Mentiroso compulsivo

Jim Carrey puts so much energy and pure comedic brilliance into this movie that we hardly noticed how corny and hackneyed was the plot or how wearily didactic was the moral lesson for all fathers who neglect their children for the goddess of success. And really we didn't care. What we loved almost as much as Carrey's rubber mouth and oral blockage (like an overheated boiler fighting not to explode) was the premise: a lawyer that can't lie. Now there's an oxymoron! As Carrey tries to explain to his son Max, lawyers need to lie. Actually he says grownups need to lie, which is a truth that we really do not need to exam too closely here. To laugh at something deeply troubling in our nature is a way of dealing with it.

So the genius of this movie is first the talent of Jim Carrey, but second, for kids who come to the realization of adult mendacity for the first time, it is the discovery of comedy as a way to cope. Why do adults need to lie? is a question that a kid can never figure out, and then by the time he is an adult himself (or actually a teenager), he can no longer comprehend how important the question once was. Call it innocence lost, or the socialization process.

My favorite part of the movie is the courtroom scene with Jennifer Tilly dressed oh so sluttily and her adulterous beaux looking like a model for the cover of a romance novel and Carrey in tatters in his $900 suit. Second would be the bathroom scene in which Carrey tries to tear himself apart (and seems to almost succeed). His flapping mouth between the toilet seat and the bowl was inspired. Give some credit to director Tom Shadyac, who managed to steer the vehicle with Carrey at the controls, and to writers, Paul Guay and Stephen Mazur, who wrote some funny lines.

The great comedians totally let themselves go. They are totally on. They go to extremes and beyond. It's like transcending not just the ordinary, but even the imagined. See this obviously for Jim Carrey, one of the great comedic talents of our time, an original who would have delighted Charlie Chaplin with his extraordinary muggings, his blatant audacity and his suburb timing.

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)

I have to admit, I'm probably a little biased with this movie, as it contains two of the things I love the most in any movie; court scenes and Jim Carrey. I'll try my best to be objective in this review, though. The plot is good, and as the film barely takes 90 minutes it's fairly fast-paced(well, for a Jim Carrey comedy, anyway); I don't think there ever passes 5 minutes without one single joke. The acting is fairly good; Jim Carrey is in his element, so it's no surprise that he's good, but I did find both Maura Tierney and Cary Elwes pretty good too. I know that Elwes is English, not American, and after seeing another movie in which he has a strong English accent(Robin Hood: Men in Tights), I was impressed at how well he does American parts as well. The characters are well-written and credible. The humor is great, partly because it's, well, Carrey, but also because unlike some of Carrey's previous roles, this is fairly "clean", so teenagers and some kids will be able to enjoy it as well. The theme of the film is great; I mean, we all know that we lie several times a day(heck, it's even been scientifically proved), but what about if we, for one whole day, couldn't tell one single lie? Great theme, provokes some thought and is executed fairly well in the film, though I do think it could have been done a tad better. Overall, I don't have any major complaints with the film though; I guess it could be argued that most of what Carrey does in this film, the comedy and all, is stuff he's done before, but that's OK; it's not any less entertaining here, regardless of the fact that we've seen it(or something similar to it) earlier. The dialog is great, with some very memorable and quotable lines. All in all, a typical Carrey film, which can be a good thing as well as bad; Carrey does exactly what you expect him to, and he's very entertaining and all, but it never transcends the standard level of the typical Carrey comedy. On a final note, I think this(as well as his other work) proves that Tom Shadyac is the best there is at bringing out Carrey's talents(he also directed Ace Ventura: Pet Detective and Bruce Almighty). I recommend it to any fan of Jim Carrey and/or Tom Shadyac. 7/10

Liar Liar is about a boy who, after being stood up by his big-shot lawyer father one too many times, wishes that for just one day his dad couldn't lie. This wreaks havoc on his personal life and even more on his professional life as a lawyer who makes a living putting criminals back on the streets.

Carrey is immediately and constantly hilarious in his role as the unwillfully honest Fletcher Reede. Every scene is full of awkwardly straightforward behavior and dialogue ("Whatever takes the focus off your head!) that is funny because it is so unusual and unexpected. Maura Tierney delivers one of the best performances of her career (second only to her wonderful job in Primal Fear), but Cary Elwes plays a disappointing turn from his amazing job in The Princess Bride. Seeing him as the endlessly charming Wesley in that film and then seeing him as a squirrely step-father type in Liar Liar just didn't seem to fit, but the film was able to overcome such small problems and present itself as a good and entertaining comedy.

In addition to the good comedy that Liar Liar presented, there were strange comedic scenes that Carrey had never done before. For example, I have never seen him portray a descent into madness as was shown with the blue pen, and it should be noted how well this funny man played the part of a man trying very hard not to be funny, with hilarious results. This is a bit like his role in Man on the Moon where he was a comedian playing a comedian who was often deliberately not funny, and the results there were hilarious as well. Jim Carrey's great comedy acting skills were a crucial element of this film, but they are not the only redeeming value of the movie itself. The story is solid and legitimate as well, and it is well-presented and directed, resulting in a good, fun comedy.

Jim Carrey is an attorney, who finds putting his family before his work to be a tough challenge, when he fails to show up at his son's birthday party; his son make a wish that prevents him from lying. With a huge career changing case that is based solely on lies about to go to trial, he is stuck in an unfamiliar position, that may just change his life.

Jim Carrey is on top form for this one, giving one of his most hilarious performances to date, he is well supported by the likes of Jennifer Tilly, Swoosie Kurtz and Amanda Donohue, and the winning concept of the movies theme realises its potential.

7/10 Great fun

True the plot is a little corny, my only criticism of the movie, but Jim Carrey's wonderfully energetic and most of the time hilarious performance more than compensates. Liar Liar is easily one of Carrey's better films, I do confess I will need to see a few more of his movies before concluding which one's his best to save bias. What Liar Liar manages to do is have a slightly corny though very interesting idea, and make into a good spirited and absolutely hilarious film. The script almost the whole time verged on hysterically funny, and there are many priceless scenes, especially the courtroom scene- I needed to go to the bathroom to check I hadn't wet myself from laughing so much. The other performances were great, Cary Elwes was excellent, and the boy was very sweet and charming. Overall, a hilarious movie, that does cheer you up considerably after a hard day, I still chuckle even thinking of it. There is so much to recommend this, but at the end of the day, it is Carrey's picture. 9.5/10 Bethany Cox