PUNTUACIÓN EN IMDb
4,6/10
1,3 mil
TU PUNTUACIÓN
Ma Barker y sus chicos robaban bancos y aterrorizaban en general al Medio Oeste en los años 30. Finalmente fue abatida a tiros por el g-man, Melvin Purvis.Ma Barker y sus chicos robaban bancos y aterrorizaban en general al Medio Oeste en los años 30. Finalmente fue abatida a tiros por el g-man, Melvin Purvis.Ma Barker y sus chicos robaban bancos y aterrorizaban en general al Medio Oeste en los años 30. Finalmente fue abatida a tiros por el g-man, Melvin Purvis.
Joseph Granda
- Herman Barker
- (as Joseph Lindsey)
Joe Dain
- Lloyd Barker
- (as Joseph Dain)
Reseñas destacadas
You can't watch this film for a history lesson. This was the first I had heard of the Ma Barker saga, but I could tell almost immediately that the facts were way off. And with a little internet research I realized I was of course right. Ma Barker sure as hell isn't the sexy, calculating woman the movie portrays her as, and apparently did not orchestrate all the bank robbing schemes, kiddnappings, and murders that her criminal boys carried out.
But don't expect a brilliant crime drama. The script and the acting are adequate, the gunfights are excessive and mostly unrealistic, and there is a very laughable slow motion death scene. So why did I give it a 7 out of 10?
Because it was damn entertaining. The gunfights are fun to watch but there are some deeper themes that emerge between them. The movie has a strong sense of ego intimidation among it's cast of alpha males, each of whom has his own agenda. And I appreciate the minimal use of swears for the period. The set pieces are great, reproducing a convincing 1930s era.
So watch this film like you would a cult film, and take the excessive bloodiness and ruthlessness in stride with the cheesy ultra serious comments from the FBI man who wants to take the Barkers down at any cost. Inotherwords, don't take it too seriously, just have fun with it. And if you like this, you'll love Serial Mom.
But don't expect a brilliant crime drama. The script and the acting are adequate, the gunfights are excessive and mostly unrealistic, and there is a very laughable slow motion death scene. So why did I give it a 7 out of 10?
Because it was damn entertaining. The gunfights are fun to watch but there are some deeper themes that emerge between them. The movie has a strong sense of ego intimidation among it's cast of alpha males, each of whom has his own agenda. And I appreciate the minimal use of swears for the period. The set pieces are great, reproducing a convincing 1930s era.
So watch this film like you would a cult film, and take the excessive bloodiness and ruthlessness in stride with the cheesy ultra serious comments from the FBI man who wants to take the Barkers down at any cost. Inotherwords, don't take it too seriously, just have fun with it. And if you like this, you'll love Serial Mom.
It's too kind to call this a "fictionalized" account of the Barker gang. They got the names right, but that's about it.
Russell is still hot, I'll grant you that, but this is not the real Ma Barker, who basically took care of the boys by cooking and assisting when they moved around the country, not by planning or participating in the crimes. I think it would have been far more interesting to present the real story of a middle-aged woman caught up in the criminal activities of her children and their cronies.
I also have to agree with those reviewers who found the shoot-out scenes to be totally unbelievable. The Barker/Karpis victims were a combination of the innocent and of the law-enforcement agents who pursued them, but they definitely did not mow down half-a-dozen FBI agents every time they were cornered. (On the other hand, as several recent books have related, the FBI of that era emphasized the idea of agents coming only from legal or accounting backgrounds to the extent that many agents had very little law enforcement or firearms experience. They were not the well-trained agents that we picture today.)
But the worst sin of all is that the movie is basically a bore. Nobody changes, nobody grows. We know the end of the road is ahead, we just don't know which shoot-out it will be.
Only for die-hard Russell fans.
Russell is still hot, I'll grant you that, but this is not the real Ma Barker, who basically took care of the boys by cooking and assisting when they moved around the country, not by planning or participating in the crimes. I think it would have been far more interesting to present the real story of a middle-aged woman caught up in the criminal activities of her children and their cronies.
I also have to agree with those reviewers who found the shoot-out scenes to be totally unbelievable. The Barker/Karpis victims were a combination of the innocent and of the law-enforcement agents who pursued them, but they definitely did not mow down half-a-dozen FBI agents every time they were cornered. (On the other hand, as several recent books have related, the FBI of that era emphasized the idea of agents coming only from legal or accounting backgrounds to the extent that many agents had very little law enforcement or firearms experience. They were not the well-trained agents that we picture today.)
But the worst sin of all is that the movie is basically a bore. Nobody changes, nobody grows. We know the end of the road is ahead, we just don't know which shoot-out it will be.
Only for die-hard Russell fans.
