Orgullo y prejuicio

A female journalist once wrote that no actress could ever portray Elizabeth Bennet to the satisfaction of a woman viewer for one very simple reason: every woman really visualizes herself in that role. Jennifer Ehle has done the impossible - she is, and in my mind, forever will be, Elizabeth. The beauty, wit, and sparkling liveliness of the character are perfectly captured in her performance. And Colin Firth's Mr. Darcy is an exact match for her. His smoldering good looks are wonderful, and he can portray reserve without descending into woodenness and blankness. The scene where he and Elizabeth dance a long and stately dance together in the midst of a crowd is both controlled and exciting - with very little change of tone, and while preserving the most correct decorum, their conversation reveals dangerous undercurrents of emotion, and meanwhile the steps of the dance keep pulling them together and apart again. The rest of the characters are equally fine - David Bamber's obsequious Mr. Collins is especially unforgettable.

This is a drama to rave about. I've not seen its like on television before; nor do I expect to see its like again. It was superb. It was almost perfect - though not quite.

It is rare to find a Jane Austen dramatisation that comes so near to being perfect on every level and that stays so true to the original novel. The greater part of the dialogue in the series is Jane Austen's own and every scene is included and follows the same chronological order. The drama departs from the novel in only two instances. In order to extend our knowledge of the characters of Darcy(Colin Firth), and Mr Collins(David Bamber), two scenes are added; to demonstrate that Darcy is not just an effete aristocrat but a real man worthy of Elizabeth's love we are shown him indulging in manly pursuits; fencing, and swimming in his private lake (it puzzles me why so many women seem to drool over his wet-shirt scene); and to demonstrate that Mr Collins is an idiotic, narrow- minded prude we are shown him trembling with embarrassment and horror when he happens to come across Lydia (Julia Sawalha) in a state of dishabille. David Bamber makes Mr Collins deliciously toadying and obsequious. A remarkable piece of acting.

It is its faithfulness to the original that makes this drama so good. No one has ever written a more tightly plotted novel. Its series of climaxes make the novel difficult to put down; just as one plot-line reaches its climactic conclusion, another is building. And the duel of wits and sharp dialogue between Darcy and Elizabeth (Jennifer Ehle) as they get to know each other is entrancing. And then comes that moment. She is at the piano befriending Darcy's sister, Georgiana (Emilia Fox), when he holds her gaze with a silent declaration of his love and admiration. This involved a fine piece of editor-timing; a split second either way, either too long or too short, and the poignancy of that moment would have been lost. It is interesting to compare Colin Firth's Darcy with that of Lawrence Olivier's Darcy in the Hollywood film. Olivier falsely portraits him as appealingly shy and self-conscious. But Darcy was in no way shy, he was just proud, with every reason to have a good opinion of himself. He found it impossible to imagine that anyone in a lower strata of society, living in a small provincial town, could be his equal - until he met Elizabeth!

However, I felt there was one weak link in the chain of superb acting; Alison steadman. Many will disagree but I think she over-acted, turning her Mrs Bennet into a nerve- grating, neurasthenic caricature. But apart from that, I heartily recommend this video. Don't miss it. You'll not see its like again. I must just mention the charming piano music by Carl Davis, so beautifully evocative of a beautiful period in history (for the rich).

This adaptation of the Jane Austen novel is really incredible. Set design and costumes are very believable and the acting is practically perfect for most of characters.

A few comments on costume: one of the most believable aspects of the details put into this miniseries has to do with the costumes. Elizabeth and Jane are both adorned simple enough to convey a Christian background and some decor and modesty, as they would have properly been dressed during this time, yet the costumers could have expanded their wardrobe as you see many times in American films (the 1999 version of Emma comes to mind here, particularly) and yet at the time, the women would *not* have had 10 different ensembles to wear at special events. I honestly admired the holding back of their wardrobes to a few gowns rather than having gone overboard as you often see! The women who were of higher stature were properly attired in their jewels and every costume fit the character and situation beautifully. This and the musical score are two of the biggest highlights, I felt.

I would also like to give props to Jennifer Ehle and Colin Firth who were cast wonderfully. Jennifer was able to convey a sort of devilish satire and quick wit which I thought suited her exceedingly well and accentuated the wit Austen was trying to get across in the novel. Firth held back and it suited his character. He shows a quiet power, a feeling of disdain and complexity in his acting that worked well for the first half of the miniseries and then turned this into admiration and openness later as the story develops. By the time he declares his undying love to Elizabeth you get the impression he is ready to burst open and you breathe a huge sigh of relief for him, yet the energy continues to pulse. Its a great thing to watch..

I would recommend this miniseries to anyone, especially those not yet familiar with Austen. This specific miniseries is so well done many people I have watched it with have sparked incredible interests in the intrigues of Austen's works. Good job BBC!

After so many years of seeing adaptations of Pride and Prejudice on stage, screen and television, I had long given up hope of an entertaining and faithful adaptation. Then a miracle! Class, style, humor and intelligence is alive and well! Direction, script and cinematography are all exceptional in A&E's production. Imagine watching a six-hour program over and over and over. It has to be done. Jennifer Ehle gives Elisabeth all the archness, tenderness, and homey wit that Austen could desire. Each individual cast member gives a memorable performance that makes the character real. Simon Langton, as director, has a real ear for dialogue and silence. Indeed, it is often the silences in conversation that are the most hilarious. The most serious fault in most previous productions was the casting of Darcy. A stiff actor in a stiff part gives you only a stiff character (even, God bless him, Olivier). If Darcy fails, the entire production is a waste. The inspired casting of Colin Firth in this production was defining. Putting Firth, a naturally lively chap, in the role was like harnessing energy. You can often feel that intensity of containment, which is just perfect for Darcy. This is a must-see for any loyal Austen reader or anyone else who likes romance, wit and social commentary all rolled into one. And pity Emma Thompson's Sense and Sensibility, which opened in the U.S. shortly after Pride and Prejudice debuted. Comparisons were inevitable and did not favor S&S.

I am a college student and I love reading classic literature. Jane Austen is one of my favorite writers of all time, and I was very happy with the movie versions of both Emma (with Gwyneth Paltrow) and Sense and Sensibility (with Emma Thompson & Kate Winslet). Both of the books are classics, and the movies are very true to their predescesors. This was no exception. I have read the book, and loved it, and I absolutely loved this mini-series. I was told by my English professor that it was the best version, and I was not happy with the version with Laurence Olivier. The cast was perfect, and how I loved seeing the relationship between Elizabeth & darcy unfold! One of the best 5 hours ever spent on a movie. 10/10