PUNTUACIÓN EN IMDb
6,1/10
3,5 mil
TU PUNTUACIÓN
En un inexplicable acto de caridad, Jeanne Holman, recoge a un aparente vagabundo herido y se lo lleva a casa para cuidarlo sin darse cuenta de quién era, ni del efecto que tendría en su vid... Leer todoEn un inexplicable acto de caridad, Jeanne Holman, recoge a un aparente vagabundo herido y se lo lleva a casa para cuidarlo sin darse cuenta de quién era, ni del efecto que tendría en su vida y en la de su familia.En un inexplicable acto de caridad, Jeanne Holman, recoge a un aparente vagabundo herido y se lo lleva a casa para cuidarlo sin darse cuenta de quién era, ni del efecto que tendría en su vida y en la de su familia.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 nominación en total
Reseñas destacadas
Certainly a mixed bag of comments on this one. I'm definitely one of this film's boosters. I saw it long ago on a motel tv in the middle of the night and have never forgotten it. My memory was that it was an 80s movie; I suppose because most of the plot was set in the 50s. When I rediscovered that it was made as late as 1995 I was quite surprised. The fact that women directors and writers were so heavily involved with this movie explains its beautiful emotional resonance. Even now as I write this I'm again deeply moved by the whole story and its telling. To me it's right up there with films like "It's a Wonderful Life" and "Miracle on 34th Street," etc. Recently TCM has been featuring great women screen writers like Frances Marion and April Guy Blache. I'm glad to discover that women are still and again strongly contributing to our collective screen world of emotions and feelings. Too bad this sensitive approach seems to turn some of your reviewers strongly off. Perhaps it's a gender thing.
I was up late already... But the story drew me in and as the minutes ticked by I decided this was worth it to stay up until 1:30 AM to see the ending even though 6 AM was going to come awfully early. This was an all-around feel-good movie... A bit of magic, a lot of courage from a single mom, a bit of baseball (and who doesn't like a bit of baseball in their movies?), a dog who might be more than a dog, and Patrick Swayze quietly helping a suburban community think outside the box. He's kindly and unfailingly honest. I'm just surprised the suburbanites didn't lynch him and stone his kind single-mom hostess after his first week there. The end had a nice wrap-around closure. Totally worth staying up for!
for message, for performance, for Patrick Swayze and for the young Joseph Mazzello. sentimental, nice, seductive. soup for soul. one of films for romantics, useful, again and again, for remind the role of miracles. and for enjoy. sure, a film for a kind of public. no surprise. but, in same measure, one of films who, without be great or unique, is a good escape from reality and comfortable way to discover the life on a different angle. a film about a meeting. and about love. about magic. and about hope. about trust. almost a fairy tale in American spirit.interesting for a form of self definition. because, like every magic, it is more than a show.
I managed to find this movie on Amazon streaming. It is a nice movie about family values and ultimately, finding happiness in what you get in life rather than wishing your life were different. There are a few very harsh IMDb reviews, I don't understand that, this is a really well-made movie of a very nice story.
It starts in about 1985, it is Memorial Day, the start of summer vacation, and the family of four head out for a short trip. The dad, Tom, almost runs over a man and his dog, that incident flashes him back to 1955 when he was about 10 or 11 years old. His father had not returned from the Korean War and was presumed deceased. Young Tom had a lot of anger in his heart.
It was back then that Tom's mom almost ran over a man, Patrick Swayze as Jack, who also had a shaggy dog as a companion. Jack's foot was in a cast, as he heads away Tom's mom feels sorry for him and convinces him to stay with them until his cast is off. Jack has a very positive impact on young Tom.
In most appearances Jack comes across as a real man, but as he interacts with the Little League baseball team in a zen-like manner, and a few other things, we come to believe that he is more like Bagger Vance. Someone who may not be real but who comes into a life at a critical point. Young Tom needed to get his mojo back, to figure out what life is really about. When Tom as an adult encounters the same Jack and his dog in the cemetery, we know the answer.
Good movie with a message for everyone.
It starts in about 1985, it is Memorial Day, the start of summer vacation, and the family of four head out for a short trip. The dad, Tom, almost runs over a man and his dog, that incident flashes him back to 1955 when he was about 10 or 11 years old. His father had not returned from the Korean War and was presumed deceased. Young Tom had a lot of anger in his heart.
It was back then that Tom's mom almost ran over a man, Patrick Swayze as Jack, who also had a shaggy dog as a companion. Jack's foot was in a cast, as he heads away Tom's mom feels sorry for him and convinces him to stay with them until his cast is off. Jack has a very positive impact on young Tom.
