PUNTUACIÓN EN IMDb
6,8/10
7,7 mil
TU PUNTUACIÓN
Francesco y Marta son una pareja que dirige una pequeña empresa de diseño en Roma. Cuando la tía Anita de Francesco, olvidada hace mucho tiempo, muere en Estambul, viaja allí para cuidar la ... Leer todoFrancesco y Marta son una pareja que dirige una pequeña empresa de diseño en Roma. Cuando la tía Anita de Francesco, olvidada hace mucho tiempo, muere en Estambul, viaja allí para cuidar la venta del hamam que heredó.Francesco y Marta son una pareja que dirige una pequeña empresa de diseño en Roma. Cuando la tía Anita de Francesco, olvidada hace mucho tiempo, muere en Estambul, viaja allí para cuidar la venta del hamam que heredó.
- Dirección
- Guión
- Reparto principal
- Premios
- 12 premios y 15 nominaciones en total
Alessandro Gassmann
- Francesco
- (as Alessandro Gassman)
Reseñas destacadas
So let's restrict ourselves to the most beautiful shot. The closing scene, I think. Here we find yet another of the main characters we have started to know throughout the story, being sucked into the gentle, demanding, chaotic, smoky, colourful and slow whirlpool that is this movie's Istanbul. An antique cigarette holder, a loved-one's sweater, and a calm, steady gaze over the Bosphorus. Representative, in its way, for the entire film. Understatement at its finest.
This is a wonderful film about happiness and love, not some sex film. Finding your true place in life physically as well as emotionally is the theme. Everything is beautiful about this movie, the people, the love between the two men and the between the family and Francesco. Great performances by the cast, especially Alessandro Gassman. Beautiful scenes of Istanbul, which I am sure is not seen by the usual tourist.
I loved this movie and highly recommend it.
I loved this movie and highly recommend it.
First off the bat, the homosexual suggestive advertising of this film is misleading: it was not the central theme nor occupy any more than a second's brief moment.
This film actually has a very poignant way of telling a story, which is set in Istanbul (this was what drew me to see this film as I remembered my visit to Turkey and fascinated by the city of Istanbul), and Istanbul is really the central backbone of this movie. Story unfolds in a very ordinary everyday way, and through out the film, yes, things just unfold and nothing is presented elaborately no fuss no emphasis they all come across in subtle nuances. One recurring activity is eating: breakfast, family dinner at home, dining at a restaurant -- the colorful food on the table, and the people at the table --- it's all happening in a casual simple everyday manner. Yes, it's like you're there with them -- the regular' streets and neighborhood of Istanbul the city that tourists do not see. Meanwhile layers of emotions subtly unraveling and the central characters: Francesco and his wife, Marta, each of their own feelings go through stages of change through each of their experiences of Istanbul and Francesco's aunt Anita's words It all come together and you will enjoy this film. An ordinary extraordinary film this is.
This film actually has a very poignant way of telling a story, which is set in Istanbul (this was what drew me to see this film as I remembered my visit to Turkey and fascinated by the city of Istanbul), and Istanbul is really the central backbone of this movie. Story unfolds in a very ordinary everyday way, and through out the film, yes, things just unfold and nothing is presented elaborately no fuss no emphasis they all come across in subtle nuances. One recurring activity is eating: breakfast, family dinner at home, dining at a restaurant -- the colorful food on the table, and the people at the table --- it's all happening in a casual simple everyday manner. Yes, it's like you're there with them -- the regular' streets and neighborhood of Istanbul the city that tourists do not see. Meanwhile layers of emotions subtly unraveling and the central characters: Francesco and his wife, Marta, each of their own feelings go through stages of change through each of their experiences of Istanbul and Francesco's aunt Anita's words It all come together and you will enjoy this film. An ordinary extraordinary film this is.
This film is really a very subtle, literate story. Nothing hits you over the head, there's nothing to win or lose at the end, it's just characters and events unfolding and interacting within a languid pace. It's really a beautiful film, both in scenery, sentiment and depth of feeling.
If you've ever visited Istanbul you should see this film. I expected to see the Hagia Sophia and Blue Mosque right off, but you never see them-- the film chooses to see Istanbul through the charming back alleys and everyday people. The traditions of the country and the warmth of the people are ever-present in this film. Istanbul itself is like a character here, and its special charms are at the center of the story. If you have visited there, you will understand why the characters become so captivated.
But this film only uses Istanbul and the Hamam as a vehicle for showing its characters ways of finding happiness and tranquility in one's life. The story is much more general and eternal. It shares that quality with literature-- it is at once about these specific characters, and also about everyone, everywhere.
Here in New York this film is called "Steam" and is being sold as a major homoerotic experience. It's sad that they have to cheapen this wonderful movie in that way, and people going expecting to get their jollies will be woefully disappointed-- and entirely missing the point.
One tends to think of Turkish/Italian cinema as not being as technically sophisticated, but this film is vary carefully and intelligently written and directed. This really is one of those special, beautiful movies, not as flashy or intense as some, but I think I will remember this film for a long time.
--- Check out website devoted to bad, cheesy and gay movies: www.cinemademerde.com
If you've ever visited Istanbul you should see this film. I expected to see the Hagia Sophia and Blue Mosque right off, but you never see them-- the film chooses to see Istanbul through the charming back alleys and everyday people. The traditions of the country and the warmth of the people are ever-present in this film. Istanbul itself is like a character here, and its special charms are at the center of the story. If you have visited there, you will understand why the characters become so captivated.
But this film only uses Istanbul and the Hamam as a vehicle for showing its characters ways of finding happiness and tranquility in one's life. The story is much more general and eternal. It shares that quality with literature-- it is at once about these specific characters, and also about everyone, everywhere.
Here in New York this film is called "Steam" and is being sold as a major homoerotic experience. It's sad that they have to cheapen this wonderful movie in that way, and people going expecting to get their jollies will be woefully disappointed-- and entirely missing the point.
One tends to think of Turkish/Italian cinema as not being as technically sophisticated, but this film is vary carefully and intelligently written and directed. This really is one of those special, beautiful movies, not as flashy or intense as some, but I think I will remember this film for a long time.
--- Check out website devoted to bad, cheesy and gay movies: www.cinemademerde.com
Istanbul has always been my favorite city. Not just because I live there. But I guess the reasons are best "felt" in this movie. Hamam, not only tells us what traditions originally are (not restricting rules, but guidelines to keep senses, the family and the body together), but also reminds us the mystique remains of a city, where nothing is considered wrong, where life just floats along the steam of the Hamam.
Beautiful and sensual, Hamam is a soft and relaxing movie, like its title suggests.
Beautiful and sensual, Hamam is a soft and relaxing movie, like its title suggests.
¿Sabías que...?
- CuriosidadesFrancesco stays at the Pera Palace Hotel, the same where Agatha Christie wrote one of her novels.
- Créditos adicionalesEnding credits roll from top to bottom, the reverse of what is usually done.
- Banda sonoraIstanbul uyurken (Tema di
Hamam")"
Written by Pivio and Aldo De Scalzi
Performed by Trancendental with vocals from Rosie Wiederkehr
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- How long is Steam: The Turkish Bath?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Steam: The Turkish Bath
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 384.793 US$
- Recaudación en todo el mundo
- 384.793 US$
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