PUNTUACIÓN EN IMDb
5,1/10
26 mil
TU PUNTUACIÓN
En el siglo 22, un científico intenta corregir el error que su ancestro creó: la caja de rompecabezas que abre las puertas del infierno y desata a Pinhead y sus legiones cenobitas.En el siglo 22, un científico intenta corregir el error que su ancestro creó: la caja de rompecabezas que abre las puertas del infierno y desata a Pinhead y sus legiones cenobitas.En el siglo 22, un científico intenta corregir el error que su ancestro creó: la caja de rompecabezas que abre las puertas del infierno y desata a Pinhead y sus legiones cenobitas.
- Premios
- 1 premio y 2 nominaciones en total
Wren T. Brown
- Parker
- (as Wren Brown)
Reseñas destacadas
For years, I'd heard that Bloodline was one of the worst sequels of all time. Having just finished watching it, I can safely say it's nowhere near as bad as some people have made it out to be. It's not as good as the first three by a long shot, but the production design and effects are excellent and I was never bored. The story can be confusing and the characters could have been better drawn, but it's far from the disaster many have made it out to be.
When the beginning of this movie started in OUTER SPACE, I was thinking this movie was doomed from the start. However, I was pleasantly surprised that the rest of the story wasn't too bad. Between Jason X and this, I think it's safe to say that '80s horror does NOT belong in sci-fi. But as a whole, I'd say the movie could've been much much worse.
If you search around, you'll find in the Internet the original script for Bloodline as well as the 'Workprint' videos saved by the film's original director. To be honest, the original script needs a couple more drafts in order to properly explain the story to the audience. Too much of it was left vague and poorly explained. But the plot did make sense when both the script and initial footage are considered together. It's hard to know exactly what happened to drive away the film's director. But what happened afterward is a classic Hollywood mess. Core points of the plot were ignored, others ripped away, others turned inside out to the point of blatantly contradicting basic Hellraiser plot and character concepts. Despite the idiotic mess made of the plot, much of it is beautifully done. It was the very last of the Hellraiser films with any level of inventiveness and class. As such, it's worth watching. But raspberries to the dolts who bolted together the elegant remnants of this film into a lumbering ignoramus.
This movie succeeds if you're a fan of Clive Barker's comic book. It follows the mythos quite logically, and adds a good deal of conjecture to the "reality" of the cenobites. As a sequel this film fills a void.
As a film on its own, this movie should be watched. Its engaging story and thought-provoking plot is enough to keep any viewer entertained, not to mention the violence and gore. Not a bad movie or wasted time.
As a film on its own, this movie should be watched. Its engaging story and thought-provoking plot is enough to keep any viewer entertained, not to mention the violence and gore. Not a bad movie or wasted time.
It's been four years since "Hell on Earth" which was a big letdown. Now we have part four which is "Bloodline." It seems the "Hellraiser" franchise departed from the storyline of the previous three to create another storyline altogether. It starts in space in the year 2176. A lone space station crewmember is solving the hellcube. By the time he's done some agents/officers of some sort come to detain him and remove him from the station. At that point we get a history lesson in the form of a doctor asking the lone officer what he was doing. He then goes into his historic bloodline and ties to the hellcube as well as the potential of a cube to forever imprison the demons.
"Bloodline" just didn't hold my interest. I always like to see Pinhead. Of all of the scary movie villains he has the most ominous voice, but when he speaks about pain, suffering, and pleasures it's almost poetic. Chucky and Freddy go for comedy while Jason and Michael Myers choose not to speak at all (if they can speak). Maybe Candyman would be the closest vocal comparison to Pinhead. In any case, the movie as a whole fell flat.
"Bloodline" just didn't hold my interest. I always like to see Pinhead. Of all of the scary movie villains he has the most ominous voice, but when he speaks about pain, suffering, and pleasures it's almost poetic. Chucky and Freddy go for comedy while Jason and Michael Myers choose not to speak at all (if they can speak). Maybe Candyman would be the closest vocal comparison to Pinhead. In any case, the movie as a whole fell flat.
¿Sabías que...?
- CuriosidadesThe US theatrical 1-sheet for the film does not have any credits. This was because original director Kevin Yagher had his name removed and replaced with the Directors' Guild of America pseudonym Alan Smithee. Fearing this would negatively reflect on the quality of the film, Miramax opted for a credit-free 1-sheet.
- Pifias(at around 36 mins) As Angelique says to Pinhead "Things seem to have changed" she is standing in front of him. Then as Pinhead responds "Hell is more ordered..." she is now standing closer and to his side. This is because the original filmed line was "Things seem to have changed, I was expecting my clowns" in reference to Demon Clowns that were cut from the past segment of the film. Cutting "I was expecting my clowns" means her position 'jumps' closer to Pinhead and creates this continuity error.
- Citas
John Merchant: For God's sake!
Pinhead: Do I look like someone who cares what God thinks?
- Créditos adicionalesThe end credits have the "Filmed in Panavision" moniker, suggesting the film was shot in cinema-scope (2.35:1), however the film was shot in flat (1.85:1) ratio. The end credit was more than likely meant to read "Filmed with Panavision cameras and lenses".
- Versiones alternativasThe original cut, still titled "Hellraiser: Bloodline"
- begins in 1784. Lemarchand builds the Lament Configuration, gives it to De L'Isle, and watches as he and Angelique challenge his card player guests to open it. When they do Angelique transforms to a demon and seemingly kills them. Lemerchand goes to Auguste, to suggests building the Elysian Configuration. Angelique visits and seduces Lemarchand. inviting him to a masked ball. Auguste tries to warn him away but is killed by Angelique's demonic clowns. Lemarchand, against his wife's wishes, goes to Angelique's party where she seduces and kisses him. When left alone, De L'Isle attempts to kill Lemarchand so he won't be replaced. An angered Angelique apparently kills De L'Isle and offers Lemarchand riches to help her. He refuses. Genvieve arrives and finds her husband almost dead. Angelique goes to kill her and her unborn child when the near-death De L'Isle appears and uses his magic to banish them all back to Hell. Genvieve flees to America as De L'Isle's servant Jacque summons Angelique back to be his sex slave.
- The central part of the film is mostly the same as the theatrical version, except with a clearer plot where Angelique tries to use the prototype Elysian Configuration to kill Pinhead. Angered, Pinhead summons chains to drag Angelique into the light but it cuts out before she dies. Bobbi then banishes them all back to Hell. Despite some bizarre rumours, there is no "neighbour" character in any version of the film.
- The last part is set in the future. It's very much he same but Paul does not tell his story to Rimmer. Also, the final confrontation features all the Cenobites and Angelique wanting Paul to join her again. He refuses and stays on board the Elysian, dying alongside Pinhead and the Cenobites and ending the bloodline forever.
- ConexionesFeatured in Crystal Lake Memories: The Complete History of Friday the 13th (2013)
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- How long is Hellraiser: Bloodline?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Hellraiser: Bloodline
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 4.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 9.336.886 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 4.505.036 US$
- 10 mar 1996
- Recaudación en todo el mundo
- 9.336.886 US$
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