Añade un argumento en tu idiomaComedians Stephen Fry and Hugh Laurie perform a variety of comedy skits and the occasional musical number.Comedians Stephen Fry and Hugh Laurie perform a variety of comedy skits and the occasional musical number.Comedians Stephen Fry and Hugh Laurie perform a variety of comedy skits and the occasional musical number.
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These men are spectacular together. The acting is beyond reproach. But it is the writing that deserves special note. It is sharp, funny, sly, silly and merciless in skewering the pompous and the ordinary alike. But, above all, it never condescends. They assume the audience is a smart as they are.
I'm tempted to give an example, but so many of the sketches have hilarious twists at the end and I wouldn't want to ruin any of the punchlines for future viewers. But I can promise you at least two or three laugh-out-loud moments in every episode (even if you are watching all by yourself, as I was.)
I do have one quibble which kept me from giving ABOFAL a score of 10. The person who mixed the soundtrack on the DVDs should be taken out and tortured. Slowly. And painfully. There is a laugh track that is silent until they get to a punchline. Then it is dropped in, loudly enough to rattle the walls, frequently ruining the next line. And, in the final sketch in Series 1, the music actually drowns out the actors.
Edit - I have since learned that ABOFAL did not use laugh tracks. The laughter was from the studio audiences (and those tapes have since been used as laugh tracks on other shows.) So the problem was not that they added laughter too loudly, just that the DVDs had a sound mixer who did not comprehend that letting the at-home audience hearing the dialog is more important than proving that the studio audience enjoyed themselves at the taping.
Fry: "Which of sir's manifold hairs would he care to place in my professional care for the purposes of securing an encutment?"
Laurie: "Well, all of them."
Fry: "My, I haven't cut a full head of hair since before the war!"
Another favorite of mine is the recurring skit of Tony and his coffee-obsessed boss Control, as their interactions are robotic and excessively civil, while at the same time having innuendo like undertones. They supposedly work for the CIA.
This is, again, the most drop-dead hilarious show you will ever come across. If you see only one of Hugh Laurie's or Stephen Fry's works, let this be it!!!
As a citizen of the United States, my exposure to the brilliance of British comedy is limited to one night a week on public television. I was familiar with Hugh Laurie from Stuart Little and his guest appearance on Friends. It was in 2004 when I began watching House and became fascinated by the acting of Hugh Laurie. Okay that's an understatement, I fell in love with him. I searched his name on my library database and found that he was in a show called Blackadder. This was my first experience with British comedy and I think it was an amazing show to begin with. With Blackadder I became familiar with British terms and slang, and I began to watch more British comedy on television. When I found this show that was chocked full of Hugh Laurie, (I mean, his name was in the title!) I jumped at the opportunity to view all four series. I was now familiar with some British pop culture and the work of both Fry and Laurie, and I feel that a better pair could not join together than these two brilliant gentleman. Each of them has their own unique qualities that makes the show twice as hilarious. Stephan has the ability to say any random phrase that can make absolutely during conversation without breaking the tone, and his satirical comments are classic. Laurie possesses brilliance with accents and musical talent as well as his ability to play a range of characters from an uptight and short tempered upperclassman to his rather goofy side that is often used in the introduction. (I apologize for that run-on sentence. I get carried away when I discuss Hugh Laurie.)
Hugh Laurie and Stephen Fry bring something very rare to comedy (especially in the United States). They don't spell everything out for the audience. It's hard to explain if you have never before seen their comedy, but what would be a complete joke for another show is only a section of a joke for Fry & Laurie, and not even the punchline. I guess what I mean is that they keep the entire sketch funny, rather than the traditional way of keeping it serious to the punchline. Well, I think I've bored you enough with my thoughts of the show so I will leave you with a phrase which I think sums up all of my thoughts completely: Soupy Twist.
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- CuriosidadesStephen Fry was never able to convincingly fake hitting someone, so often he genuinely hit Hugh Laurie while filming the sketches.
- Citas
Stephen: The reason we're not going to do this sketch is that it contains a great deal of sex and violence.
Hugh: A great deal.
Stephen: Lots of sex and violence.
Hugh: That's right. During the sketch, Stephen hits me several times with a golf club.
Stephen: Which of course wouldn't matter except that I do it very sexily.
Hugh: That's the trouble, you see. He does it so sexily. I wish you could see it.
Stephen: And then the sketch ends with us going to bed together...
Hugh: ...violently.
Stephen: Very, very violently. Now this raises problems.
Hugh: Not for me.
- ConexionesEdited into Auntie's Bloomers: Auntie's New Bloomers 3 (1995)
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