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Un día inolvidable

Título original: One Fine Day
  • 1996
  • T
  • 1h 48min
PUNTUACIÓN EN IMDb
6,5/10
50 mil
TU PUNTUACIÓN
George Clooney and Michelle Pfeiffer in Un día inolvidable (1996)
Home Video Trailer from 20th Century Fox Home Entertainment
Reproducir trailer2:26
1 vídeo
99+ imágenes
ComediaComedia románticaDramaRomanceRomance para sentirse bien

Las vidas de dos extraños y sus hijos se cruzan inesperadamente en un día agitado y estresante en Nueva York.Las vidas de dos extraños y sus hijos se cruzan inesperadamente en un día agitado y estresante en Nueva York.Las vidas de dos extraños y sus hijos se cruzan inesperadamente en un día agitado y estresante en Nueva York.

  • Dirección
    • Michael Hoffman
  • Guión
    • Terrel Seltzer
    • Ellen Simon
  • Reparto principal
    • Michelle Pfeiffer
    • George Clooney
    • Mae Whitman
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,5/10
    50 mil
    TU PUNTUACIÓN
    • Dirección
      • Michael Hoffman
    • Guión
      • Terrel Seltzer
      • Ellen Simon
    • Reparto principal
      • Michelle Pfeiffer
      • George Clooney
      • Mae Whitman
    • 109Reseñas de usuarios
    • 33Reseñas de críticos
    • 56Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Nominado para 1 premio Óscar
      • 4 premios y 6 nominaciones en total

    Vídeos1

    One Fine Day
    Trailer 2:26
    One Fine Day

    Imágenes103

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    + 96
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    Reparto principal64

    Editar
    Michelle Pfeiffer
    Michelle Pfeiffer
    • Melanie Parker
    George Clooney
    George Clooney
    • Jack Taylor
    Mae Whitman
    Mae Whitman
    • Maggie Taylor
    Alex D. Linz
    Alex D. Linz
    • Sammy Parker
    Charles Durning
    Charles Durning
    • Lew
    Jon Robin Baitz
    Jon Robin Baitz
    • Yates, Jr.
    Ellen Greene
    Ellen Greene
    • Elaine Lieberman
    Joe Grifasi
    Joe Grifasi
    • Manny Feldstein
    Pete Hamill
    Pete Hamill
    • Frank Burroughs
    Anna Maria Horsford
    Anna Maria Horsford
    • Evelyn
    Gregory Jbara
    Gregory Jbara
    • Metro Reporter
    Sheila Kelley
    Sheila Kelley
    • Kristen
    Barry Kivel
    Barry Kivel
    • Yates, Sr.
    Robert Klein
    Robert Klein
    • Dr. Martin
    George Martin
    George Martin
    • Smith Leland
    Michael Massee
    Michael Massee
    • Eddie
    Amanda Peet
    Amanda Peet
    • Celia
    Bitty Schram
    Bitty Schram
    • Marla
    • Dirección
      • Michael Hoffman
    • Guión
      • Terrel Seltzer
      • Ellen Simon
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios109

    6,549.8K
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    Reseñas destacadas

    9Nobody-27

    Not all romantic comedies are created equal!

    I would probably never watch this film, had it not been for my wife who rented the DVD. Like others here, I expect romantic comedies to be all the same - terribly unrealistic and the humor to be 3rd-grade.

    But One Fine Day surprised me in many ways! First, it is not "I need insulin right now!" sweet. Also, it is surprisingly relevant for today's world, and not targeted at teeny boppers.

    One Fine Day is a film with a very smart script, funny dialogues, beautiful acting, and directing, and it all gels well together. Most moviegoers today expect blood, gore, and darkness of warped minds, and it seems that films that don't have that have a hard time getting a good review. It is time we step back, enjoy some of the subtleties of life and people, and laugh at ourselves, especially when it's all presented in a believable and funny way.

