Documental sobre los problemas que tuvieron que superarse para completar la película de culto Apocalypse Now.Documental sobre los problemas que tuvieron que superarse para completar la película de culto Apocalypse Now.Documental sobre los problemas que tuvieron que superarse para completar la película de culto Apocalypse Now.
- Dirección
- Guión
- Reparto principal
- Ganó 2 premios Primetime Emmy
- 8 premios y 5 nominaciones en total
Marlon Brando
- Self
- (metraje de archivo)
- (sin acreditar)
Francis Ford Coppola
- Self
- (as Francis Coppola)
Laurence Fishburne
- Self
- (as Larry Fishburne)
Rona Barrett
- Self
- (metraje de archivo)
Tom Snyder
- Self
- (metraje de archivo)
Frederic Forrest
- Self
- (as Fred Forrest)
Reseñas destacadas
10sydtech
This is a fantastic documentary on the making of 'Apocalypse Now'. Essential viewing for fans of that motion picture, or just film students in general. It's a real shame that (as of July 2003) this still hasn't been released on DVD; the VHS release is long out of print and getting increasingly difficult to find...
How lucky can a master filmmaker get when the tide is against you smacking you & your new movie deliberately in the face? Legendary director Francis Ford Coppola certainly knows. This documentary, probably one of the most fascinating & insightful examinations into the craft of filmmaking and the creation of art, chronicles Coppola's three year odyssey filming the surreal Vietnam War epic "Apocalypse Now". Directed & narrated by his wife Eleanor, who accompanied her husband throughout the entire shooting of the film, this is THE most splendid "making-of" documentary I've ever seen. The finished version of "Apocalypse Now" that we've come to know is a strange, mystical journey - which probably evolved out of Coppola's own bizarre experiences while making the film.
Most of these strange occurrences on the set of "Apocalypse Now" served to hinder the completion of the film. The fact that such a brilliant film was even salvaged from the wreckage that was Coppola's life at the time is a miracle, but the film also serves as a testament to the genius of Coppola that was already established with the massive success of the first two "Godfather" films. Plagued by constant typhoons, a mercurial Marlon Brando, an unreliable Phillipine army, a cast of actors whacked out on drugs & alcohol (especially the maniacal Dennis Hopper), endless financial woes, and Coppola's own self-doubt & inner demons ("I don't have the movie yet!"), there is no surprise in the eventual photo shown of an exhausted Coppola standing on the set of his film in a damp raincoat, pointing a revolver at his own head. This may be an experience other directors have experienced (many David Lean films were logistical nightmares), but how many directors can testify to enduring these types of repeated misadventures for three years, and still manage to find the light at the end of the tunnel?
The entire cast is interviewed (years afterward) about the making of the film - except, of course, for Marlon Brando (Larry Fishburne doesn't get much screen time in the documentary, but his character was relatively small anyway). Martin Sheen, Dennis Hopper, and Frederic Forrest provide the most insight. Sheen & Hopper seem particularly direct at disclosing the grim nature of their excessive drinking at the time. Actors Robert Duvall, Sam Bottoms, Albert Hall, co-screenwriter John Milius, and the Coppolas themselves also reflect back on the construction of the film. The film is loaded with deleted scenes, extended takes, and much behind-the-scenes footage (Coppola angrily berates a stoned Dennis Hopper for forgetting his lines). Eleanor Coppola must really love her husband, because it takes a strong person to document - on film, nonetheless - three years worth of strife & turmoil as you watch your spouse in their craft, fearful they are creating the genesis of their own demise as an artist. A powerful, absorbing documentary on the creation of one of the greatest films ever made.
Most of these strange occurrences on the set of "Apocalypse Now" served to hinder the completion of the film. The fact that such a brilliant film was even salvaged from the wreckage that was Coppola's life at the time is a miracle, but the film also serves as a testament to the genius of Coppola that was already established with the massive success of the first two "Godfather" films. Plagued by constant typhoons, a mercurial Marlon Brando, an unreliable Phillipine army, a cast of actors whacked out on drugs & alcohol (especially the maniacal Dennis Hopper), endless financial woes, and Coppola's own self-doubt & inner demons ("I don't have the movie yet!"), there is no surprise in the eventual photo shown of an exhausted Coppola standing on the set of his film in a damp raincoat, pointing a revolver at his own head. This may be an experience other directors have experienced (many David Lean films were logistical nightmares), but how many directors can testify to enduring these types of repeated misadventures for three years, and still manage to find the light at the end of the tunnel?
