Salmonberries

This movie takes place in a remote Alaskan village, in a landscape that is bleak and stunning at the same time. Two lonely souls-both outsiders, in a sense-meet here and slowly fall in love. One is a native of East Germany who works as the village librarian. The other is a young transgender man, abandoned at birth, obsessed with finding his biological parents. There is also an excellent supporting cast portraying the people who live in this small town, fighting the rough environment and finding happiness and fun where they can. The plot is filled with twists, sadness, and even comedy-and the Alaskan scenery is breathtaking.

I'll watch anything with k.d. lang in it, but this movie is remarkable for much more than its star. Every part of the movie is exquisite -- the cinematography is incredible, the acting is intense, the music is powerful, and so on. Each character is beautifully developed as far as necessary for the story. I can't even find further words for this movie. I have seen a lot of movies, and to date there are only two I really believe in. This is one of them.

The story of the film is not something to write home about; but its direction and editing makes you take note of the mastery of techniques in both the fields.

Take the example of the character of Roswitha's German brother: we are told he is deaf. Yet he speaks; literally and more with his nervous hands, his mournful attentive stance, they all speak volumes. It is not acting you spot but the deft, confident direction.

k d lang's theme song "Barefoot" is haunting and the more you hear it, it grows on you. But her performance did not evoke much response in me. I do not consider her performance to be great by any standards.

However Rosel Zech as Roswitha is pleasure to watch as she blooms from a cold person to a warm personality in the course of the film. Zech and Adlon have contributed much to the film as did Conrad Gonzales' editing. Gonzales and Adlon together have made electricity come alive on celluloid--electricity goes off during crucial scenes, electric neon lights buzz, electric surges in voltages create capture enigmatic scenes as still life...

Adlon's exteriors are predictably white; his interiors are dark, both in Alaska and in Germany. But there are brief moments when the dark interiors become white like a ritual, in a baptism of sorts.

Adlon's choice of actors intrigued me including the casting of Chuck Connors and k d lang. Why did he choose to make this film? What was the basis of the "salmonberries" storyline? Was it a book? It reminded me of Kurosawa making "Derzu Uzala" in old USSR. Both movies asked questions about roots of characters. Only Kurosawa was much better of the two. This is my first Adlon film but he has made me take note of a very distinct style of direction that cannot be ignored. Hollywood could learn a thing or two from this film which is so close to pristine European cinema.

A sort of mix of 'Bagdad Café' and 'Three Women' set in Alaska. k.d. lang plays an androgynous miner who falls in love with a straight, private, local German librarian. They both have muddy, tragic pasts that slowly emerge.

There are some deeply moving moments, and some wonderful slightly magical realist touches. The cinematography is very good. But while lang does a decent job, I can't help thinking a stronger, more experienced actress could have brought out even more in this amazing role.

That said, I did enjoy this much more on a second viewing. While it bothered me that it felt at times like Adlon was trying to re-create the magic of 'Bagdad Café' (odd, surreal setting, quirky out of place characters, cinematography that uses color in exaggerated ways for effect, etc.) overall I found myself more able to just let go and accept this tale on its own merits. And doing that, it made me smile.

I like picking up random movies I've never heard of, to see what I think. This was one of them. I went in with no expectations and was still disappointed. If anything, I can usually get amusement and a laugh out of a strange movie, but this fell flat on all marks. The acting was bad because it was so flat. ...it was really bad. The story just kind of existed, and wasn't interesting in any way. Things progressed very slowly, which is fine in itself, but there was basically no feeling of anticipation. Now, I like off-beat stuff, but this, I just couldn't get into. I think it tries to be artsy at times, or something, I'm not really sure what to think about some of the scenes. It was just plain boring.

I'm giving it a 2/10 simply because I was able to finish the movie, and because I've seen worse. But make no mistake... This movie is quite bad. And not even in a funny way. I was having a hard time even picking a rating for this movie. It's kind of like watching an instructional video for your new Singer sewing machine- it's not really something that you rate. It just kind of... Exists.