In most appearances Jack comes across as a real man, but as he interacts with the Little League baseball team in a zen-like manner, and a few other things, we come to believe that he is more like Bagger Vance. Someone who may not be real but who comes into a life at a critical point. Young Tom needed to get his mojo back, to figure out what life is really about. When Tom as an adult encounters the same Jack and his dog in the cemetery, we know the answer.
Good movie with a message for everyone.
After reading nothing but negative reviews for Three Wishes all my expectations were crushed, but I watched it anyway. It was an excellent, perfectly acted (in most cases), well directed film with beautiful camera work. Mary Elizabeth Mastrantonio plays a single mother of two whose husband supposedly died in Korea (it takes place in the fifties). She invites a mysterious stranger who she hit with her car (causing a broken leg) to stay with them until his cast is taken off, with no idea on how he will change their lives forever.
In his movies, Patrick Swayze is either good or horrendous. In this one he is both. At some points it looks like he'll get an Oscar, at others, a Golden Raspberry. The underrated Mary Elizabeth Mastrantonio (The Abyss, Limbo) is very good in her role, but the best performance belongs to Joseph Mazzello, who plays her oldest son, Tom. Despite being third billed, Mazzello probably has the most screen time, and should've got some kind of award for his performance (though he wasn't as good her as he was in The Cure). The other two leads were good. In his first film Seth Mumy plays Mastrantonio's youngest son, and is given very few scenes with the rest of the family, spending most of his time with Swayze's dog, who I'll go to now. The dog is completely adorable and happens to be a very good actor, even though he/she is a dog.
Without revealing anything, I'll say that the ending was completely unexpected, in a bad way. It was stupid, full of holes, unnecessary and made the director look like she (I think) had run out of ideas. Michael O'Keefe plays Tom in 1995. He is so unbelievably awful, he almost bring the whole picture down with him. It would've been better if the narration had been left out. Sadly, Three Wishes was one of the box office disasters that destroyed Rysher Entertainment. (Who had my favorite logo for a production company. Bad reason)
+ (GOOD THINGS) 1.) Camera work 2.) The promising cast 3.) The adorableness (is that a real word?) of the dog 4.) Joseph Mazzello's performance 5.) Mary Elizabeth Mastrantonio's performance 6.) Direction 7.) The script
Total: 8.5/10
In his movies, Patrick Swayze is either good or horrendous. In this one he is both. At some points it looks like he'll get an Oscar, at others, a Golden Raspberry. The underrated Mary Elizabeth Mastrantonio (The Abyss, Limbo) is very good in her role, but the best performance belongs to Joseph Mazzello, who plays her oldest son, Tom. Despite being third billed, Mazzello probably has the most screen time, and should've got some kind of award for his performance (though he wasn't as good her as he was in The Cure). The other two leads were good. In his first film Seth Mumy plays Mastrantonio's youngest son, and is given very few scenes with the rest of the family, spending most of his time with Swayze's dog, who I'll go to now. The dog is completely adorable and happens to be a very good actor, even though he/she is a dog.
Without revealing anything, I'll say that the ending was completely unexpected, in a bad way. It was stupid, full of holes, unnecessary and made the director look like she (I think) had run out of ideas. Michael O'Keefe plays Tom in 1995. He is so unbelievably awful, he almost bring the whole picture down with him. It would've been better if the narration had been left out. Sadly, Three Wishes was one of the box office disasters that destroyed Rysher Entertainment. (Who had my favorite logo for a production company. Bad reason)
+ (GOOD THINGS) 1.) Camera work 2.) The promising cast 3.) The adorableness (is that a real word?) of the dog 4.) Joseph Mazzello's performance 5.) Mary Elizabeth Mastrantonio's performance 6.) Direction 7.) The script
- (BAD THINGS) 1.) The ending 2.) Flashback narration
Total: 8.5/10
¿Sabías que...?
- CuriosidadesSeth Mumy (Gunther "Gunny" Holman) is the son of actor Bill Mumy.
- PifiasWhen Jack is sunbathing in the backyard and is spotted by the lady neighbor, there is a shot with a plastic septic tank in the background. Back then septic tanks were made of concrete.
- ConexionesEdited into Doggiewoggiez! Poochiewoochiez! (2012)
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- How long is Three Wishes?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Three Wishes
- Localizaciones del rodaje
- Simi Valley, California, Estados Unidos(Baseball field)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 10.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 7.027.517 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 2.601.093 US$
- 29 oct 1995
- Recaudación en todo el mundo
- 7.027.517 US$
- Duración1 hora 55 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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