Tras el descubrimiento del cadáver de una chica, la policía sospecha del novio, el hijo de la pediatra del pueblo. La situación se complica porque el chico desaparece. Sus padres luchan con ... Leer todoTras el descubrimiento del cadáver de una chica, la policía sospecha del novio, el hijo de la pediatra del pueblo. La situación se complica porque el chico desaparece. Sus padres luchan con todas sus fuerzas para averiguar la verdadTras el descubrimiento del cadáver de una chica, la policía sospecha del novio, el hijo de la pediatra del pueblo. La situación se complica porque el chico desaparece. Sus padres luchan con todas sus fuerzas para averiguar la verdad
- Dirección
- Guión
- Reparto principal
Reseñas destacadas
The script gives most of its characters a fair shake. The parents are sympathetic at times, but sometimes they make decisions we disapprove of. The townspeople and police are not one-note characters, showing off more than one side.
The movie unfolds at a pace that keeps us interested and informed. It's directed with an appropriate bleak look that suits the subject matter.
There is one flaw with the movie, however. I thought that Edward Furlong's character was repulsive, stupid, and hateful. I don't blame Furlong for this, but his direction and his parts of the screenplay. I think a better way the movie could have gone would be to give him a mixed view, neither overly sympathetic or hateful. This would make the viewer think long and hard about him, and wonder if his fate at the end of the movie is correct or not.
"Before and After" also has some of the finest actors of our day - Liam Neeson as the father, Meryl Streep as the mother, Daniel Von Bargen as the sheriff.
But, somehow the movie only works moderately well. Some of the dialog is a bit dubious, some of the scenes are over-dramatic. I suppose it is a function of so-so writing and directing.
Still, it is a film that kept my interest very well. The story got me to thinking what I would have done if any of my teenage children had gotten into a similar bind. With a great writer and director this could have been a "10" movie. I rate it 7 of 10.
We learn of course, that everyone is against the mother and son who want to just tell the truth, especially the lawyer who is interested more in getting Jacob off the hook, no matter how much of a story he has to invent, how many lies he has to tell, how many people's characters he has to besmirch. The moral structure behind the criminal justice system in the U.S. is uncovered as not one that seeks what is right or true but what kind of entertaining bi-polar battles between the defense and the prosecution can be unleashed in a furious game of words.
While the theme of the film is compelling, the production standards are low. This seems more like a made-for-TV movie. With big guns like Liam Neeson and Meryl Streep you'd expect better acting. While Streep's performance is okay, Neeson seems like not the best choice for this role. Also, the actor playing the second dark-haired lawyer seems too clownish for his role. Surprisingly, I found that the young actors were the strongest. The actors playing the two children, especially "Jacob" were extremely skilled.
¿Sabías que...?
- CuriosidadesIn the scene where Meryl Streep enters a court room to appear in front of the grand jury in the front row (in the middle of the frame) sits a young Paul Giamatti as an extra his head turned around to have a look at her.
- PifiasAfter Jake and his girlfriend pull over, their car gets stuck in the snow and the two are unable to drive away. It is unexplained how Jake is able to dive out of the rut alone after his girlfriend's fall if the two could not do the job while working together.
- Citas
Jacob Ryan: That's juts a bunch of sentimental bullshit.
Carolyn Ryan: Wait, sentimental bullshit
Jacob Ryan: Yeah everyone's parents say that.
Carolyn Ryan: Oh really, and do everyone's parent destroy evidence and lie... to the police?
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Detalles
Taquilla
- Presupuesto
- 35.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 8.797.839 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 4.023.815 US$
- 25 feb 1996
- Recaudación en todo el mundo
- 8.797.839 US$
- Duración
- 1h 48min(108 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1