Legítima defensa, de John Grisham

Rudy Baylor (Matt Damon) is fresh out of law school. He has no family, or any connections. He starts to work for notorious lawyer Bruiser Stone (Mickey Rourke), and with street smart Deck Shifflet (Danny DeVito) who can't pass the bar. They take on a case against a health insurance company who refuses a claim from a seriously sick boy. Meanwhile, he falls for Kelly Riker (Claire Danes) who is in constant fear of her abusive husband.

This is a simple David vs Galioth story from the pen of John Grisham and the directing skills of Francis Ford Coppola. There are big time talents involve in this. Matt Damon is superb in the boyish charm department. Danny DeVito likewise is superb. The acting in this movie is top notch. However the Claire Danes battered wife storyline is too simple and too separate. It doesn't really connect with the rest of the movie. The romance seems to be sidelined in importance and short shrifted. It needs more attention. On the other hand, the courtroom drama has good fun and good tension.

It was something else, seeing The Rainmaker again, 20 years later. The plot, the cast, the look of it, it all has that Coppola touch and that

has to be with truth, the way he, Francis Ford Coppola sees it. Beautiful, powerful and moving but the most powerful element after 20 years turns out to be Johnny Whitworth. What a gorgeous, soulful performance. It took me by surprise, I remember the character from my first viewing but this time his is the character who affected me the most. Imagine in a cast that includes Teresa Wright! Yes, Teresa Wright, Dean Stockwell as well as Matt Damon, Mary Kay Place, Jon Voight, Danny De Vito, Mickey Rourke, Claire Danes. Time does extraordinary things. It reveals the center of the center of the truth.

Readers of John Grisham's book will find this film rather less of a thriller and more of a courtroom drama, albeit with a curious flat feel to it. The story is that of a legal action on behalf of a teenage boy denied coverage for an expensive bone marrow transplant by his family's medical insurer. Changes to the plotline to accommodate the story to the demands of film drama have removed the unique feature of the book – a largely successful attempt to make the details of legal civil procedure interesting. Francis Coppola is a very innovative yet conventional director (you could credit him with authorship of several current movie clichés) and his storylines develop according to convention. Thus the love affair, which is completely extraneous to the main storyline in the book, is pumped up, and the fascinating battle of wits between the lawyers played down. As in the book, Rudy is the tyro David up against the experienced Goliath, Drummond, but Rudy's inexperience is played up to the point that you wonder how he got this far. The trial judge, who in the book is extremely helpful to Rudy, is replaced in the film by a sympathetic but much more impartial figure. In Hollywood conventional courtroom drama, His Honor or Her Honor doesn't take sides.

That said, there is much to enjoy. Danny de Vito, playing Deck the paralegal (or `paralawyer' as Rudy names him) who can't seem to pass the bar exam, is just brilliant. His Deck is a disheveled, unimpressive little guy who is nonetheless good at what he does, `rainmaking' or finding new business. His strengths are his intelligence, his energy and his lack of pride; he is quite happy to chase ambulances and give cops backhanders for information. His ethics are simple: fight for your client, don't steal and try not to lie. While the Deck of the book verges on the grotesque, De Vito makes him less of an oddball and hence more sympathetic. Matt Damon as Rudy is wetter behind the ears and not such a quick learner as the Rudy of the book, but every so often he connects and we understand how he feels. Mickey Rourke is a bit too elegant as Bruiser, Rudy's erstwhile mentor, (who wears cufflinks on a tropical beach?) but it's also an enjoyable performance. Although the script tones down his role, John Voight is nastily urbane as superlawyer Drummond.

Once again we have a courtroom drama filmed in a grand but gloomy courtroom, in fact the lighting people seem to have been absent. We hardly get a glimpse of the face of one important minor character, Cliff the wife-beater, (Andrew Shue) yet there is no apparent reason for this. The way some of the scenes were strung together, and started and finished were vaguely familiar, and half way through it hit me - ` The Godfather', where scenes just seem to begin and end without any particular reason.

One thing the film does almost as well as the book is send the message (sorry Mr Goldwyn) that America needs to do something about its medical insurance system, if the present chaotic mess can be so described. The court system, while not perfect, comes out of it a bit better (David is able to beat Goliath fair and square) but as for lawyers…well, let's just say things would be a lot better if they stuck to Deck's minimal ethics. The story also might explain why John Grisham (who has a walk-on role as a lawyer at an al fresco deposition) gave up the law to write books, thus bringing pleasure to millions instead of (hopefully) winning retribution for a few.

Amiable yet smooth adaption of the John Grisham novel, that closely follows an inexperienced Memphis lawyer, Rudy Baylor (Matt Damon), who gets the unexpected feeling of being in the profession by taking three cases right away. The cases vary from an old woman who is unsure about what to do with some money, a savagely abused domestic victim, and a lawsuit involving a major health insurance company.

Writer-director Francis Ford Coppola and one of his writers from "Apocalypse Now", Michael Herr, handle the adaption fairly well in knowing what to keep from the story in and what to leave out. For someone who made himself a legend by adapting "The Godfather" and "Heart of Darkness", Coppola sure knows how to use a novel as the main source for creating a good tale here.

Plus, the movie has an excellent supporting cast (Danny DeVito, Jon Voight, Mary Kay Place, Claire Danes, Dean Stockwell, Virginia Madsen, Mickey Rourke, Roy Scheider, and Danny Glover) to be in the movie alongside Damon. Among the ones that come to mind, DeVito is great Deck, as a crafty (and humorous) para-lawyer who has trouble with the bar exam and helps Rudy in adjusting to the line of work, Voight's fine as the not-so-totally slimey lawyer that Rudy faces in the lawsuit, just looking at the Danes character for a second alone, is a really sad and Rourke is amusing as Brusier, the employer that Deck and Rudy desert when they find out that he's the target of a federal probe.

In conclusion, "The Rainmaker" may not be as highly memorable as "The Godfather" or "Apocalypse Now", however; it shows that Coppola still has the skills to be a great film-maker. It's nice to see someone who has been on hard times, bounce back with a good movie.

This was really good, and I'm not usually one for the courtroom dramas but a gripping story (thanks to John Grisham) and filled with fantastic characters I genuinely liked and cared about.

Matt Damon plays newbie attorney Rudy Baylor, who after a short stint working for the ethically challenged (Mickey Rourke) joins his new partner (Danny DeVito) to take on a large insurance company (Jon Voight & Roy Scheider) who refuse to pay valid claims. Damon is young, cute and ripped here (for some reason his weight changes with every movie he makes so I felt it deserved a mention)

Anyways, the cast is fantastic and I loved that there were several story lines going on at once, all of which are interesting. This has moments of humour and honest emotion throughout even if it did head into the melodramatic a couple of times.

Watching 'Rudy' struggle through his first days in court not really knowing the protocol was pretty funny and I enjoyed Danny Glover as the judge. The storyline following Claire Danes and her abusive husband was intense (lots of glass broken) and I liked his old lady landlord Birdie, who treated Rudy like a son and the gardener.

Rudy genuinely cares about his clients and his relationship with leukemia boy was touching (in an 'Erin Brockovich' sort of way) while the inclusion of the silent grieving father, was powerful. Just a great movie I'm glad I caught. 1/28/15