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The straight to video action genre must be the fastest expanding percentage of the home video market I swear not. So these days with so much out there, it's hard to figure out what's worth your time, money and what's best left on the shelf for eternity. Yes it may be a stereotype that guys like car crash movies, guns 'n babes flicks and any movie with the words "death" "kill" or "gun" in it's title, but it rings sorta true. It's on this simple premise many movies come out each year with titles that you expect to know what you're getting. The box naturally trying it's hardest to win you over too. Let's take a hypothetical situation. There's three movie boxes in front of you. All action titles.

(1) First one stars a familiar face or two, but nobody special. The movie's box is predominately pretty plain looking (cheap). Two guys on top of a car firing guns right at us. The title screams "boring". The kind of box you've seen a hundred times before on your local video shelves.

(2) A pair of sexy blondes (dillinger in stockings: optional) stand off to the side of the b-movie star holding a silenced handgun. In the background, an overlay of a building blowing up and a helicopter whistling through the air with a man hanging out. The box is suggestive and the art sells it.

(3) Box displays a fallen Hollywood star now resigned to doing B-movie leads lying in the grass in full cameo fatigues with a sniper's rifle. A sexy brunette assassin in the background showing ample cleavage, a mighty sharp blade and all of this is surrounded by one large red rifle sight.

The visual creatures we men are - chances are you're thinking about (2) or (3). Alas in my deepest hopes of saving you from another disappointment, I recommend Drive.

An absolute gem for all of us action movies junkies. The kinda flick that makes up for the ten or so dog piles you've gone through previously. It's quite the action experience for direct-to-video fare. The fight choreography is great, Dacascos is at the top of his form and is better than anyone I've seen in the kick-kick genre of late. The explosions work, the acting is surprisingly decent for this sort of nonsense and the start, middle and end are entertaining. Yeah the story is somewhat of a test pattern, but everyone involved make it work and god it's about time. A quasi buddy movie - Kadeem Hardison and Dacascos put together some fun stuff and if this is low budget it's not showing. The production values are crisp. All except maybe that fake, prosthetic arm.

This is definitely a movie I could live with a sequel from. It deserves one because it overcame the odds. Do yourself a favor. Rent this. If you're a fan of DTV action fare and you want it tight and refreshingly done then this is your meal ticket. Oh yeah and before I forget ... remember that hypothetical situation with the movie boxes? Drive was (1). The irony.

I have watched the matrix loads of times and the action scenes, although probably on a much tighter budget for this film were far superior to that of the matrix. I saw this film first on the Sci-Fi channel and even though I have it on video I still can't help watching it when its repeated. I think Mark is a superb actor and deserves more recognition and also can't wait for the rumored new film which reunites him and the director of drive. Buy it on DVD or rent it today.. The plot might not be the best ever but its one film you cant watch enough.

I consider myself a connoisseur of crap cinema. Whether it's an overblown, big budget misfire or low budget, straight-to-video B movie, I love to watch filmmakers fail. Not to revel in their defeat, but rather to learn from their mistakes. To quote the Scottish reformer Samuel Smiles "We learn wisdom from failure much more than from success." Drive however is a surprising success.

When I first discovered this film I was shocked that I hadn't seen or even heard of it. It's a sci-fi/action/Kung fu movie, which is maybe my favorite genre (semi kidding) and it stars Kadeem Hardison, one of my favorite comedic actors from childhood and Mark Dacascos, who is (in my opinion) the most overlooked action star of his era. Drive is the exact type of obscure film I make it my business to know all about and it let slip through the cracks for decades. For shame.

The second shock came when I searched the title on IMDb and discovered it had a 6.8 rating. I have never seen a low budget, direct-to-video, action film with such a high rating. 6.8 is a great rating for any film. There are movies that have been nominated for the Oscar for best picture that don't have a 6.8 rating. Now I was intrigued.

