PUNTUACIÓN EN IMDb
7,1/10
4 mil
TU PUNTUACIÓN
Entre 1870 y 1935, dos familia del País Vasco demuestran su rivalidad.Entre 1870 y 1935, dos familia del País Vasco demuestran su rivalidad.Entre 1870 y 1935, dos familia del País Vasco demuestran su rivalidad.
- Dirección
- Guión
- Reparto principal
- Premios
- 8 premios y 3 nominaciones en total
Klara Badiola
- Madalen
- (as Clara Badiola)
Pilar Bardem
- Paulina
- (as Pilar Barden)
Reseñas destacadas
. but this is not one. So what ? The opening scene, where a woodcutter's keeps swinging an axe, is a masterpiece of manipulation : you keep on expecting something dreadful until the tension becomes unbearable, though nothing really happens. This is a current running through the film, which makes you think that Medem could make the scariest thriller if he wanted to, all through a weird familial story. After this brilliant first attempt, he did the masterpiece "Red Squirrel", so what more could you ask for ? One of today's most underrated films.
If life itself is cyclical, the telling of it must be so, too. This is evident in films like `Los Amantes del Círculo Polar' (1998) (qv) and `Lucía y el Sexo' (2001) (qv), both seen a long way previously to `Vacas' which I have only just recently been able to see - and where better but on the Basque Channel (Euskal Telebista).
This story takes up over 60 years leading up to the eve of the Spanish Civil War in the high valleys and hills of Euskadi (Basque Country). Two rival families eke out a living. Highly charged with symbolisms - cows - and metaphorisms, as well as the ever-present rôle of Basque culture, such as the `aizkolari', the film proceeds unhurriedly through the years, unveiling an almost mysterious world of superstitions, envy and mistrust.
The cyclical effect of the film is enhanced by some of the main actors - Carmelo Gómez, for example - playing more than one character as the years go by, thus assuring that the spectator has to be on his toes and aware of how the film's story is progressing.
Good work here by Carmelo Gómez, and the rest of the cast is well up to Medem's demands. Superb photography by Carles Gusi, and as ever Alberto Iglesias' music is really good, mirroring well the scenery, its people and the story line. Well worth watching if you get the chance.
This story takes up over 60 years leading up to the eve of the Spanish Civil War in the high valleys and hills of Euskadi (Basque Country). Two rival families eke out a living. Highly charged with symbolisms - cows - and metaphorisms, as well as the ever-present rôle of Basque culture, such as the `aizkolari', the film proceeds unhurriedly through the years, unveiling an almost mysterious world of superstitions, envy and mistrust.
The cyclical effect of the film is enhanced by some of the main actors - Carmelo Gómez, for example - playing more than one character as the years go by, thus assuring that the spectator has to be on his toes and aware of how the film's story is progressing.
Good work here by Carmelo Gómez, and the rest of the cast is well up to Medem's demands. Superb photography by Carles Gusi, and as ever Alberto Iglesias' music is really good, mirroring well the scenery, its people and the story line. Well worth watching if you get the chance.
With this brilliant debut film, Julio Medem placed himself almost instantly into the ranks of Spain's leading directors, along with Carlos Saura and Pedro Almodovar.
From the suspenseful footage of barefoot woodchoppers to the sprawling family rivalries to the chaos of war, Medem brings a unique vision and a sharp edge to this Basque historical saga. His later films are equally masterful, but this is the one time he chooses to grapple with the history of his Basque homeland instead of telling a contemporary and character-centered story.
The plot can be a bit tricky to follow for those unfamiliar with Spanish history, and the lush beauty of the film definitely calls more for a big screen than for video. I can't make your screen bigger, but as for the history, I may be able to help with what most confuses the typical American viewer:
The Carlists were supporters of a series of 19th century pretenders to the Spanish throne and constituted an alliance of Basque nationalists with right-wing Spaniards, allied on the basis of Catholic faith. The Carlists advocated absolute monarchy (against the ruling liberal constitutional monarchy), but were willing to grant the Basque region considerable autonomy. Later, in the Spanish Civil War, the Basque nationalists allied to the left, siding with the secular Republic (which also offered them autonomy) against Franco's centralizing fascist forces. Thus to be a Basque nationalist family over the span of this history led to some paradoxical alliances over time.
From the suspenseful footage of barefoot woodchoppers to the sprawling family rivalries to the chaos of war, Medem brings a unique vision and a sharp edge to this Basque historical saga. His later films are equally masterful, but this is the one time he chooses to grapple with the history of his Basque homeland instead of telling a contemporary and character-centered story.
The plot can be a bit tricky to follow for those unfamiliar with Spanish history, and the lush beauty of the film definitely calls more for a big screen than for video. I can't make your screen bigger, but as for the history, I may be able to help with what most confuses the typical American viewer:
The Carlists were supporters of a series of 19th century pretenders to the Spanish throne and constituted an alliance of Basque nationalists with right-wing Spaniards, allied on the basis of Catholic faith. The Carlists advocated absolute monarchy (against the ruling liberal constitutional monarchy), but were willing to grant the Basque region considerable autonomy. Later, in the Spanish Civil War, the Basque nationalists allied to the left, siding with the secular Republic (which also offered them autonomy) against Franco's centralizing fascist forces. Thus to be a Basque nationalist family over the span of this history led to some paradoxical alliances over time.
I originally saw Vacas at the Mill Valley Film Festival before its general release and thought then that it was one of the most exceptional films I had ever seen.
If you have the opportunity to view it, you are in for a rare visual and story treat.
Since it failed to make general US release in 1991, I have been searching for a VCR/DVD copy of it, with at the least English subtitles, in order to share it with others. If anyone knows where to obtain such a copy, please let me know. TIA!!
If you have the opportunity to view it, you are in for a rare visual and story treat.
Since it failed to make general US release in 1991, I have been searching for a VCR/DVD copy of it, with at the least English subtitles, in order to share it with others. If anyone knows where to obtain such a copy, please let me know. TIA!!
"Vacas" a film debut by Julio Medem is an astonishing work and one of the best films in the spanish filmaking history. It is a masterpiece about the conflict between two basque families, from XIX to XX century. Masterly directing, superb acting and writing, and excellent photography and music. Everything filmed with poetic and lyric, that gives the film a very special image, and with the presence of the cows (vacas) and the basque tradition of cutting trunks. Do not miss that film, it is a superb work by a director, that in my opinion is one of the best directors around the world for the last ten years.
¿Sabías que...?
- CuriosidadesAizkolaritza is the Basque name for a type of wood-chopping competition. They are a popular form of herri kirol (rural sport) in the Basque Country. Competitions are commonly held at most festivals, especially town festivals and usually involve at least two individuals or teams competing against each other.
- ConexionesFeatured in La pelota vasca. La piel contra la piedra (2003)
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