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Back in the 1960's and 70's nobody was funnier than comedy couple Al Lewis and Willy Clark. Part of their appeal was their banter and running arguments but, since these continued offstage, Al decided to split up. Years later, Willy has never forgiven Al for deciding their join career was over but work for both men has dried up – especially for Willy, who alienates even those interested in hearing him audition for adverts. When Warner Brothers approaches Willy's niece with a part in a big Christmas movie for both the men. They both need it, but Al cannot face it if Willy is difficult, while Willy has no intension of making it easy for Al.

The cast attracted me to this television remake of the Sunshine Boys and indeed at the end of the whole thing it is the cast that is the main reason for watching it. The script offers a character study with bitter wit, one liners and character development. It is the latter that I had hoped would be done well but sadly it isn't as smart and detailed a character piece as I was looking forward. As it is the development does rather stop on the surface of the characters and, aside from the history that we are told, there isn't a lot of evidence of an actual relationship. The words that Al and Willy say tell us that they have this history but the script didn't given enough in the way of depth into the words. Erman directs in a solid way and tends to make sure that his cast are allowed to be static and deliver.

Falk has the best material because he has the difficult character. He does the grumpy stuff really well but he can't show the real person just below the front. Allen is enjoyable as plays his usual personae, although he also struggles to find much of a person below his one liners. They make a good pairing when they share scenes together. The support cast is surprisingly starry. Nobody really makes a mark but everyone is solid enough and has Parker in a main role as well as cameos from McKean, Schreiber, Goldberg and Falco. The sharp eyed will also spot Jennifer Esposito and Oz's Kirk Acevedo.

Overall then an amusing character piece but it does seem to be driven by the presence of stars rather than strong development of the title characters. I was a bit disappointed by this and, although the humour and cast kept me watching, there wasn't anywhere near the substance that they (and the audience) deserved.

Neil Simon's cantankerous comedy about old show-biz team of Lewis and Clark reuniting in the modern day for one more performance--and picking up right where they left off, by arguing--didn't quite work in 1975, despite lots of acclaim. Walter Matthau was ill-suited for the larger role of Willie Clark, though it did give us the return of George Burns as Al Lewis, for which he nabbed a Supporting Oscar. Simon has tweaked the material for this TV-made remake, peppering the dialogue exchanges with some modern references (which don't really work) and changing Clark's nephew to a niece (which does). Peter Falk plays Willie Clark this time, and though Falk isn't naturally a comedian (and his Jewish lapses into Yiddish), he holds his own with Simon's hit-or-miss rhythm and wrings some laughs out of the outrageous arguments. Woody Allen's performance as Al Lewis is even better; Allen doesn't bicker so much as search for logic in the illogical, and this coupled with some very funny lines results in a surprisingly successful bit of casting (who would've thought we'd ever see Woody Allen performing Neil Simon!). Sarah Jessica Parker is terrific as well playing Clark's level-headed relative and agent, hoping for a miracle in bringing these two together again--though sweetly resigned to the fact it may never happen. Good production values (except for some bad lighting), a smooth pace and a satisfying finish; this one is more enjoyable than the theatrical feature simply due to the casting. Falk and Allen would appear not to be convincing as a former comedy duo from the 1960s, and yet they nearly pull it off.

This is awful.. I couldn't finish it. Falk is so annoying- he ruins any fun you might have convinced yourself you had- he reads his lines like a pitbull with a kid in it's mouth- and it's about as funny. Allen comes off better but is lit from behind like a traveling mummy exhibit. Michael Jackson has less chalk on his face than Allen. What would possess Woody to do reworked Neil Simon material? SKIP IT!

With some minor and not always successful updates to bring the times into focus The Sunshine Boys is given an update with Peter Falk and Woody Allen playing the roles that Walter Matthau and George Burns played two decades earlier. I doubt this can be updated again though. Comedy teams like Lewis and Clark just didn't make it into a newer age of entertainment.

Falk is the active feisty one still scratching for a living doing odd jobs here and there with an agent in the family his niece Sarah Jessica Parker. Lots of things annoy this curmudgeon most of all his former partner Woody Allen now retired comfortably in New Jersey.

Parker gets an offer to reteam the two in small supporting roles in a film. The film is the story of what happens with them.

Falk and Allen fit very nicely into the roles that Neil Simon created. But I do recall Falk talking about an incident in 1930. In 1996 the people involved would have been cracking the centenary. I guess Simon missed that one.

Look for a very important and unbilled appearance by Whoopi Goldberg as a nurse. She and Falk could have made a great team.

I was so looking forward to seeing this remake/rewrite having missed it when it was originally broadcast. I so enjoyed the original with Burns and Matthau, and always wondered what the pairing of Falk and Allen would bring to the story. Alas, very little. Allen was better than OK, but Falk seemed totally miscast. This is strange as I find his work in comedies is usually very good. But as has been mentioned in other comments here, there was absolutely no chemistry between the two actors. I think the reason was Allen took his role to a newer place while keeping the basis of the relationship between his character and Falk's true to the story. He didn't play George Burns playing Lewis. He let his personality and comic delivery take over the role. Falk, on the other hand, didn't seem to rise above the Willy Clark as done by Walter Matthau. He didn't even seem to me to have ever been Allen's comic partner. Just not his role. Unfair to compare the two versions? Perhaps, but if one is going to try and redo what was done so well before, one has to expect the yardstick to be what it is.