Now, i was up late one night flipping thourhg the HBOs, Cinemaxs, what have you when I came upon Public enemy No.1. It starred Theresa Russel and other actors I've never heard (except for Frank Stallone and that name does not really spell greatness) so I was expecting something along the lines of a low rent Impulse only with more nudity, sex and all the good stuff and less of everything else. However as I read the little synopsis given, listed as a biography, it said tels the the story of Ma barker and her boys robbing banks in the 1930s. So now I did not know what to expect and what I got was rather enjoyable. The production did a rather nice job of recreating early 1900s America which is interesting in and of itself. Not knowing of Ma Barker before seeing this, I cannot really comment on the accuracy of Theresa Randle's portrayal of her but it appeared that all the actors and director were going for a more pure fun approach rather an authentic one. Also, as is the case with all movies about gangsters from the 1930s, it is, at time's over romanticized and it is trying too hard to make you like these people even though, in reality, you would really want nothing to do with them. What really surprised me was the amount of action that was in it. It has a slow beginning, as it kinda should since its developing the Ma Barker character and her kids but once they decide to rob banks, its like almost every ten minutes guns are being fired. These shoot-outs are well-done too and seem to adhere to the thinking of the 1930 gangsters (who had no real professional training in firearms) with some of the strategies taken by the Barker family. These scenes are also rather violent (another nice surprise).
I wouldn't go as far to say it was gratuitous or gory but the gunshot impacts are realistically graphic and the carmae rarely, if at all, shys away from them. What also made this film fun to watch was the portrayal of the early FBI. Again, I don't know if its accurate or not but it was very entertaining to watch the FBI guys do their thing because they were treating there job like a game (albiet a very serious one): the FBI vs. The various gangsters (The main FBi guy got a cigar for every one he either brought in or killed). All in all it is a very entertaining movie that does deal with a real family of robbers and killers that has god quality (and a good amount) of action. Speaking of action, you also get to see Alyssa Milano as a whore for a nice chunk of the film and she is always easy on the eyes and she does the part well.
I wouldn't go as far to say it was gratuitous or gory but the gunshot impacts are realistically graphic and the carmae rarely, if at all, shys away from them. What also made this film fun to watch was the portrayal of the early FBI. Again, I don't know if its accurate or not but it was very entertaining to watch the FBI guys do their thing because they were treating there job like a game (albiet a very serious one): the FBI vs. The various gangsters (The main FBi guy got a cigar for every one he either brought in or killed). All in all it is a very entertaining movie that does deal with a real family of robbers and killers that has god quality (and a good amount) of action. Speaking of action, you also get to see Alyssa Milano as a whore for a nice chunk of the film and she is always easy on the eyes and she does the part well.
Wow, pretty amazing that something this bad could actually be made. I am giving this movie a 2 because it is so bad it has a certain "car wreck" kind of appeal. Its so bad its comical and that does have a certain entertainment value. Plus there is a bit of gratuitous nudity and that is always appreciated.
So where do I begin. The acting is beyond awful, its like you are watching a high school play being filmed. Theresa Russell must have done something really bad to have been forced to make this movie and her acting reflects how happy she is to be in the middle of this mess.
The rest of the cast is simply silly with the casting of Dan Cortese as an FBI agent the cherry on the top of this piece of crap. His acting actually had me laughing at loud.
As for the screenplay and the directing C. Courtney Joyner and Mark L. Lester should simply be taken out back and shot.
So where do I begin. The acting is beyond awful, its like you are watching a high school play being filmed. Theresa Russell must have done something really bad to have been forced to make this movie and her acting reflects how happy she is to be in the middle of this mess.
The rest of the cast is simply silly with the casting of Dan Cortese as an FBI agent the cherry on the top of this piece of crap. His acting actually had me laughing at loud.
As for the screenplay and the directing C. Courtney Joyner and Mark L. Lester should simply be taken out back and shot.
Very unbelievable shooting sequences ruined this film.Many times the FBI let the bad guys get away when they were surounded and right in front of them but we are time and again led to believe that the bad guys can out shoot trained FBI agents.The way it was presented is very hard to swallow for sure and too bad becouse there were a lot of good fair acting performances that kept the movie going.Also,I liked the un- mainstream style had.Why the cartoonish shoot out sequences was done is beyond me.Blast away scenes are cool for sure but please make the hits and misses believable!Due to these many glaring anomalies theoughout the movie,do not watch this one unless you are a huge fan of Theressa Russell and also a big fan of 30's gangster movies.....
¿Sabías que...?
- CuriosidadesOn two different occasions, the film utilizes stock footage of exteriors for establishing shots. The first: When Arthur Dunlop (Eric Roberts) is drinking in the bar and spills info on the kidnapping, the exterior shows it to be the "Pitty Pat Club" which was featured in the movie "Harlem Nights". Second: When Melvin Purvis finds Arthur "Dock" Barker (James Marsden) and arrests him, the exterior shot shows a street corner building beneath some elevated tracks with a curved corner. This exterior is from "The Untouchables" (1987). It was in the scene where the little girl goes into the saloon before it blows up.
- PifiasThe final shootout between Ma Barker and Melvin Purvis is captioned to have occurred in Lake "Wier" when in fact the location is near Lake Weir.
- Citas
Kate "Ma" Barker: You said, "Dead by Christmas." Is that the kind of chance you're talking about?
Melvin Purvis: You can't believe everything you read in the papers. I'm the F.B.I., not a bounty hunter.
Herman Barker: No difference.
- Versiones alternativasIn the suicide scene, it was originally written that Herman Barker's whole head would explode, but director, Mark L. Lester, decided it was too gory for just one scene, and changed it to the back of his neck exploding instead.
- ConexionesEdited from Los intocables de Eliot Ness (1987)
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