Søndagsengler

Hmm I see that this film has been enjoyed all over the world, and I must say I'm a little surprised.. I am a Norweigian and I have seen it a couple of times when it has gone on the TV for some years ago, but I never thought it would reach out to so many people... The funny thing is.... I'm in it. Now a 27 year old man going on 28, its strange seeing that even now, almost eleven years after, it still touches people. My part wasn't big, though I had a few lines, but it is such a strange feeling to have been part of something that still is held so close to the heart that some of the "fans" of the film keep it. I remember being a little embarrassed the first time I saw it on the premiere in Oslo, cause I guess i was hoping for something more exciting. You must remember I was only 16. But now I see it in a different way. I hope you all still will enjoy the film as I enjoyed being part of it..

"Søndagsengler" is a norwegian movie that have all genres: comedy,drama,religion,but about all:love.It's a pity that this movie not won the Oscar,because is most to deserved,in my case,that Kolya.The Academy Awards Jury not choose movies that,really,deserved it.Well,this movie is so sensitive,like all norwegian and scandinavian movie,and entertaining,with beautiful sequences,marvelous screenplay and excellent performances. But,I follow thinking that this movie deserved the Oscar. Now,"The Other Side of Sunday" is one of my favourites films and one of the best of all times. My opinion:You must see this movie.

Beautiful film for the art to describe the ineffable essence of an age, the subtle desire, the fear of social class, the image of religious vision like strong and necessary shell , the forms of beauty. It is exploration of a special metamorphosis in a delicate way, in kindly images, refined colors, with deep respect for atmosphere's details.

A young girl in an ambiguous war with a rigid world. A father for who the rules are untouchable, hypocritical gestures of a small universe, ethics like masks of general peace, slices of ordinary existence and vagueness of desires, dreams and feelings.

Mary is not a victim or rebel spirit. She is only explorer of her life. Her bold gestures or words, the innocent game, the refuge beyond the family's sphere are not elements of a real fight but steps for self definition.

It is a splendid film for the science to suggest the forms of existence's assume. For the sweet colors and for gentleness of artistic expression. For the discover of emotions like seeds of everyday. For the taste of Sunday.

Enough to put you off organised religion for life, this one.

A Norwegian girl on the cusp of adulthood in the 50's decides she no longer wants to be a Christian. This dismays the local community including her father, who just so happens to be the town priest. But what is boring sermons and staid hymns compared to boys, rock 'n' roll and long, refreshing dips in the nearby stream? No contest, really.

It's impossible to not be on Maria's (our rebellious protagonist) side as her dad never listens, her mother always takes his side and her siblings are under their thumb as much as she is. There's certainly a good way to have faith, but it's not to be found here: where apparently laughing at someone farting at the dinner table or wearing earrings is considered a major sin.

Marie Theisen is fantastic in the main role, alternating between euphoria at her newfound freedom and determination at her family's attempt to quell her uncovered adventurous spirit. She also says 'dog darn' a lot to avoid blasphemy, which makes no sense but is highly amusing.

Probably not one for regular churchgoers, who might find it a 'slur' on their beliefs. But everyone else though, it's an impressive piece of work that might just make you think twice before blindly believing in the hereafter... 7/10

Great norwegian movie about a priest's teenaged daughter, who has different views on religion than her father... Great movie. I am proud to be Norwegian when I see this movie...