Las hermanas March viven y crecen en la América posterior a la guerra civil.Las hermanas March viven y crecen en la América posterior a la guerra civil.Las hermanas March viven y crecen en la América posterior a la guerra civil.
- Dirección
- Guión
- Reparto principal
- Nominado para 3 premios Óscar
- 6 premios y 19 nominaciones en total
Reseñas destacadas
Though some may argue that the older classic versions of Little Women with Katherine Hepburn and June Allison may be better because it sticks to the book, this is the only version that captures the spirit of the book.
Though the filmmakers took license to cut away certain specifics, the end result is an absolutely gorgeous film that stands on it's own completely. One would be able to watch this film without ever having read or known the book and seen it as it's own film.
The film thrives on small scenes and nuances, moments of person to person contact, production design and cinematography, the all important score (which adds a great deal to the film). This delicate and complicated symbiosis between all aspects tactfully and poignantly creates the story, something missing from many movies these days which creates a tangible and effervescent emotional layer. Then the acting of one of the best ensembles to hit the screen in a long time. Keep an eye out for Susan Sarandon and Claire Daines in roles that ought to have been nominated along with Ryder. These actors create people that endear themselves to us, and make the film even more than it could have been.
It's a small scale masterpiece that will leave you in tears. The film is honest and true in it's portrayal of human emotion. It went from being an adaptation of the book to it's own story and portrayal of people and their lives. It's beautiful aesthetically and dramatically, and a real gem of a film.
Though the filmmakers took license to cut away certain specifics, the end result is an absolutely gorgeous film that stands on it's own completely. One would be able to watch this film without ever having read or known the book and seen it as it's own film.
The film thrives on small scenes and nuances, moments of person to person contact, production design and cinematography, the all important score (which adds a great deal to the film). This delicate and complicated symbiosis between all aspects tactfully and poignantly creates the story, something missing from many movies these days which creates a tangible and effervescent emotional layer. Then the acting of one of the best ensembles to hit the screen in a long time. Keep an eye out for Susan Sarandon and Claire Daines in roles that ought to have been nominated along with Ryder. These actors create people that endear themselves to us, and make the film even more than it could have been.
It's a small scale masterpiece that will leave you in tears. The film is honest and true in it's portrayal of human emotion. It went from being an adaptation of the book to it's own story and portrayal of people and their lives. It's beautiful aesthetically and dramatically, and a real gem of a film.
Having seen all the versions, including the 2019 version, this is the best out of all of them. Much truer to the book, as are the characters. Totally charming, beautiful dialogue and music.
"Little Women" is a gem of a movie, encompassing comedy, drama, and romance into one well-made film that is true to Louisa May Alcott's literary classic. It follows the lives of the four March sisters, from the turbulence of youth, the turmoil and romance of adolescence, the joy of love, and the pain of loss. The quality of this movie depends entirely upon the chemistry between the actors, and it accomplished this with success. The film is a vignette of scenes throughout the sisters' lives, showing their relationships with one another and with the people around them.
Winona Ryder is the quintessential Jo, the tomboyish, spirited sister who dreams of becoming an accomplished writer. She brings a refreshingly sweet, human touch to the character, who is as impulsive and headstrong as she is ambitious and loving. Ryder carried the film beautifully, and much of its success is due to her.
Trini Alvarado made a very pretty and convincing Meg, the dependable older sister, although she is not so set on marrying for money as she is in the book. Claire Danes as sweet, selfless Beth, really shone in one heartbreaking scene that is impossible not to cry through. For her performance as the spoiled youngest sister, Amy, the very young Kirsten Dunst showed remarkable potential, and brought humor to the character.
Christian Bale as Laurie was everything the "boy next door" should be: handsome, kind, and charming. His chemistry with Winona Ryder was considerable, and made their friendship very believable. Susan Sarandon played a wonderful Marmee, supportive and loving towards her girls.
Another thing I would recommend is the soundtrack to this movie, composed by Thomas Newman, which has some gorgeous music on it.