The entire cast is interviewed (years afterward) about the making of the film - except, of course, for Marlon Brando (Larry Fishburne doesn't get much screen time in the documentary, but his character was relatively small anyway). Martin Sheen, Dennis Hopper, and Frederic Forrest provide the most insight. Sheen & Hopper seem particularly direct at disclosing the grim nature of their excessive drinking at the time. Actors Robert Duvall, Sam Bottoms, Albert Hall, co-screenwriter John Milius, and the Coppolas themselves also reflect back on the construction of the film. The film is loaded with deleted scenes, extended takes, and much behind-the-scenes footage (Coppola angrily berates a stoned Dennis Hopper for forgetting his lines). Eleanor Coppola must really love her husband, because it takes a strong person to document - on film, nonetheless - three years worth of strife & turmoil as you watch your spouse in their craft, fearful they are creating the genesis of their own demise as an artist. A powerful, absorbing documentary on the creation of one of the greatest films ever made.
Francis Ford Coppola was fond of saying 'Apocalypse Now' was "not about the Vietnam War; it was the Vietnam War", and this long overdue chronicle of the film's troubled production certainly proves his point. Using behind-the-scenes 16mm footage shot by Coppola's wife, Eleanor, and borrowing several passages from her published diaries, the documentary traces how what began as a modest wartime action movie (with nods to Joseph Conrad) would emerge, after several years, several tens of millions of dollars, and more than one physical and mental breakdown, as a brilliant, bloated, visionary epic. The production itself was often a living illustration of Murphy's Law: what could go wrong did go wrong, including a civil war, a devastating typhoon, a near-fatal heart attack suffered by actor Martin Sheen, and the appearance on the set of an unprepared, overweight Marlon Brando to play the emaciated Colonel Kurtz. Among the many revealing moments is Martin Sheen's drunken breakdown on camera (included in Coppola's finished film), and snippets of the fascinating, discreet audiotapes showing the director near the end of his wits. Invaluable hindsight is provided by cast and crew, including Coppola himself, who was never quite able to recover professionally from the experience.
Best documentary about the making of a film ever. This is fascinating stuff. Scary,funny,and always compelling, watching this you wonder how the film ever got finished. All the main actors contribute interviews for the film, (except Brando of course)and all are quite revealing. There's also contributions from George Lucas and John Milius. Some of Milius's anecdotes are highly amusing, and we get to hear excerpts from his original screenplay, a lot of which was never used, unfortunately. Some amazing footage shot by coppolla's wife include, Martin Sheen drunk and dangerous on set, Coppolla trying to get an obviously high Dennis Hopper to remember his lines, and poor Coppolla trying to shoot the ending with an uncooperative Brando selfishly wanting to do everything his way,and get paid millions for the privilege! If you are a fan of Apocalypse Now or even if you have an interest in cinema, this is a must see.
In 1976 Philippines, Francis Ford Coppola would risk everything to make 'Apocalypse Now'. It's an adaptation of Joseph Conrad's 'Heart of Darkness' to the world of the Vietnam War. The budget explodes and principal photography gets extended to 238 days. His wife Eleanor joins him filming the behind the scenes. Coppola replaces his lead Harvey Keitel. The military's help would often be diverted to fight the rebels. Martin Sheen has a heart attack. The big French section is unworkable. A typhoon destroys the production. It is absolute madness as the production becomes its own Vietnam. This is definitely not a standard production. It is a compelling watch for any film lover. It is one of the best behind-the-scenes film and should be seen as a companion piece to Apocalypse Now.
¿Sabías que...?
- CuriosidadesMarlon Brando allegedly refused to be interviewed, claiming Francis Ford Coppola still owed him $2 million following his time on the movie.
- PifiasThe narrator refers to a caribou being killed. The animal is actually a carabao.
- Citas
Francis Ford Coppola: My greatest fear is to make a really shitty, embarrassing, pompous film on an important subject, and I am doing it. And I confront it. I acknowledge, I will tell you right straight from... the most sincere depths of my heart, the film will not be good.
- Versiones alternativasThe DVD is missing a mention of Harvey Keitel as Willard and a scene of Coppola singing Anything Goes is watered down as well.
- Banda sonoraSuzie Q
Written by Dale Hawkins, Sagan Lewis (as S.J. Lewis) and Eleanor Broadwater (as E. Broadwater)
Performed by Flash Cadillac (as Flash Cadilac)
Courtesy of Private Stock Records
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Hearts of Darkness: A Filmmaker's Apocalypse
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 1.318.449 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 42.992 US$
- 1 dic 1991
- Recaudación en todo el mundo
- 1.330.973 US$
- Duración1 hora 36 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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