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IMDbPro

Con mis ojos cerrados

Título original: Close My Eyes
  • 1991
  • 18
  • 1h 48min
PUNTUACIÓN EN IMDb
6,2/10
3,8 mil
TU PUNTUACIÓN
Alan Rickman, Clive Owen, and Saskia Reeves in Con mis ojos cerrados (1991)
An estranged brother and sister begin an intense sexual relationship, behind the curtain of their otherwise normal working-class lives.
Reproducir trailer1:22
1 vídeo
15 imágenes
DramaRomance

Un hermano y una hermana separados comienzan una intensa relación sexual, detrás de la cortina de sus vidas normales de clase trabajadora.Un hermano y una hermana separados comienzan una intensa relación sexual, detrás de la cortina de sus vidas normales de clase trabajadora.Un hermano y una hermana separados comienzan una intensa relación sexual, detrás de la cortina de sus vidas normales de clase trabajadora.

  • Dirección
    • Stephen Poliakoff
  • Guión
    • Stephen Poliakoff
  • Reparto principal
    • Alan Rickman
    • Clive Owen
    • Saskia Reeves
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,2/10
    3,8 mil
    TU PUNTUACIÓN
    • Dirección
      • Stephen Poliakoff
    • Guión
      • Stephen Poliakoff
    • Reparto principal
      • Alan Rickman
      • Clive Owen
      • Saskia Reeves
    • 36Reseñas de usuarios
    • 11Reseñas de críticos
  • Ver la información de la producción en IMDbPro
    • Premios
      • 4 premios en total

    Vídeos1

    Trailer
    Trailer 1:22
    Trailer

    Imágenes15

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    + 9
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    Reparto principal19

    Editar
    Alan Rickman
    Alan Rickman
    • Sinclair
    Clive Owen
    Clive Owen
    • Richard
    Saskia Reeves
    Saskia Reeves
    • Natalie
    Karl Johnson
    Karl Johnson
    • Colin
    Lesley Sharp
    Lesley Sharp
    • Jessica
    Kate Gartside
    Kate Gartside
    • Paula
    Karen Knight
    • Philippa
    Niall Buggy
    • Geof
    Campbell Morrison
    • Scotsman
    Annie Hayes
    • Receptionist
    Maxwell Hutcheon
    • Interviewee
    Geraldine Somerville
    Geraldine Somerville
    • Natalie's Boss
    Helen FitzGerald
    • Scottish Girl
    Christopher Barr
    • Noley
    Gordon Salkilld
    • Hotel Porter
    Choy-Ling Man
    • Maid
    John Albasiny
    John Albasiny
    • Young Man
    Marie Passarelli
    • Selina
    • Dirección
      • Stephen Poliakoff
    • Guión
      • Stephen Poliakoff
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios36

    6,23.8K
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    10

    Reseñas destacadas

    8Dadge

    Alan Rickman fans start here.

    I'm surprised this movie isn't rated higher - I can't think of anyone who's seen it who hasn't liked it. Women who see it are all mesmerised by Alan Rickman, who rather steals the show. For many women this was their first taste of Rickman, and it was love at first sight! He _is_ good, and he's cast in an interesting role (Saskia Reeves cheats on him when she has an affair with her brother, played by Clive Owen, who was probably more famous than Rickman at the time because he'd recently starred in a very successful TV drama series). The incest plot is treated very well - the script, acting and direction are excellent. The whole situation is set up so as not to shock, but to make us think, and I think the film succeeds.
    8paul2001sw-1

