The House of Eliott
- Serie de TV
- 1991–1994
- 50min
Dos hermanas en la década de 1920 en Londres trabajan para lograr el éxito en el negocio de la confección.Dos hermanas en la década de 1920 en Londres trabajan para lograr el éxito en el negocio de la confección.Dos hermanas en la década de 1920 en Londres trabajan para lograr el éxito en el negocio de la confección.
- Ganó 1 premio Primetime Emmy
- 3 premios y 10 nominaciones en total
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The House Of Eliott, set in Britian in the 1920s, follows the drama of the two Eliott sisters in their journey from being poor relations with no position or future in society to being amongst the most celebrated fashion designers in London.
There is much motivating drama as the sisters are held back by the cruel legacy of their father and their condescending relatives. Through their determination and by meeting creative and Bohemian members of society they begin to express their creative talents and break free of the constrictive life they were intended to live.
The 1920s period setting is dressed up well and is played out as a time of change in attitude to clothing and the way women could express themselves. Of course the cruel English class system, as always, provides a good background to the drama, where the aristocracy are still ruling and putting others in their place. But the signs of the change in society, post World War I, are evident. The characters are bound by their reputation and many reputations are all ready established, newly made and destroyed during the series.
Stella Gonet plays Beatrice, the elder Eliott sister who suffered greatly under her fathers stern hand and who determinedly finds her lost freedom. Louise Lombard, plays Evagaline, younger by twelve years to Beatrice, who begins naively venturing into the world after her sheltered childhood and blossoms into a sophisticated, individual and unconventional women in society. Both actresses are well cast and develop their characters well as the series progresses.
Aden Gillet as Jack Maddox, the society photographer and eventual love interest in the show is another regular character. Barbara Jefford is a favourite as their snobby, stern but somehow sympathetic character of Aunt Lydia - constantly reminding the "girls" that reputation is everything. The sub-plots(particularly in series 1) are also very well developed. As well as Aunt Lydia, their is the charity worker Penelope Maddox and her attempts help the poor and bring justice and the some of the stories of the employees in the fashion house.Other characters develop as the series progresses and some are more effective than others.
Developed by the creators of Upstairs Downstairs(well known actresses Jean Marsh and Eileen Atkins) The House Of Elliot has good writing mostly good direction and acting and the journey of the Eliott sisters is a rewarding one to watch and re-watch.
There is much motivating drama as the sisters are held back by the cruel legacy of their father and their condescending relatives. Through their determination and by meeting creative and Bohemian members of society they begin to express their creative talents and break free of the constrictive life they were intended to live.
The 1920s period setting is dressed up well and is played out as a time of change in attitude to clothing and the way women could express themselves. Of course the cruel English class system, as always, provides a good background to the drama, where the aristocracy are still ruling and putting others in their place. But the signs of the change in society, post World War I, are evident. The characters are bound by their reputation and many reputations are all ready established, newly made and destroyed during the series.
Stella Gonet plays Beatrice, the elder Eliott sister who suffered greatly under her fathers stern hand and who determinedly finds her lost freedom. Louise Lombard, plays Evagaline, younger by twelve years to Beatrice, who begins naively venturing into the world after her sheltered childhood and blossoms into a sophisticated, individual and unconventional women in society. Both actresses are well cast and develop their characters well as the series progresses.
Aden Gillet as Jack Maddox, the society photographer and eventual love interest in the show is another regular character. Barbara Jefford is a favourite as their snobby, stern but somehow sympathetic character of Aunt Lydia - constantly reminding the "girls" that reputation is everything. The sub-plots(particularly in series 1) are also very well developed. As well as Aunt Lydia, their is the charity worker Penelope Maddox and her attempts help the poor and bring justice and the some of the stories of the employees in the fashion house.Other characters develop as the series progresses and some are more effective than others.
Developed by the creators of Upstairs Downstairs(well known actresses Jean Marsh and Eileen Atkins) The House Of Elliot has good writing mostly good direction and acting and the journey of the Eliott sisters is a rewarding one to watch and re-watch.
The House of Eliott is a gem of a series largely due to the wonderful characters, great acting and writing, fabulous settings and exquisite costumes. The characters of Evangeline and Beatrice are really wonderful foils for one another. Supporting characters such as Jack, Tilly, Madge and company are also highly entertaining. It is very hard to not become quickly addicted to the House of Eliott. Even though it is set largely among the beautiful people of the 1920s, the House of Eliott manages to show how the other half lives, particularly when dealing with the Miners' Strike and the consequences for so many families. Now that it is out on DVD all the wonderful characters live again.
You don't have to buy the DVD's anymore to watch this superb series. I rented them on NETFLIX three DVD's at a time. Best series show I've seen in a long long time. The story as well as the cast were first class. The womens clothing was something else. this show must have cost a fortune to film. the period automobiles, trains, sets were all something to see and added to the enjoyment of the film. Stella Gonet, Louise Lombard and Aden Gillett all gave marvelous performances. For that matter the the entire cast was wonderful. My wife and I looked forward to watching this show night after night and were sorry when it ended.
I remember when A&E aired this series on Sunday evenings. Oh how I envied being in London, anyway Stella Gonet and Louise Lombard are both stars of this series as two sisters who operate a fashion business in London, England. A terrific supporting cast like Victoria Alcock, Cathy Murphy, and others help support the leading actresses. Of course, the creators of the show was Dame Eileen Atkins and Jean Marsh better known for Upstairs, Downstairs. Anyway, the story is quite soap opera at times but it is irresistible too. They are true to the time period as possible they can. They opened the doors much like other British series. Sadly, the show only lasted three seasons which is not that unusual in British programming. Unfortunately, a series season ranges from 6-10 episodes a season. Oh my, the British soaps air about four or five times a week.
I know people don't like negative reviews, but I bought the full series at quite a price and I am becoming sorry I did so.
This show has many attractive elements. I thoroughly enjoyed watching season 1.
The writing in Season 2 is dreadful. It is as if the original idea proposed by Jean Marsh and Eileen Atkins was all used up by the end of season 1. Every plot point is telegraphed; there are no surprises. The melodrama is cheesy without being delightfully so - the music is godawful. Many of the stories are disconnected from each other. One feels that the writers slammed their ideas together at high speed without reference to how real people would react were they part of these stories. Such a waste of such fine actors, such beautiful design and such a lovely concept. It is almost as though the writers don't believe in the characters and don't like them. I'm not sure I'm going to make it through to the end.
This show has many attractive elements. I thoroughly enjoyed watching season 1.
The writing in Season 2 is dreadful. It is as if the original idea proposed by Jean Marsh and Eileen Atkins was all used up by the end of season 1. Every plot point is telegraphed; there are no surprises. The melodrama is cheesy without being delightfully so - the music is godawful. Many of the stories are disconnected from each other. One feels that the writers slammed their ideas together at high speed without reference to how real people would react were they part of these stories. Such a waste of such fine actors, such beautiful design and such a lovely concept. It is almost as though the writers don't believe in the characters and don't like them. I'm not sure I'm going to make it through to the end.
¿Sabías que...?
- CuriosidadesThe last major drama series to be made at BBC Television Centre. The trend moved to shooting drama in a more cinematic style, on single-camera film and on location rather than studio-bound multi-camera video.
- ConexionesReferenced in Only Fools and Horses: Mother Nature's Son (1992)
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- How many seasons does The House of Eliott have?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Будинок сестер Елліотт
- Localizaciones del rodaje
- Pittville Park, Cheltenham, Gloucestershire, Inglaterra, Reino Unido(Little Promenade)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
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By what name was The House of Eliott (1991) officially released in India in English?
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