Bailando bajo la luz del faro

Do yourself a favor and pay no mind to the reviews! In the spirit of love and friendship - a beautiful, deeply moving film that one can watch again and again. The acting is well done, the plot well considered and the scenery is absolutely fantastic. UTLD is a must see.

Enjoyed the film very much, especially its locales.

While the movie does deal with life's one unmistakable experience-death, it makes ardent strides to respect this life and the wonderful paradise we call the Planet Earth.

It really is a sort of "Buddy" film, only there are six buddies in the film, three men and three women. This of course creates a sort of sexual energy between three of the six, but they all truly love each other very much.

I wish we could have to deal with more great movies like this that leave one walking away very inspired.

This movie has become one of my very favorite movies. It is a love story, a story of friendship and one of transcendance over death. One can, if they are open to it, actually feel bliss at the end of this movie. It is also a very romantic movie. The fact that the plot is so simple does not mean it is empty of meaning. Quite the contrary! Its simplicity points beyond the movie to our inner self. I have shown this film to three good friends and they have all love it. The beauty of the island, and the calm beauty of the lead character (really to the credit of the leading lady) are both inspiring and mesmerizing. I wish I could buy a commercial version of this film!

This is a beautiful movie. Very poignant and touching. Some of the shots are the kind that will always stick in your head as you think back on movies you have seen. Wonderful framed!

The acting was superb. Never do you think that you are watching actors on a screen. You get so wrapped up in the story that the characters come to life and you feel as if you are sharing in their joy and sorrow.

However, be forewarned that it is something of a chick flick. Take a box of tissue and a bowl of ice cream and get a hug after watching it. If you don't like dramas that make you cry, don't see this film. Not that men won't like the film as well. But a person who loves action flicks and nothing else will be bored to tears watching this film.

UNDER THE LIGHTHOUSE DANCING was made in Perth Western Australia in 1996. It had a reputation then for being incredibly expensive and unfortunately unreleasable. In fact both those statements were at the time, correct. It cost an unbelievable $7million dollars which made it impossible to ever recoup its production cost, (it would have to gross $20m for the rentals to bring that back in) and more astonishingly was shelved because no Australian Film Distributor wanted to release it in cinemas. The gorgeous house as seen was actually built for the film and then demolished afterwards (sorry). But the film should never have cost so much; in Oz terms in the mid 90s,it should have cost about $3m like other films of the day (MURIEL, and S. BALLROOM etc) The director, Graeme Rattigan eventually was contacted with a rescue plan and the film broke records in Perth when released in just one cinema in Oct 1997. BUT....the reviews!!!.. crucifying nasty cruel vindictive and absolutely soul destroying. One male reviewer from the WestAustralian Newspaper printed a two page splash headed in giant letters ROTTO SHIPWRECK as the film was made on Rottnest Island, off Perth and gleefully demolished every single aspect of the production, the acting and the reputation of Rattigan himself. If one views the film at face value, as I did, and I can see from other comments from the USA that many other people did too, LIGHTHOUSE is a particularly exquisite romantic drama with glorious cinematography and lush production values. And set on one of the world's most beautiful unknown locations, Rottnest Island. But the media had it in for this film and wherever it played in Australia, it was lambasted by snarly critics, keen to kill it off. However, the female public loved it and word of mouth was quite good. It did play across the country in limited release and to a small appreciative audience. There was a reason for the Australian media to have it in for this production: lead actress Jacqueline MacKenzie was nominated in the 1997 Australian Film Awards for two other films in two equal Best actress categories: one was a Melbourne cinema-movie drama ANGEL HEART and another was a TV movie. As LIGHTHOUSE was filming at the time, the producers and director (incredibly) refused to let her leave the set and briefly travel back to the Eastern States to the Awards night. She was extremely upset. Then, to the collective embarrassment of everyone she won the two awards for both roles, an unheard-of achievement in Australian type "Emmy/Oscar". But she wasn't there to be on stage, she was stuck on the LIGHTHOUSE set, missing out on the one mighty acting awards achievement accolade of her career. As a result, there was an almost mutiny against Director Rattigan and the film was doomed to be the sour blot on his and her career. The actors refused to allow ANY publicity on LIGHTHOUSE, walked through the rest of their roles and laughed out loud at the mention of the film getting released. It is as if collectively the film making, media and acting community were punishing Rattigan for keeping her away from her biggest night. It was an unforgiven blunder and it cost LIGHTHOUSE it's proper release in Australia. The public who did not really know much of this just enjoyed the film, as is evident today, but the media made sure the film was either ridiculed or ignored as payback. Sad but true. Naomi Watts has survived it well though, as KING KONG can attest.