The final shock came when I was viewing the credits and I saw another familiar name: Koichi Sakamoto. Koichi was the long running fight coordinator for the TV show Power Rangers, a show I watched religiously from ages 2 to 14. 14 was probably too old to watching Power Rangers but Koichi's amazing fight choreography, which just got more elaborate and impressive as the series went on, made it well worth the ridicule.

With this film Mark, Kadeem, and Koichi handedly prove you don't need a big budget, gaudy special effects, and A list actors to elevate a film beyond it's ridiculous premise.

And the premise is ridiculous. It's like Rush Hour mixed with Iron Man. But director Steve Wang, who's work is obviously inspired by tokusatsu superheroes, is in a clear but strange comfort zone. Wang, who moved to the United States from Taiwan when he was 9, masterfully blends Eastern and Western influences more effectively than most directors.

This film moves with the brisk, breakneck pace of the best American action movies, features some of the most inventive fight choreography in any movie I've see , low budget or blockbuster, and the actors performances, while not Oscar worthy, are certainly solid.

As I was watching this movie, listening intently to the dialogue, scanning the faces of every performer, looking for something to grumble about. To criticize. To roll my eyes at...and I found nothing. Drive is a rare gem and totally deserves it's 6.8 rating. Drive was cheaply made but not poorly made. Everyone from the visual department, to the stunt team, to the actors brought their A game and it shows.

Lastly... Rush Hour is a complete rip off of this film. Watch Drive and then Rush Hour. Or vice versa. The similarities are obvious and devastating . Shame on you Brett Ratner. Shame.

I thought that this movie was excellent, I watched it after a recommendation from a friend.

After a slow first ten minutes when we get introduced to the main characters Toby Wong (an excellent Mark Dacascos)and Malik Brody (equally as good Kadeem Hardison) the action gets under way and doesn't stop until the closing credits.

The jokes come quick and fast throughout and the film only gets better with the introduction of the fantastic but pretty unstable motel worker Deliverance Bodine (Brittany Murphy).

Overall I give it 8/10

American-born director and FX makeup man Steve Wang hooked up with Power Rangers stunt guru Koichi Sakamoto to make Guyver 2, a Japanese manga-inspired sci-fi movie with martial arts. Their next collaboration was Drive, a low-budget hi-tech action movie that has gained quite a following on DVD.

The movie stars Hawaiian martial arts genius Mark Dacascos as Toby, a guy on the run from the evil corporation that killed his girlfriend and implanted him with a 'Bio-engine', a device that gives Toby superhuman strength and speed. Arriving in America he enlists the reluctant help of Malik (Kadeem Hardison) and the two cross America in Malik's increasingly beat-up hot rod. Along the way there are a few laughs, a touch of romance, the occasional shootout and, oh yes, kung fu. Lots and lots of kung fu.

To be honest the plot is really just a way to get from one action scene to the next, but when the action is as good as this who cares? Wang, Sakamoto and Dacascos (is it me or does that sound like the world's weirdest legal firm?) have come up with some of the finest fight action you'll see in a film made outside Hong Kong. Dacascos proves he is every bit as flexible and forceful as Jet Li, Donnie Yen, Jackie Chan and the rest, while fight master Sakamoto is no less talented than Yuen Woo Ping or Cory Yuen Kuei. It's quite sickening that Dacascos is mostly confined to 10th-rate direct to video movies while overweight personal trainers and ballet dancers like Steven Seagull and Jean Claude Van Donut still manage to get cast in big-budget theatrical releases (well, maybe not Jean Claude anymore).

Fans of The Matrix will no doubt get a kick out of the lightning-fast moves and vaguely sci-fi setting (although it's worth noting that this film predates The Matrix by several years). Anyone looking for no-brainer popcorn entertainment that is actually good will also find much to enjoy.

Note: the US release of this film was cut by about 20 minutes and re-scored with a shockingly bad hip-hop soundtrack. The director's cut, available on UK DVD, is much better and worth seeking out.