    Fascinatingly flawed

    The opening scenes of Stephen Poliakoff's film, 'Close My Eyes', are truly mesmerising. We see a floodlit bowling green, incongruously (but, given that one of the subplots of the movie turns out to concern urban planning law, not irrelevantly) positioned amongst tower blocks; meanwhile a young woman (Natalie, played by Saskia Reeves) is smoking a cigarette on a balcony, possibly in one of those same blocks. As the credits fade, the camera homes in on a young man in a hurry (Richard, played by Clive Owen), passing by the bowlers; it turns out that the woman is his estranged sister, and he's late. She, on the other hand, is upset, and looks to him for comfort; and in the middle of the night, they share a moment of affection that goes a little bit beyond what siblings ought to do. The unfolding of their lives over the next few years is then summarised through a depiction of their subsequent (non-) interactions: he is every bit the strident, ambitious, fornicating yuppie; while she feels lost and uncertain, with a brother-shaped hole in her life. But after years abroad, Richard comes home, rather surprisingly to take a lowly paid public sector job. And then Natalie, whom he has almost forgotten, gets in touch and invites him to meet her new husband, Sinclair (played wonderfully by Alan Rickman, in probably his finest role). Sinclair is a millionaire futurologist, a man both kindly, but also child-like in his fundamental inability to empathise. And Natalie, who has gained a new confidence, starts to come on to Richard with a very definite intent. The skill with which the film effectively tells half its story in just a handful of minutes, with brilliantly selected visuals replacing the need for expository dialogue, is breathtaking; one can hardly take one's eyes off the screen.

    But for all Poliakoff's brilliantly striking imagery, the film manifests some serious defects. To start with, the subsequent plotting doesn't quite work. The central idea appears to be that ambitious Richard falls in love with his sister, but she is only game-playing; he then falls apart. But the film keeps its distance from its characters, sometimes their motivation (beyond raw sexual passion) is unclear, and some of their behaviour seems forced to fit the dictates of plot. One could also argue that, in dealing with incest, the film is slightly dishonest. It wants to be seen to explore a taboo, but creates a scenario in which two consenting, independent adults find themselves in a very unusual situation: to put it another way, the reason incest is taboo is because it is almost invariably exploitative, whereas this relationship is not (at least, not in the way that generally characterises the phenomenon).

    Another aspect of this movie is Poliakoff's decision to set his movie in a landscape more symbolic than real. We witness the progression of an almost supernaturally idyllic affair, made even more perfect by being set in contrast to the spectre of A.I.D.S. Sexual intercourse takes place between beautiful bodies disrobing from beautiful clothing in beautiful places. Alan Rickman plays the sort of eccentric genius whom we instinctively feel is exactly what a millionaire should be like, though in reality, one suspects, most are none of the sort. Even the supposedly wretched council offices where Richard takes up his new job have more the feel of a trendy design consultancy than of grim municipal poverty. More generally, Poliakoff's films invariably set up contrasts between worlds defined by qualities such as power, sex, or tradition; but never seem to recognise that all these qualities, far from being opposites, are just different attributes that identify some as the "haves" of our society, as opposed to the "have-nots". There are a few images of the homeless, of the truly dispossessed, in this film, but they only exist as images; while the real drama plays out within a gilded circle. In some respects, it's this romantic other-worldliness that makes the film so physically striking. But social realism it ain't.

    Does this make it a bad film? On the contrary, one could say it's a great film. But the roots of Poliakoff's later disaster, 'The Tribe', are clearly on show here, alongside evidence of his rare gift for combining intelligence and beauty, in this fascinatingly flawed film.
    8ian_harris

    Well worth seeing

    This film is an expanded and improved rewrite of Poliakoff's early play Hitting Town. I have always found Poliakoff's plays filmic; this reworking on film is more interesting than the play, although the starkness of the incest in Hitting Town was probably more shocking, and the 1970's UK audience was probably more susceptible to shock.

    Three great performances in this film - Saskia Reeves, Clive Owens and Alan Rickman.

    Poliakoff has a great knack of mixing the profound, the profane and the mundane. One telling scene in Richard's flat has Richard and Natalie agonising over their tryst, then making love, while in the background a rain-affected test match (cricket) fails to happen and then starts to happen again. Unforgettable symbolism - Bergman would have used it if only the Swedes played cricket.

    This film is well worth seeing.
    rick_7

    "I wish I could wake up happy."

    Close My Eyes (Stephen Poliakoff, 1991) is a troubling, intriguing, but sometimes superficial state-of-the-nation drama that attempts to have the last word on the 1980s. Saskia Reeves plays an aimless, unhappy young woman who marries a millionaire (Alan Rickman), then embarks on a passionate affair with her fiery, arrogant younger brother (Clive Owen). Though she can apparently turn the attraction on and off - an element that's insufficiently developed until the close - he is besotted, taking the AIDS crisis as further proof that he is doing The Right Thing. While this is primarily a portrait of sibling love, Poliakoff does have loftier ambitions as his screenplay encompasses compromised dreams (seen in the careers of its protagonists, and the broken idealism of city architecture) and the hollowness of contemporary priorities.

    There's a moment in Lynne Ramsey's Morvern Callar, where Samantha Morton seems to capture just how peculiar and uncomfortable someone sounds in their own head when they're expressing a sensitive sentiment - in this case: "Shut up, he's dead." It's so unlike conventional acting that I've never been able to work out if she's doing it on purpose or has just mangled the dialogue with an atypical display of woodenness. Owen has a similar moment here, with a line that straddles the divide between glibness and profundity. "My boss is ill - he's got AIDS", he says simply. It's a particularly odd moment in a film that's littered with peculiarities and has a lot to say - not all of it entirely coherently.

    With its striking, grim cinematography and bleak subject matter - punctuated with moments of wry humour - Close My Eyes plays like an embryonic version of Mike Leigh's dizzyingly brilliant Naked, which it predates by two years. In common with Poliakoff's 2009 film Glorious 39, it's a story of well-spoken people falling apart, lit by ever-present music, stately tracking shots and a curious interest in construction work as metaphor. Indeed, Poliakoff's fine visual sense is much in evidence, particularly in a breathtaking surrealistic opening. Acting-wise, it's a mixed bag, with a weak supporting cast but three strong leads. Reeves is the standout - absolutely excellent in a tricky part - with Owen as good as I've seen him and Rickman doing his considerable best in a role that tends towards caricature. Interesting stuff, and definitely one to revisit.
    6claudio_carvalho

    Obsessive Incestuous Love

    In England, the siblings Natalie (Saskia Reeves) and Richard (Clive Owen) every now and then are together, and Natalie usually opens her heart to her brother. Years later, Natalie gets married to the wealthy Sinclair (Alan Rickman) and in the boredom of her marriage, she has a love affair with her brother. However, Richard becomes obsessed by his sister and addicted to have sex with her. Meanwhile, Sinclair distrusts Natalie and believes she has a lover.

    "Close My Eyes" is a powerful drama about the obsessive incestuous love of two siblings. The unusual triangle of love is supported by the gorgeous Saskia Reeves that has a great performance in a bold role. The always excellent Alan Rickman is the stereotype of the British gentleman and Clive Owen in the beginning of his career successfully completes the triangle of lovers. This film was released in Brazil on VHS by Globo Vídeo distributor. My vote is six.

    Title (Brazil): "Três Amores Uma Paixão" ("Three Loves One Passion")

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      An ad campaign canceled its contract with Clive Owen, not wanting an actor who'd starred in such a controversial film to front for them.
    • Pifias
      When Natalie and Richard are fighting on the country lane, there is a rip in the right shoulder of her jacket. When they get back to the party, the rip has gone.
    • Citas

      Sinclair: We spend too much time thinking about the end of the world. It isn't going to happen. Today. I promise you. Not before lunch.

    • Conexiones
      Referenced in Honest Trailers: Die Hard (2015)
    • Banda sonora
      Dream Fantasy
      (uncredited)

      Music by Roger Webb

      Chappell Recorded Music Library

    Selecciones populares

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    Preguntas frecuentes

    • How long is Close My Eyes?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 3 de julio de 1992 (España)
    • País de origen
      • Reino Unido
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Close My Eyes
    • Localizaciones del rodaje
      • Marlow, Buckinghamshire, Inglaterra, Reino Unido(Natalie's and Sinclair's house)
    • Empresas productoras
      • Film Four International
      • Beambright
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en Estados Unidos y Canadá
      • 135.893 US$
    • Recaudación en todo el mundo
      • 135.893 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 48 minutos
    • Color
      • Color
    • Relación de aspecto
      • 1.66 : 1

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