Brat

Post-Soviet Russia's rough crime drama. I certainly don't know the St. Petersburg, it digs into a poor society's underbelly trying to find its feet. With a very black sense of humor, dark and grim. The late Sergei Bodrov Jr. with a strong support cast around him is great in the lead. You see, you know... Apart from Eisenstein and Tarkovsky, there is Russian cinema. One more thing... If it had been done in any other country, it would have been restored by the Americans as a dumb, violent man.

This Russian film about a young hitman in St. Petersburg could just as easily have been set in London or New York; killing for profit's the same everywhere, isn't it, and yet Aleksey Balabanov's terrific thriller "Brother" seems peculiarly Russian. You wouldn't really find these characters in London or New York and what happens here wouldn't necessarily happen there, at least not in this fashion.

Danila, (Sergey Bodrov, excellent) is a young ex-soldier who gets into trouble at home so his mother packs him off to live with his older, well-off brother in St. Petersburg. The thing is, however, big brother is a hitman and very soon Danila is, too. The thrills Balabanov serves up aren't the ones you expect. This is a character study like Melville's "Le Samourai" but our young anti-hero is a rank amateur compared with Delon, although he does know his way around a gun. Danilo thinks he's a big shot but he's just another young boy with a passion for rock music, (the film has a terrific score). Even the ending isn't the conventional one. See this.

You will be marinated in Russian-ness after watching this gritty crime drama shot in St. Petersburg. Set in the early 1990s after the fall of Soviet communism, it's a movie whose co-star is the place. The crime and gunplay in the foreground, which cropped up after the collapse of stern authority, seems to perfectly match what we see in the background -- trash-strewn streets, grimy flats, drug-fueled nightclubs. Everyone is poor or barely getting by. Even the gangsters, who you'd think would have some Scarface-type perks, seem to live in squalor.

One thing that will instantly strike you is how everyone in the movie looks like someone you know, not a Hollywood star. I want to call particular attention to Svetlana Pismichenko, the film's love interest, who plays the driver of a streetcar that hauls lumber (?). She's not pretty at all, but you see the love she is capable of and, all I can say is I wish she were my girlfriend. Her last scene is one of the most memorable portraits of heartbreak I have ever seen. She has incredible eyes.

Sergei Bodrov plays the lead, a soldier just back from Chechnya who is drawn into his brother's gangland activities. We never see a flashback of what happened over there and, when asked by others in the film what he did, grins and said he was a clerk in HQ. As we come to see the fearlessness and ruthlessness he is capable of, it is obvious he is lying. This man is steel tempered in a furnace. His gangster enemies are no match for a man with his willingness to prepare for and face death.

I've never been to Russia, but I lived in the Czech Republic for three years and I can testify to the authenticity of this movie's backdrop. When the Iron Curtain fell, it revealed decaying rust belt cities, but also a tough-minded population of attractive and spirited people who, somehow, found ways to be happy in tough times. I am American and half Polish, and this movie made me proud to be a Slav.

A scene in the movie is a homage to Russian good cheer. It is a party in a Russian flat where a few dozen people are chatting, eating, smoking pot, drinking vodka, singing along to a guitar, shooting pool and having fun. They're all young people in their 20's. You'll wish you were at that party.

Or LITTLE ODESSA meets PUSHER, if you mix up the topic and the style. That's the first time I watch a genuine Russian crime movie, film noir, and so well done. I won't add much to the other comments anyway better than mine. I like this film, so surprising too and with a terrific story telling.

This film was a blockbuster hit in Russia, for many reasons that international viewers might not understand. "Brother" is a film that speaks directly to Russians (especially the urban population) about the time period directly following the fall of the Soviet Union. This was a lawless time, full of uncertainty about everything including whether your life would be ended by a random criminal on the street. It also suggests the Russian disillusionment with the Chechen War (well, the first one of the 1990s).

Balabanov has created an intense crime drama that attempts to answer Dostoyevsky's "eternal question": what does one do in a lawless society? Danila, the hero, has lost his innocence during the war in Chechnya. In this way he really represents all of Russia in that he has lost his heritage and his identity, and now must make his way in the new Russia. Like many others at the time, Danila turns to crime in order to survive.

The most heart-wrenching thing about "Brother" is that it has an incredible likeness to the reality of life in St. Petersburg in the early 1990s. Though on the surface it seems to be full of senseless violence, Danila's search for identity (that mirrors Russia's) calls for an honest picture of the hard life of the period.