having on video or DVD in that it bears up very well to repeated viewings. I've seen it at least 5 times since its release, and my estimation of it rises with each viewing.