PUNTUACIÓN EN IMDb
5,6/10
844
TU PUNTUACIÓN
Añade un argumento en tu idiomaAn absent-minded-professor father and his son bond during a symbolic road trip through the Western U. S. while his wife tries to overcome her neuroses to save the family.An absent-minded-professor father and his son bond during a symbolic road trip through the Western U. S. while his wife tries to overcome her neuroses to save the family.An absent-minded-professor father and his son bond during a symbolic road trip through the Western U. S. while his wife tries to overcome her neuroses to save the family.
- Dirección
- Guión
- Reparto principal
Suzanne Ircha Johnson
- Waitress
- (as Suzanne Ircha)
Reseñas destacadas
If you're the kind of moviegoer who looks for goofs, loopholes, anachronisms & inconsistencies, then you may find yourself hating this film. But I'm going to share with you one realization that turned the whole thing around for me:
The plot of the film centers around a journey to reach the "Spires of the Moon National Park", but in real life, there is no such park.
This piece of trivia may not seem significant, but for me it was the key to my enjoyment of the whole film. Suddenly it dawned on me that, just like the fictitious National Park which has no basis in fact, other "goofs" were deliberately put there to give the film a surreal, tongue-in-cheek quality. In short, this is pure fantasy where anything goes.
And trust me, the last 20 minutes requires some heavy suspension of disbelief (the same way a '49 Pontiac Eight would require a whole new suspension if you put a 455 engine in there like they did)! The last 20 minutes featured things that were so absolutely wrong, it felt like a Zucker-Abrahams-Zucker movie ("Airplane!"), and I believe in its own subtle way, that was the intent of the filmmakers. So just bear in mind, things are supposed to get bizarre and dreamy.
Now on to the movie as a whole...
The story is refreshingly original. A wacky schoolteacher father (Ted Danson) decides to temporarily abscond with his sheltered son (Ryan Todd) in an impulsive effort to achieve "one perfect act", much to the chagrin of the agoraphobic mother (Mary Steenburgen, Dansons wife) who hasn't left the house in 7 years. What follows is a cute road movie full of interesting characters and a few preposterous action scenes (but now remember what I told you about suspension of disbelief) while past family mysteries slowly unravel themselves. Everything leads lead us to an outrageous conclusion that will either leave you sighing with delight or hurling apple pie at the TV screen.
This film is a one-of-a-kind. At first it felt like a sappy "E.T." type flick, but it soon morphs into something more along the lines of "Edward Scissorhands" only without the satire & quirkiness, then slips into something like the "Dukes of Hazzard" TV series, before bringing us to something reminiscent of "Chitty Chitty Bang Bang".
This is a very polished production with some memorable moments. The acting sometimes seems over the top, but that's the point (Danson & Steenburgen portraying polar extremes of lunacy). I didn't care for the musical soundtrack in the first half which seemed to upstage dialogue, but in the latter half the film featured well-placed nostalgic hits such as "Crimson & Clover", "Let's Get Together" (smile on your brother) and "Cheek to Cheek". The director Peter Medak, known for his prolific work on 70s-80s TV, did a nice job with some stylish visuals (watch for the car carrier under the stars and tell me how the heck he pulled that off!).
If you're prepared for a wild ride, especially if you are able to experience the movie as if it were a dream, you'll enjoy yourself. I must confess, cynical old curmudgeon that I am, I hated this movie through most of it. But I'm ready to watch it again through rose colored glasses and have fun the 2nd time around. Here's hoping you can skip the hatred part.
The plot of the film centers around a journey to reach the "Spires of the Moon National Park", but in real life, there is no such park.
This piece of trivia may not seem significant, but for me it was the key to my enjoyment of the whole film. Suddenly it dawned on me that, just like the fictitious National Park which has no basis in fact, other "goofs" were deliberately put there to give the film a surreal, tongue-in-cheek quality. In short, this is pure fantasy where anything goes.
And trust me, the last 20 minutes requires some heavy suspension of disbelief (the same way a '49 Pontiac Eight would require a whole new suspension if you put a 455 engine in there like they did)! The last 20 minutes featured things that were so absolutely wrong, it felt like a Zucker-Abrahams-Zucker movie ("Airplane!"), and I believe in its own subtle way, that was the intent of the filmmakers. So just bear in mind, things are supposed to get bizarre and dreamy.
Now on to the movie as a whole...
