El show de Larry Sanders

For years we've all heard the stories of behind the scenes powerplays, ego, contracts, manipulation etc. among the late night hosts and networks. Ever since Johnny "clicked" with American TV audiences on NBC we have watched a steady stream of after 11pm hosts of variety type shows. Post-Carson we have seen Jay, Dave, Conan, Arsenio, Pat Sajak, Chevy Chase, Craig Kilborn, Bob Costas, etc. vie for the late night dollars. A movie entitled "The Late Night Shift" was made depicting the infighting between Jay Leno's people and David Letterman's group to take over The Tonight Show when Johnny retired.

Now Gary Shandling and HBO have devised a character and show to weave between reality and fiction all in the form of Shandling's alter-ego Larry Sanders. Much like Billy Crystal's creation, Buddy Young Jr., Sanders has taken on a personna of his own. However, what Shandling and HBO have done takes it to new heights of excellence. The stories are witty, funny, provocative, and probably lend more truth to insights into show business then even the most skeptical of us could have imagined.

With an absolutely great supporting cast this show embodies the idea that comedy can be intellectual, cutting edge, and somewhat bitter sharp without excluding portions of the audience. Of special note the performance of Rip Torn, as Larry's veteran producer (Artie), is shear greatness. Torn has fashioned his character after Fred DeCordova who was Johnny Carson's Executive Producer.Artie "knows when to hold 'em and when to fold 'em". He knows when to f__k with the network and when not to and he insulates Larry from anything that would compromise Larry's ability to be on the edge for a great show. He loves Larry like a brother and loathes him for his insecurities, childishness, ego and all that Larry can be that's infuriating.

Jeffrey Tambor is terrific as Larry's Ed McMahon sidekick Hank Kingsley. A sniveling, insecure, limited talent based guy Kingsley is well paid and likes to throw around power. Trouble is his power base is Larry and those staffers that work on the show only do for Hank what they absolutely have to. Tambor plays this character to a tee!

With real celebrity guests poking fun at celebrity, TV, movies, and themselves at times the program almost seems to allow the entertainment industry to safely poke fun at itself in a somewhat scathing manner.

The show ended it's run about a year and a half ago but it replays on the HBO channels each week and is well worth the time to view.

Sufficiently skewers the late-night circuit. The most important names in 21st century comedy were on this show. Forget Seinfeld, this was the funniest show on TV of its time, because it felt so real. Can Garry Shandling ever do another show after this? He may have shot his career in the foot after exposing the true demons that run in entertainment circles. Devastatingly funny and will be influential to many. One of a kind. "I hate you, I hate my audience, I hate this network, I hate this job, I hate myself. So, your show is on Tuesdays at 8:30 on ABC, right? We'll be right back. Stay tuned."

Hands down - this is my favorite television program, ever. For me, it replaced "Columbo" (especially the earlier ones) in this regard. Built around Garry Shandling's delightfully diverse character - the extremely-talented on-air Larry, who is equally-neurotic in his personal life, it presents everything one could want from any piece of entertainment. With Jeffrey Tambor and Rip Torn perfectly-cast in their sidekick and producer roles - there is a legion of talented others in terms of supporting cast, and a horde of A-list celebrities appearing as themselves, both as guests on the fictional show and in Larry's personal life.

Whatever the assigned characteristics the writers have provided the supporting cast and guests - sneaky, smarmy, confrontational, naive, insincere, unpredictable, etc,, etc. - it seems that everything, every characterization, every situation is carried-off without fault and is thoroughly amusing. Where the situation or drama had more serious elements, these were also well-done, without detracting from the show's overall humor.

A major affirmation of this show's appeal, for me (if I needed one) is that even where a guest appeared who was far from a favorite of mine (Rosanne would be the best example) even that person was engaging in the role within the program.

This program also was one where the "salty" language, which occurred in abundance, always added to the quality of the programming and stories, never seeming at all gratuitous. And another confirmation of the quality of this series is that in its subsequent re-runs, especially on local outlets, where many words are "bleeped," the programs are still completely entertaining.

Certainly everyone will have certain favorite episodes. However, this is a show which one can enjoy whenever seeing it again, whatever episode(s) are viewed, and irrespective of how many times they may have been seen before.

I know the participants have gone on to other separate endeavors. But I, for one, would love to see, say, a mini-series where HBO would present "the network" luring Larry, Artie and Hank "out of retirement," and having them do a series of retrospective "Larry Sanders Shows" as part of celebration of some sort of network milestone.

One of my local stations used to run two episodes late each Saturday night. I was able to see a few when aired, but made certain I taped all of them to see within the following few days. I'm surprised that I haven't already bought all of the series available on VHS or DVD, but intend to do so in the near future. These shows are the type which, even after multiple viewings, are more entertaining to see again than most alternatives available for the first time

Larry Sanders has a broad range of humor. When on camera, the humor comes from how unfunny these characters actually are in front of the camera and how funny the audience finds it. Anyone who watches late night talk shows can relate to the "mock show" portion of each show. The behind the scenes, which makes up most of each episode relies on the situations as well as the dialogue which is usually very funny and well written, like something that would actually be said.

The characters were all very different and well written. Larry Sanders, played subtly and brilliantly by Gary Shandling. Larry is always smiling, whether he's happy or not. He's self centered, but not too much of a jerk. His manager Artie (Rip Torn) is more over the top rude and loud, but he's not an unbelievable character. Then there's Hank (Jeffrey Tambor) who plays second banana to Larry and the talk show, but on this show, often steals the episodes, taking many of the main plot lines, and he is hilarious as the alternate universe Ed MacMahon. Along with these three, there are many other less important characters, all very funny.

Overall, Larry Sanders was usually hysterical, but when not, it was still one of the most brilliant shows on television.

This was a smart,funny and very cynical show that showed Hollywood behind and in front of the cameras. This show may have been about Larry, but some of its funniest moments were all about Hank. Hank Kingsley was one of the most hysterically funny characters in TV history. Hank had such an underlying sense of poignancy and humanity that you had to feel bad for him. One of my favorite scenes from the series is when Artie put Hank into a headlock to keep him from speaking at Larry's roast. Hank actually sat back down at the roast after the headlock as if nothing had happened - imagine the low self worth the man must have had to not just storm out of the banquet hall. Another funny episode is where Hank insists on having Phil write up a script for "Hank's Hot Potato," a backwards, confusing game of Hot Potato. After Phil writes something that includes the audience shouting out a profanity at Hank, all Hank can do is comment on the fact that the audience wasn't supposed to have a line. My favorite episode has to be the one with "Hank's Look Around Restaurant". The tables moved around so you have a different view every few minutes. Everyone knew it was a bad idea, but Hank wanted it so badly. When Larry is eating there, the tables creak and wobble and the glasses tip over...it kills me every time. To quote Artie, "That's great television, my friend." And of course, Rip Torn was superb as Artie, the producer whose years of experience in Tinseltown had made him bitter, over-aggressive, disenchanted to the point of being total sullen, and perhaps more realistic than anyone else in that environment.

Also, as an aside, if you buy the entire series don't let season one throw you. The characters struggle trying to find themselves, and Larry is even married during that first season, still I'd highly recommend the entire series as quite hilarious.