    The film takes us through "one fine day" of a single mother and her son, and a single father and his daughter. Due to his error, they miss their kids' field trip and are, reluctantly, helping each other take care of the kids. While he obviously likes her but has a problem with trusting again, and also suffers from questionable flirting tactics, she is more obviously shell-shocked and uses every opportunity to put him down. In a single day, they go through so many humbling episodes that the relationship develops from "I already have an opinion about you..." and "So do I..." to "I'll help you out if you say: 'Be my knight in shining armor...'"

    The control freak named Melanie and played wonderfully by Michelle Pfeiffer manages to stay likable even though she "beats every miserable bastard that comes her way to a pulp". George Clooney has an easier time being liked as he is his pretty much usual self, and that's exactly what the character requires. Both kids were much better than I would normally expect them to be; I am always put off by artificial adult gestures and the "too cool for you" acting of today's kids in Hollywood films, and expected that this time it would be the same, but it was not and that was a pleasant surprise.

    The humor in this film is subtle, and you may actually miss it altogether if you expect things to blow in your face. I loved those brief encounters between Melanie (Pfeiffer) and Celia (Amanda Peet) in which a beautiful perfectionist with a heart (Pfeiffer) meets her less polite match... Amanda Peet was also fantastic! Just notice how Pfeiffer's facial expression changes when she realizes who she's talking to. Another one to watch and enjoy is the episode with Melanie's boss.

    Also, this film can be watched more than once, as there is a lot to appreciate about it.

    Ps. A scene at the shrink's office made me laugh like never before!
    philipdavies

    Just occasionally, Hollywood still lets us have a grown-up entertainment ...

    The headlong screwball comedy of this breakneck romance of two stressed-out single parents is a delight from beginning to end. It has scenes as quick witted - and often as wackily off-kilter! - as the adults must be just in order to survive their average day. Stir love into this mess of two increasingly desparate modern lives and you get a miraculous souffle of a film, at once sharp and sweet.

    No scene is laboured, no point is telegraphed, and - phenomenally for a modern American film - neither kids nor kittens are allowed to smother the audience in the nauseous layers of cutesiness that are usually applied. The scene with the analyst, where Clooney must obscure his account of his sex-life in an ever-more-surrealistic periphrasis involving iced cakes and fish, since his little daughter has to accompany him into the presumably crecheless analyst's surgery, and her dad is embarassed to expose her to such adult matters as he is obliged to reveal during the session, is a scene which is a model of intelligent and stylish comedy writing. The dialogue of both himself and his analyst finally founders on the increasingly strained comparisons and metaphors being attempted. The analyst begins to construct an alarmingly kinky lifestyle for his client out of what he takes to be Freudian suggestions - but which are, as noted, merely the product of old-fashioned seemliness - whereupon Clooney is forced to bring the whole towering edifice back down to earth when his version of the morning's business with the goldfish gets mixed up in the heady brew of symbolism: 'No. I mean fish. You know - 'Fish' fish?'

    The humour is all good, never strained, and beautifully played by all the principals, including the wonderfully un-sentimentalised children. The transformation, stage-by-stage, of the harsh mutual competition and resentment that exists at first between these harassed adults, into an exhausted truce, by way of barely-restrained irritation, grudging gratitude, reluctant respect, and growing affection, is handled with considerable dramatic finesse throughout.

    To produce the unlikely union of such an ill-assorted pair under such utterly unpropitious and unromantic circumstances is a comedic challenge of considerable proportions, and the makers of this film do an excellent job to bring it off at all. The spirits of Grant and Hepburn - even Beatrice and Benedict - are not too far away.

    The only disappointment is to see how many people in the audience have gone home just as sour as when they arrived, judging from some of the comments here. But then, love curdles in any mean-spirited breast.

    One particularly admires the fact that, at its conclusion, the film's romantic clincher - when the tired-out couple have to settle for just falling asleep together, despite their by now clearly desparate need for each other, - insists upon the importance of exactly this: Love, rather than merely lust, as the basis for an adult relationship.