The story is refreshingly original. A wacky schoolteacher father (Ted Danson) decides to temporarily abscond with his sheltered son (Ryan Todd) in an impulsive effort to achieve "one perfect act", much to the chagrin of the agoraphobic mother (Mary Steenburgen, Dansons wife) who hasn't left the house in 7 years. What follows is a cute road movie full of interesting characters and a few preposterous action scenes (but now remember what I told you about suspension of disbelief) while past family mysteries slowly unravel themselves. Everything leads lead us to an outrageous conclusion that will either leave you sighing with delight or hurling apple pie at the TV screen.
This film is a one-of-a-kind. At first it felt like a sappy "E.T." type flick, but it soon morphs into something more along the lines of "Edward Scissorhands" only without the satire & quirkiness, then slips into something like the "Dukes of Hazzard" TV series, before bringing us to something reminiscent of "Chitty Chitty Bang Bang".
This is a very polished production with some memorable moments. The acting sometimes seems over the top, but that's the point (Danson & Steenburgen portraying polar extremes of lunacy). I didn't care for the musical soundtrack in the first half which seemed to upstage dialogue, but in the latter half the film featured well-placed nostalgic hits such as "Crimson & Clover", "Let's Get Together" (smile on your brother) and "Cheek to Cheek". The director Peter Medak, known for his prolific work on 70s-80s TV, did a nice job with some stylish visuals (watch for the car carrier under the stars and tell me how the heck he pulled that off!).
If you're prepared for a wild ride, especially if you are able to experience the movie as if it were a dream, you'll enjoy yourself. I must confess, cynical old curmudgeon that I am, I hated this movie through most of it. But I'm ready to watch it again through rose colored glasses and have fun the 2nd time around. Here's hoping you can skip the hatred part.
Ted Danson snoozes his way through the film with real-life wife Mary Steenburgen. Very bad script, very bad direction, very boring - tries to be a grand epic with hidden meanings but it is just not. Bad acting, especially on the child's part. A Haley Joel Osment he is not. One to skip.
2/5 stars -
John Ulmer
2/5 stars -
John Ulmer
10gm_muse
As a movie collector for decades who considers himself very critical & picky about films, I can't help myself, I love this movie. Yeah, it's maybe a little far-fetched or corny sometimes but there isn't a second of it that's not enjoyable it's just too charming and well directed with exactly that effect in mind, and with a beautiful musical score, superb cinematography and a tight script. I think Ted Danson possibly gives his best performance ever as Washington Bellamy, an enraptured-with-knowledge elementary school teacher who also collects beautifully oddball classic cars. The story line described above about trying to match the distance the Apollo crew travels by simultaneously driving over a large part of the country to the Spires of the Moon National Park is already a remarkably charming idea. This will be his "one perfect act" as he brings his very cute young boy with him, leaving behind an quirky paranoid wife who is always afraid to leave the house. Mary Steenburgen plays this part with superb humor as she sets off after her husband and son. Of course, interesting adventures and troubles occur during the journeys but it's Washington's never failing enthusiasm for life and its wonders that really make the film's ideas all work. I've watched this film a number of times and will watch it again into old age and when I'm no longer able to enjoy it I'll be ready to die.
A beautiful, poignant film. An agoraphobic's imaginative but troubled husband takes off with their son in a 1949 Pontiac to mark the 1969 lunar mission with a 'perfect act:' To match the mileage on the Pontiac and their arrival at a national park 'moon' crater to coincide with the distance to the moon and the astronauts' landing at 'Tranquility Base.' The agoraphobic wife overcomes her self-imposed, seven-year confinement in their house to pursue them in another unusual vehicle from her husband's collection. Various misadventures ensue. Watch for 'cameos.'
I loved the accuracy of the movie - the cars, the clothes...but at the end, when the men land on the Moon, it was July 20th, 1969 - but they show the moon as full - I remember looking at the moon that night, and have check the lunar phases calender - it was waxing crescent, and did not phase to full until July 29th. I really liked the acting, and think Ted really had fun playing this part. Lots of odd surprises and interesting characters. The photography was really well done too, beautiful shots of the amazing scenery. If you want to sit down with a bag of pop corn with the entire family, there is something there for everyone. Educational quotations, write from wrong, bad guys get whooped, and a small history lesson - it has it all.
¿Sabías que...?
- CuriosidadesWhile playing a married couple in this film, Ted Danson and Mary Steenburgen began an off-set romantic relationship. They were married in 1995.
- PifiasAndy fires paper cups out of his bedroom window, leaves it open then moves to another window and climbs out on to the roof. The first window is now shown shut.
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- How long is Pontiac Moon?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Un viatge a la lluna
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 11.669 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 5128 US$
- 6 nov 1994
- Recaudación en todo el mundo
- 11.669 US$
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