Darrow

I saw this on DVD; " Another breathtaking performance from the Oscar winning star of American Beauty . Kevin Spacey is Darrow " screamed the DVD cover . Turning the case over Kevin Spacey`s resume is the most prominent feature pointing out all he films he`s won awards for . Ironically for a true life film about truth and justice and law the DVD case doesn`t point out that DARROW is a TVM from 1991 when Kevin Spacey wasn`t a household name in his own household . Slightly naughty in my opinion to market this DVD as a sort of star vehicle for one of Hollywood`s biggest stars

But as TVMs go this is pretty good . The production values are good as we see horsedrawn carriages traveling through the streets of America a hundred years ago . But as you may expect DARROW does suffer from a few flaws . First of all there`s maybe too many court cases involved to do them all justice . For example the McNamara bombing case and its consequences seems to have enough time dedicated to it , but the Eugene Debs case would have benefitted from more screentime while the summing up of the infamous Leopold / Loeb case takes up more screen time than the case itself , while the scopes monkey trial " My father`s most famous case " isn`t shown onscreen and is relegated to a voice over . Secondly Spacey seems to be sleep walking through most of the film . He`s by no means a bad actor but I do find him slightly overrated and in DARROW I failed to find much indication of star quality . Best acting performance is by Chris Cooper ( Yes that one ) an actor who`s as underrated as Spacey is overrated .

All in all a good TVM . If you`re a Spacey fan you`ll certainly like DARROW. If you`re not a Spacey fan you`ll still find positive points . Just remember that it`s a TVM made before Spacey was famous and you won`t be disappointed

I was in Pittsburgh, Pa., attending a "Public Defender's Junket" (read as convention), and road the subway to an exit where we saw a sign that said "extras report here," so my friend and I got in line. Next, we were given haircuts, and "period" clothes.

This was early in the day, and the shoot was being held in the Federal Courtroom.

Kevin had a long hard day mostly consisting of the closing argument. I was in the front row and Kevin picked me out to maintain eye contact with. Kevin's pants were too big, and held up with suspenders as I suppose Darrow's pants were.

Spacey's closing argument was to "admit the facts, and win the case," which he did; that is, he admitted the murder by the misguided young geniuses and saved them from the chair.

By the way, I never got paid for my eight hours since I left to go to the Public Defender's banquet before pay time.

Robert H. Foster attorney

I read the book "Clarence Darrow: Attorney for the Damned" written by John A. Farrell, so I was somewhat excited to see a movie was made about him. Clarence Darrow was born in 1857 and was in his prime before the turn of the century. He would defend all types of unpopular characters including murderers, African-Americans, unions, and even evolution. He would also defend people because they had the means to pay him handsomely. He loved women and talking.

Of course, a movie is not going to be able to capture as much as a book (especially the 400 pager I read), yet I think the movie "Darrow" did a fair job.

Wow, a Spacey film with no reviews. I picked this one up from a pirate seller here in Shanghai. It's pretty good. It's got that made-for-TV feel, which is a bit distracting, but with its obviously modest budget it turns in a decent performance -- though the voice-over by the protagonist's son is largely superfluous.

Spacey plays (the historical) Clarence Darrow, who turns from a meek early 20thC corporate lawyer into a champion of justice for the poor and downtrodden. Spacey nicely captures Darrow's growing surety and nuanced reaction to his growing fame. The resulting break-up of Darrow's marriage, however, is dealt with somewhat incoherently, though the aftermath of the break-up is tackled with more gusto.

The surrounding cast turn in a workmanlike performance, though there's a hint of evil-baron-twirling-moustache to some of the villains, and too much `ard -working `onesty to the poor folk (sort of Goody Blake and Harry Gill)

Darrow's rise was followed by a sharp fall; this too is covered pretty well. But his most famous case, The Scopes Trial, which was the one I most wanted to see (Spacey getting his teeth into the absurd christians) is not covered, merely voiced by his son. I'm not sure if that's a cop-out or quite admirable (cf. the son's voice-over ``The Scopes Trial, the one which everyone remembers him for..'').

Thus the film closes with Darrow's return to notoriety, trying to save a pair of murders the death sentence. This calls for the lawyer-film favorite, the barnstormer speech. It's a trope ripe for melodrama, but Spacey sees the trap and sidesteps it. The make-up (Darrow's now elderly) is a bit ropey, it's true -- but that's no impediment to the actor. None of your cocksure lawyer here; he's half-broken, half-unsure, passionate but querulous. Nor is the speech wrapped up in a couple of paragraphs; it's a lengthy, judicious affair, Spacey dominating the scene entirely.

In all, well worth a punt.

I was in this movie in Pittsburgh; unfortunately, I loaned my copy, that I had made off of PBS, and the guy, Richard Swope did not return it. Would someone have a copy I could buy or copy? lfo1920220@aol.com. Me and my buddy took a walk before the convention and went down to the subway, and on the way the sign said extras report here; so we were in.