    Just occasionally, Hollywood still lets us have a grown-up entertainment. It makes a pleasant and wholesome change from the usual fare of adolescent dreams.
    broosr

    Charming, throwaway romantic comedy..

    A charming if forgettable romantic comedy aided immeasurably by two attractive leads. Michelle Pfeiffer is irresistable, although at this period in Clooney's career his range was precisely one character deep, and he played that same character whether that role was Batman or any other. Lately, however, he's broadened out with roles like O Brother, Where Art Thou? But he's pleasant enough in One Fine Day and clicks with Pfeiffer in a way that keeps your attention. Rather recalls Neil Simon, and if you enjoy movies like Seems Like Old Times, you'll enjoy this one.

    Film buffs will note a few appearances here by actors who would join Clooney later in O Brother, Where Art Thou.
    7philip_vanderveken

    Not too sweet and some good humor in it.

    I always expect the worst when I will see a romantic comedy. It's all very much the same, ultra sweet and incredibly predictable. One Fine Day does confirm this, however it isn't as bad as most of the movies in the genre. It's actually a quite enjoyable and funny film.

    Michelle Pfeiffer and George Clooney did a very good job playing two people who are divorced, with a child, afraid to commit to someone else and with a hectic life. One day, they accidentally meet at the school where their kids go to school and during the day they keep meeting, however they hate each other and don't want to see the other ever again. But as the movie progresses, the relationship between the two changes from hating each other, to liking, to ... (this is a romantic comedy, I don't have to explain everything I hope).

    Even though some parts aren't excellent, the entire movie is actually quite good and enjoyable. It shows a lot of stereotypes of course like the ex-husband who doesn't want to help his ex-wife when she drowns in all the work and who needs him to take care of the kid, the man who still seems to act like a little child... But when you can see past that, it's an excellent movie to watch together with your wife or girlfriend. You'll both enjoy it. I give it a 7/10.
    tonytharakan2000

    A great movie

    I am speechless. This one is a classic movie, and I have no words to describe it. I wish they would make more movies like this one. Michelle Pfeiffer is brilliant as usual and George Clooney, the right choice as co-star.

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    Argumento

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    Editar
    • Curiosidades
      When Maggie Taylor forgets the kitten's name, it was not a part of the script. Mae Whitman actually forgot the kitten's name and stayed in character. The director thought that it was so cute that he kept it in the movie.
    • Pifias
      When Michelle Pfeiffer is in the taxi with George Clooney's phone, he calls her up to give her messages. She then acts totally surprised that they mixed up their cell phones and she has his, but then continues to say he has a meeting at 4, indicating she already knew she had his phone by mistake because she took a phone call for him.
    • Citas

      Jack Taylor: I just want to find a fish who isn't afraid of my dark chocolate layer... and of course she'd have to love my cookie too.

    • Conexiones
      Featured in Siskel & Ebert & the Movies: Evita/Beavis and Butt-Head Do America/One Fine Day/My Fellow Americans/Scream/Ghosts of Mississippi (1996)
    • Banda sonora
      One Fine Day
      Written by Gerry Goffin and Carole King

      Performed by Natalie Merchant

      Natalie Merchant appears courtesy of Elektra Entertainment Group

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    Preguntas frecuentes

    • How long is One Fine Day?
      Con tecnología de Alexa
    • What does it mean when Jack gives his telephone number as Pennsylvania 3317?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 6 de febrero de 1997 (España)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Español
    • Títulos en diferentes países
      • Un día muy especial
    • Localizaciones del rodaje
      • Serendipity 3 Restaurant, Manhattan, Nueva York, Nueva York, Estados Unidos
    • Empresas productoras
      • Fox 2000 Pictures
      • Rosa Productions
      • Sprockets Music
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en Estados Unidos y Canadá
      • 46.151.454 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 6.226.430 US$
      • 22 dic 1996
    • Recaudación en todo el mundo
      • 97.529.550 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 48 minutos
    • Mezcla de sonido
      • Dolby Digital
      • DTS
      • SDDS
    • Relación de aspecto
      • 1.85 : 1

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