10/10
Winona Ryder is the quintessential Jo, the tomboyish, spirited sister who dreams of becoming an accomplished writer. She brings a refreshingly sweet, human touch to the character, who is as impulsive and headstrong as she is ambitious and loving. Ryder carried the film beautifully, and much of its success is due to her.
Trini Alvarado made a very pretty and convincing Meg, the dependable older sister, although she is not so set on marrying for money as she is in the book. Claire Danes as sweet, selfless Beth, really shone in one heartbreaking scene that is impossible not to cry through. For her performance as the spoiled youngest sister, Amy, the very young Kirsten Dunst showed remarkable potential, and brought humor to the character.
Christian Bale as Laurie was everything the "boy next door" should be: handsome, kind, and charming. His chemistry with Winona Ryder was considerable, and made their friendship very believable. Susan Sarandon played a wonderful Marmee, supportive and loving towards her girls.
Another thing I would recommend is the soundtrack to this movie, composed by Thomas Newman, which has some gorgeous music on it.
10/10
I've seen the original, starring Katherine Hepburn as Jo which was directed by George Cukor in (what seems to be) 1901. That's an excellent version of this story, a real classic.
Maybe the story just needed a 'new coat of paint' to spruce it up a bit because it sure does seem new and worth telling again.
Winona Ryder has to carry the movie, more or less, and gives a confident performance as the independent Jo. Susan Sarandon is not around that much but makes a good Marmee. Christian Bale is great, as always, and Trini Alvarado and Eric Stoltz round out the cast.
You don't see Claire Danes that much, but then it becomes about her quite a bit as the story moves on. A gift she receives for Christmas from a kindly neighbor could give your tearducts a workout, at the very least.
Beautiful movie. Could even be longer, and how many times can you say that about anything?
Maybe the story just needed a 'new coat of paint' to spruce it up a bit because it sure does seem new and worth telling again.
Winona Ryder has to carry the movie, more or less, and gives a confident performance as the independent Jo. Susan Sarandon is not around that much but makes a good Marmee. Christian Bale is great, as always, and Trini Alvarado and Eric Stoltz round out the cast.
You don't see Claire Danes that much, but then it becomes about her quite a bit as the story moves on. A gift she receives for Christmas from a kindly neighbor could give your tearducts a workout, at the very least.
Beautiful movie. Could even be longer, and how many times can you say that about anything?
¿Sabías que...?
- CuriosidadesWinona Ryder introduced Christian Bale to his future wife Sibi Blazic on the set of this film. At the time she worked as Ryder's personal assistant.
- PifiasWhen Amy discovers that Jo will be her teacher, she sulks twice. However, this is in keeping with Amy's character - if no one noticed her sulking the first time, she would most likely do it again.
- Citas
Laurie: I have loved you since the moment I clapped eyes on you. What could be more reasonable than to marry you?
Jo March: We'd kill each other.
Laurie: Nonsense!
Jo March: Neither of us can keep our temper-...
Laurie: I can, unless provoked.
Jo March: We're both stupidly stubborn, especially you. We'd only quarrel!
Laurie: I wouldn't!
Jo March: You can't even propose without quarreling.
- Créditos adicionales19th-century-style portraits of the sisters are seen under the early part of the credits.
- Banda sonoraLeila! Dieu Puissant
No.9 "Act II of the Pearl Fishers"
Music by Georges Bizet (uncredited)
Lyrics by Eugène Cormon (uncredited) and Michel Carré (uncredited)
Performed by Barbara Hendricks and John Aler with L'Orchestre National du Capitole de Toulouse (as Orchestre du Capitole de Toulouse)
Conducted by Michel Plasson
Courtesy of EMI Classics, under license from CEMA Special Markets
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
Detalles
Taquilla
- Presupuesto
- 18.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 50.083.616 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 2.411.247 US$
- 25 dic 1994
- Recaudación en todo el mundo
- 50.085.123 US$
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta