Derecho a la vida

After "Our Sons" with Julie Andrews and Ann-Margret, this is my favorite AIDS movie. There's no need to lavish praise on an actress like Sissy Spacek; her gift is evident as soon as she enters a scene. Spacek uses her customary savvy and elan as Susan Lansing, a nurse who falls in love with and takes in an AIDS-afflicted infant whose mother has abandoned her. The nurse sets up her home with a nanny and her own son as standby only to have the mother return and reclaim her child. Her name is Linda, a bitter, spent drug addict, and she manages to make everyone in the Lansing household ill at ease, threatening to take her baby away. She is, of course, not in any position to care for her child, and Susan, realizing this, begs her to stay. An uneasy truce develops between all concerned for the baby Annie, and it is here that the movie moves us through Linda's disappointments and despair, and the only vestige of hope she has been handed--that Annie will not be touched by disease and have a mother like Susan to raise her.

Lightweight is the way I would describe Mary-Louise Parker's past work; I cannot remember any performance prior to this that was this vivid. She plays Linda like a wounded dog whose howl catches in her throat when she wants to cry. She's defensive and hostile, but her most touching moments are painfully stifled. Parker's presence runs dark and deep; she makes sure the undertow of Linda's grief lurks beneath every frame.

With Joan Plowright as the nanny, and Jack Noseworthy as Susan's son, David. Would that more parents had children like him?

Sissy Spacek was outstanding in this movie, as was the actress that portrayed the babysitter. However, the way the Child Welfare agent handled the case for the mother who had previously abandoned her baby, Annie, was so unrealistic! I might addd, what judge would award custody to a crackhead who passed her HIV to an innocent child, and then totally abandon that child? Also, why was no home visit conducted on the biological mother, and the foster mom who wanted to adopt this child? That is something that is always part of the process to ensure a child has a clean decent environment in which to live, before a judge hands down a decision whether or not to award custody to a biological mother or allow a foster mom to adopt the child. By failing to order home visits, the judge had nothing to compare as far as home environments for the child. If the judge would have ordered home visits to be conducted by a Child Welfare agent the agent would have seen firsthand the trashy place that that Annie was going to be forced to live in, versus the healthy environment provided by the foster mom who wanted to adopt Annie, and there would be no way the judge would have granted custody to the biological mother! This whole situation concerning the way this custody decision was handled was totally absurd! I think the writers should have done more research on the process that a Child Welfare Agency actually follows in real life, to avoid misleading the viewing audience. The storyline was quite heart wrenching however. It clearly shows the devastation that occurs to those who get involved in the habit, and the innocent ones in their lives as well!

A Place For Annie is one of those special films that takes a very sensitive subject like AIDS and does justice too it. Absolutely outstanding performances by Sissy Spacek, Mary-Louise Parker, Joan Plowright and Jack Noeworthy. Annie is a baby with the AIDS virus who is sent to a local hospital in which Sissy Spacek works as an RN. When the child is going to be sent off to die elsewhere, she decides to care for Annie herself, with the help of Joan Plowright's character. The mother of the child, now clean for 6 months, decides to come after the child. A powerful story of love.

Yes that is basically what this movie is whether you liked the film or not.

I personally did not.

I found it to be patronizing, overly technical and just so damn sappy the important message of the film was almost (but not entirely) drowned under the thick treacle coating and so-so acting.

Why such a brilliant actress like Sissy Spacek continues to make films like this is beyond me, apart that important little word beginning with M (money if you're wondering).

By watching this film you get the idea that it is there to not just educate and make people aware of the situation regarding HIV babies, but to draw it out into a long and almost boring sermon.

Though I do understand and appreciate the fact that this film is appealing to quite alot of viewers, I can only give my opinion by stamping it "BAD".

Sissy Spacek is way too righteous, and Mary Louise Parker too much a snot. What saves this movie is Joan Plowright, and Jack Noseworthy playing normal people, and they do it well. Susan Lansing is a single mother who was thrown out of her family when she became pregnant at 16. Years later she supervises a neonatal unit, and becomes outraged at the benign neglect given to aids babys. She nurtures, fosters, and want's to adopt Annie. Annie's mom, meanwhile has gotten sober and is looking for some redemption. Much follows as the two fight over the child, but the best reason to watch this move is the scene the morning after Linda almost burns down Susans house. Jack Noseworthy and Joan Plowright drive the scene, and it's the best in this movie.