Cuando un agente deportivo tiene una epifanía moral y es despedido por expresarla, decide poner a prueba su nueva filosofía como agente independiente con el único atleta que se queda con él ... Leer todoCuando un agente deportivo tiene una epifanía moral y es despedido por expresarla, decide poner a prueba su nueva filosofía como agente independiente con el único atleta que se queda con él y su antigua secretaria.Cuando un agente deportivo tiene una epifanía moral y es despedido por expresarla, decide poner a prueba su nueva filosofía como agente independiente con el único atleta que se queda con él y su antigua secretaria.
- Ganó 1 premio Óscar
- 26 premios y 41 nominaciones en total
- Dorothy Boyd
- (as Renee Zellweger)
Reseñas destacadas
The influence and imprint on this film by brilliant filmmaker/TV series creator/producer James Brooks is apparent in how Cameron directed this film - it was an interesting mentoring brain-share between Cameron and Jim during pre-production that set the direction for Jerry Maguire.
The preparation for filming included: a side trip to Billy Wilder's house by Cameron and Tom Cruise in an attempt to recruit the elder legend for a key Day-Player bit part in the film (didn't work); the introduction of then little-known Renee Zellweger by casting director legend Gail Levin (the acting rapport between Renee and Tom during her audition was instant and never wavered); Cuba Gooding's infectious enthusiasm that won him his role over more famous names, and an Oscar in the Spring for Supporting Actor; and Tom Hanks' early consideration for the Lead that as it turns out was fortunate to have too many scheduling conflicts (much of the dialogue in JM was written for Hanks). Interesting background stories are common to Cameron Crowe film production.
But the engine that propels this film are the timeless ideals of pursuit of meaning and happiness in one's life, the power of overcoming adversity - "going for it" and stretching for the brass ring, finding true love and commitment to it, and developing key friendships that have a lifetime impact in one's life.
One is initially inserted into this story during Jerry's rapid ascent towards the pinnacle of career success as a sports agent, followed by an overnight ethics crisis "free falling" to the edge of a career-abyss. This perfect storm of dramatic conflict ties each of the main characters together, and we are immersed and hooked for the rest of the film.
The memorable/quotable dialogue in 'Jerry Maguire' is iconic ("show me the money", "you complete me", "you had me at hello", etc.), delivered by actors that rose to the occasion, each putting forth inspired performances.
Cameron has a way of extracting an actors' genuine emotional connection to their character that few directors achieve. This ability can be found in every Cameron Crowe film from 'Say Anything' (1989) forward.
Cameron's music-sync of iconic songs in the film are inspired and perfect (as one would expect), surpassed in his films only by those tracks used in his semi-autobiographical 'Almost Famous' (Cameron's greatest film to date, and on my IMDb Top 10 Greatest Comedy Films list).
'Jerry Maguire' is timeless and memorable, and a reminder for me why I fell in love with movies (and music) at a very young age - a lifetime gift that gets re-stoked by films like this one.
An easy decision to rate Jerry Maguire a 10 as one of film's Top 100 💯 Greatest Movies.
👍👍
Jerry Maguire is a top sport agent. He has a decent amount of big names as client and he's engage to a beautiful woman. Then one day while visiting one of his client in the hospital, the client's young son confronted him after he gives the client a shallow encouragement. The confrontation stick in his mind and would even get him to write a "mission statement" for the company. The "mission statement" basically lays out a plan that the agents give their clients more personal attention. Unfortunately his boss doesn't like it.
The movie gives us a look at the world of the sports agents. Who are they that gets a cut of an athlete's earning and do they really deserve it? In the beginning they're just there to negotiate the numbers and get the athletes as much exposure. In the end, Jerry has become more than a guy who makes deal for an athlete. It also gives us a look at some clients they're more demanding than the agents are prepared to handle. But if handled right they will prove to be worth the trouble.
Jerry Maguire is played by Tom Cruise, and he gives one of his best performance. I think it's every bit the equal of Cuba Gooding Jr's. Oscar winning performance. Both men were on top of their game playing off each other. It's sad that his erratic behavior of late has caused harmed to his career because Tom Cruise is a very good actor. So too is Mr. Gooding and Renee Zellwegger, who plays an office worker in Tom Cruise's office and who joined him as he tries to put forth his "mission statement" into practice.
All in all, I think it's a good movie with a very observant script, complimented by great acting.
