Un ratoncito duro de roer

Based on the logline premise, poster, MPAA rating, and marketing, this is a "children's" film. However, there is really NOTHING here for children; it's very violent, overly adult, darkly charactered, and mean. Luckily, I'm not a child, so I found it delightfully silly in all its hot-headed hedonism. Just when it's mean-spiritedness begins to overwhelm the fun, it quickly turns the corner, making a point about the uselessness of selfishness. Most surprisingly, Silvestri's score is great.

What a pleasant comedy! Here's a movie that brings back a subject which was specific to the cartoons from the forties and fifties: the game of the cat and the mouse. Here, there's a real mouse and the cat is epitomized by the Schmuntz brothers who wish to get rid of her in order to sell an old but expensive house. The more the film advances, the more the traps prepared by Lars and Ernie Schmuntz are worked out: it begins with the simple, trivial trap: the mousetrap and it ends with the appearance of the mouse-exterminator ( an unexpected and irresistible Christopher Walken). In short, what it seems to be a child's play at the beginning of the movie, ends up becoming a merciless fight in which there'll be no winner, no loser... Gore Verbinski adopted an inventive and clever making and he rightly choose his actors. Nathan Lane and Lee Evans form an ideal duo, not very far from the legendary Laurel and Hardy. They've got a different personality but are united to kill this mouse. Moreover, the movie doesn't only focus on this "mouse hunt" but also on the Schmuntz brothers' efforts to earn money in order to save their father's string factory ( a world without string is chaos...). Let's add some hilarious and efficient gags ; the movie pays a tribute to Tex Avery. Dialogs that kick the bull's eye and some cues are powerful such as: "in this mouse's mind, you are the intruders" says Walken to the Schmuntz brothers. At last, the real mouse is, of course, a little pest (she's even compared to Hitler with a tail) but in parallel, Verbinski attempts to make her touching. At the end, a comedy without too many claims but efficient enough to please to a large public.

When I first saw this movie in the theater, I did not really know what to expect. In the end, I never laughed so hard in my life. Granted, its not everyone's kind of humor (which certainly can be seen by the IMDB people that trashed it) but it is an extremely intelligent, yet slapstick dark comedy that may have you rolling on the floor.

I do not think that this movie is good for kids. From the very beginning, the movie isn't afraid to "cross the line" by causing upheaval at a funeral. But it handles things without the gratuitous use of sex, unlike most comedies these days.

Some of the funniest things about Mousehunt are in the details. (Keep an eye on the painting...) But the thing that I enjoyed the most was how the mouse was interweaved into the rest of the story. Although the movie isn't really about a mouse (it was about two brothers coming together in the wake of their father's death), I think we all could use a little chaos in our lives once in a while.

A children's film with a moral. Unlike a certain purveyor of saccharine entertainment, however, this moral is political, even metaphysical - if you exploit your workers, if you pursue greed until it makes you mad, if you break the ties that bind; if, in short, you snap the string, a Pandora's Box of chaos will be your lot, until you become a latterday Roderick Usher, your crumbling mansion a metaphor for your disintegrating mind.

With its Gilliam-like recreation of a dank, Orwellian universe; with its Tim Burton pervading of Gothic atmosphere; with its twisted Coens' live-action cartoon sensibility (imagine Christopher Walken in a children's film? Even better than that), and you have fun for all the family.

When their father dies, brothers Ernie and Lars inherit a rundown string factory and a run down house. When they find the house may be worth millions they set about renovating it to auction it. However they don't reckon on the house's one inhabitant – a small mouse – who has no intention of going anywhere.

In the wrong hands this could easily have turned into a cruel slapstick and nothing else. It's easy to see this sort of thing turning into a Home Alone type thing with the mouse dishing out cruel punishment after cruel punishment. However it's more than that, although it has elements of those films. The film is witty – mixing the slapstick with a more adult humour and, although the slapstick is cartoony, it is also clever and imaginative in most cases.

The strength of the film is in three performances. First and second is Lane and Evans, both have an air of Laurel and Hardy (especially Lane) and they make for a good double act. Lane gets to do his usual stuff while the more goofy antics of Lars suit Evans' stand-up routine background to the ground. However the main success is the mouse. In other hands he would have been a mere excuse for destruction, however here he has `humanity' – a character if you will. This is perfectly demonstrated by the unintentional chase with a nail gun – how dramatic! How tense! But also how touching – the mouse is given intelligence and has a motivation for what happens.

Of course at heart this is a kids film and it is a very good one at that. However these other points give it the feel that it was made for adults too. Certainly the inclusion of Walken as a pest controller is one no child will get.

Overall this is well made and is more that just a crude slapstick affair. It can be enjoyed on that level but it just feels that little more mature. To illustrate what I mean – can you imagine the difference if Chris Columbus had directed it? Now you've got me!