Grito de piedra

Definitely one of the least interesting works of Werner Herzog but even so, as one fellow critic noted, even his failures are epic and he makes something good out of them. Once again he explores the conflict between man versus nature, the conflict of man against others and also against himself. While he treats the first in a good way, the second and the third are displeasing, flawed and lacking in depth which drags down most of the film almost downhill, or better saying down the mountain.

Climbing the Cierro Torre, all the way up to the top they go. Who's they? One veteran climber (Vittorio Mezzogiorno), one acrobat/wall climber (Stefan Glowacz) trying the impossible for the first time going in one of the most difficult mountains of all, located in Patagonia (3000 meters, which is way shorter than the Everest but still a giant task), fighting against each other for the top of the mountain and for a woman's heart (she is played by Mathilda May). And their duel is followed by a sports reporter (Donald Sutherland) who thinks he's about to cover the event of the century. Plot twist: it looks like someone already had been there but can we trust this guy (Brad Dourif) who says he has left four fingers in there? Maybe...

The problem with "Scream of Stone" is to be uninteresting and flat while dealing with themes that are better presented in other movies. The fight between fearless arrogance and defiance versus experience and talent is overdone, and it's not that brilliant in here. He doesn't bring profundity to any of those themes. The ethical aspect when it comes to present facts versus doubts, introduced when the younger guy claims to have been at the top of the Scream of Stone, was almost fascinating. He was questioned by the reporters and true professionals, and out of this moment of his being cornered, having nowhere to go, he accepts the challenge and goes again to the mountain. But even so, Herzog doesn't bring excitement neither to the story and neither to the climbing scenes, the adventure stays too much in the background while the characters are carelessly brought to the foreground but you can't relate with them for too long. The whole set up involving the female going from climber to the other doesn't convince, it's too simplistic and it's only used as a device for the upcoming third act (which works). I mean, she just happen to fall for the winners. You don't get the sense that she loves one or the other.

It never reaches the splendorous, poetic and powerful images of "Aguirre, the Wrath of God" or "Fitzcarraldo" but there's beauty in some of them - the mountain has a gorgeous peak, magnificently visualized in the few aerial shots. The cast makes this worthwhile, specially the actor who plays the experienced alpinist. Overall, it's fine, Herzog is working with something he's very familiar with, to being aware of our ambitions and to conquer them regardless of consequences, living the dream even if they look like a nightmare. Just hoped this could be more impressive. 6/10

This movie left me with mixed feelings. The filmography is beautiful but the acting not quite.

The good thing is that it is really a climbing movie, not an action movie wrapped up into a mountain scenery (like Cliffhanger or Vertical Limit). Some of the actors are real (and good) climbers and one gets a glimpse of the climbing ethics (or lack thereof when sponsors come into the field).

The scenario is very loosely based on the story of the first ascent of Cerro Torre, a hard Patagonian peak. Definitely worth seeing if you are into climbing.

Herzog succeeds to show simultaneously several issues related to climbing.

The issue of the spectator: he is rather driven by roman circus spirit than by olympic ideals. The issues of the media: if there is an audience, there is money. The issues of the climbers: they are described as a king of athlete driven by a competitive spirit which allow betting its own life to reach a summit. The outdoors views of the famous Cerro Torre are beautiful and rare.

Some spectators might feel bored by the way the film is conducted. Actually, this conduction reminds some Nouvelle Vague issues and many spectators felt bored by films directed by monsters of the Nouvelle Vague like Antonioni, Goddard etc... C'est la vie.

Yet, Cerro Torre: Schrei aus Stein deserves to be seen by those who appreciate Herzog cinema.

Donald Sutherland plays a news reporter who goads a sport climber into challenging a legendary mountain climber. A 3000 meter supposedly unclimbable Patagonia peak is their place of destiny. "Scream of Stone" is an extremely uneven film, with abrupt editing and despite Werner Herzog directing, the whole thing really never pulls together. There is a battle of egos for most of the movie that eventually wears thin. I found the most interesting character to be "Fingerless", played by the always intriguing Brad Dourif. Despite the spectacular mountain vistas, the film has several near fatal flaws, including some really unfunny attempts at humor, a "bimbo" who's acting is atrocious, and an ending on the mountain that seriously lacks credibility. - MERK

This is probably one of Herzog's least known films in States,but it's definitely worth seeking out.As always his visuals are stunning.Especially in the Climbing sequences.There is this really great shot of the younger climber hanging on the edge of the cliff ,and the way Herzog holds this shot and let's us absorb it .He always has things like that in his movies,that's one of the things that makes a Werner herzog much more than just another movie.A note to Herzog fans,you'll find all of his trademarks in this movie if you look close enough.