Jerry Maguire is one of these rare beasts. No, it's not perfect, and no, it doesn't ring true for every last second of its running time, but if you come away from it with a sneer rather than a genuine desire to take a step back and look at yourself, then there's no romance in your soul at all. It's a genre that's always been particularly susceptible to the flood of lacklustre money-spinners, so to come across something that's had so much visible thought and effort thrown into it from all corners is a revelation. I'm not naive enough to think that anything making it big in the film industry these days can be purely a labour of love, but Jerry Maguire at least comes close.
It's refreshing to see Tom Cruise demonstrate that, against all odds, he can act his heart out when given the right role, as can Cuba Gooding Jr. (neither of them better previously or since) - and the rest of the cast give it every bit as much passion. It's beautifully written, and shot with an easy style that makes me wish there were more directors like Cameron Crowe in this world.
And on top of that, it gets better with each viewing. Even the soundtrack feels as if weeks have been spent fine-tuning it to perfection, and I'm no fan of Springsteen or Tom Petty. Deride it if you like, I'm not saying that Jerry Maguire's totally free of sentiment... I'm just suggesting that it's not necessarily a bad thing to have your heartstrings tugged and your self-awareness questioned once in a while.
¿Sabías que...?
- CuriosidadesJonathan Lipnicki showed up on the set one day telling everyone that "the human head weighs eight pounds". Writer, producer, and director Cameron Crowe liked it so much he wrote it into the script.
- PifiasWhen Jerry arrives at the Cushman house, he's driving a Dodge Intrepid. When he leaves, he's driving a Pontiac Grand Prix.
- Citas
[Rod has just told Jerry he will keep him as his agent]
Jerry Maguire: That's, that's great. I'm very... happy.
Rod Tidwell: Are you listenin'?
Jerry Maguire: Yes!
Rod Tidwell: That's what I'm gonna do for you: God bless you, Jerry. But this is what you gonna do for me. You listenin', Jerry?
Jerry Maguire: Yeah, what, what, what can I do for you, Rod? You just tell me what can I do for you?
Rod Tidwell: It's a very personal, a very important thing. Hell, it's a family motto. Are you ready, Jerry?
Jerry Maguire: I'm ready.
Rod Tidwell: I wanna make sure you're ready, brother. Here it is: Show me the money. Oh-ho-ho! SHOW! ME! THE! MONEY! A-ha-ha! Jerry, doesn't it make you feel good just to say that! Say it with me one time, Jerry.
Jerry Maguire: Show you the money.
Rod Tidwell: Oh, no, no. You can do better than that, Jerry! I want you to say it with you, with meaning, brother! Hey, I got Bob Sugar on the other line; I better hear you he can say it!
Jerry Maguire: Yeah, yeah, no, no, no. Show you the money.
Rod Tidwell: No! Not show you! Show me the money!
Jerry Maguire: Show me the money!
Rod Tidwell: Yeah! Louder!
Jerry Maguire: Show me the money!
Rod Tidwell: Yes, but, brother, you got to yell that shit!
Jerry Maguire: Show me the money!
Rod Tidwell: I need to feel you, Jerry!
Jerry Maguire: Show me the money!
Rod Tidwell: Jerry, you got to yell!
Jerry Maguire: [screaming] Show me the money! Show me the money!
Rod Tidwell: Do you love this black man!
Jerry Maguire: I love the black man! Show me the money!
Rod Tidwell: I love black people.
Jerry Maguire: I love black people!
Rod Tidwell: Who's your motherfucker, Jerry?
Jerry Maguire: You're my motherfucker!
Rod Tidwell: Whatcha gonna do, Jerry?
Jerry Maguire: Show me the money!
Rod Tidwell: Unh! Congratulations, you're still my agent.
- Versiones alternativasIn the original theatrical version, during the airport sequence after Jerry and Rod argue, the Paul McCartney song "Momma Miss America" is played. In the television version, Aimee Mann's "Wise Up" is used instead.
- ConexionesEdited from ¿Qué ocurrió entre mi padre y tu madre? (1972)
- Banda sonoraThe Magic Bus
Written by Pete Townshend
Performed by The Who
Courtesy of MCA Records
By Arrangement with MCA Special Markets & Products & Polydor Records, Ltd.
By Arrangement with PolyGram Film & TV Licensing
Published by Essex Music Inc.
Selecciones populares
- How long is Jerry Maguire?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- Jerry Maguire - Amor y desafío
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 50.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 153.952.592 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 17.084.296 US$
- 15 dic 1996
- Recaudación en todo el mundo
- 273.552.592 US$
- Duración2 horas 19 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1