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IMDbPro

Cazador blanco, corazón negro

Título original: White Hunter Black Heart
  • 1990
  • A
  • 1h 52min
PUNTUACIÓN EN IMDb
6,5/10
14 mil
TU PUNTUACIÓN
Clint Eastwood in Cazador blanco, corazón negro (1990)
A thinly fictionalized account of a legendary movie director, whose desire to hunt down an animal turns into a grim situation with his movie crew in Africa.
Reproducir trailer1:24
1 vídeo
66 imágenes
AventurasDramaDrama del mundo del espectáculo

Relato apenas ficticio de un legendario director de cine, cuyo deseo de cazar un animal se convierte en una situación sombría con su equipo de rodaje en África.Relato apenas ficticio de un legendario director de cine, cuyo deseo de cazar un animal se convierte en una situación sombría con su equipo de rodaje en África.Relato apenas ficticio de un legendario director de cine, cuyo deseo de cazar un animal se convierte en una situación sombría con su equipo de rodaje en África.

  • Dirección
    • Clint Eastwood
  • Guión
    • Peter Viertel
    • James Bridges
    • Burt Kennedy
  • Reparto principal
    • Clint Eastwood
    • Jeff Fahey
    • Charlotte Cornwell
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,5/10
    14 mil
    TU PUNTUACIÓN
    • Dirección
      • Clint Eastwood
    • Guión
      • Peter Viertel
      • James Bridges
      • Burt Kennedy
    • Reparto principal
      • Clint Eastwood
      • Jeff Fahey
      • Charlotte Cornwell
    • 73Reseñas de usuarios
    • 24Reseñas de críticos
    • 66Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 2 nominaciones en total

    Vídeos1

    Official Trailer
    Trailer 1:24
    Official Trailer

    Imágenes66

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    + 60
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    Reparto principal31

    Editar
    Clint Eastwood
    Clint Eastwood
    • John Wilson
    Jeff Fahey
    Jeff Fahey
    • Pete Verrill
    Charlotte Cornwell
    • Miss Wilding, Wilson's Secretary
    Norman Lumsden
    • Butler George
    George Dzundza
    George Dzundza
    • Paul Landers
    Edward Tudor-Pole
    Edward Tudor-Pole
    • Reissar - a British Partner
    • (as Edward Tudor Pole)
    Roddy Maude-Roxby
    Roddy Maude-Roxby
    • Thompson, British Partner
    Richard Warwick
    Richard Warwick
    • Basil Fields, British Partner
    John Rapley
    • Gun Shop Salesman
    Catherine Neilson
    • Irene Saunders
    Marisa Berenson
    Marisa Berenson
    • Kay Gibson, Film Star
    Richard Vanstone
    • Phil Duncan, Film Star
    Jamie Koss
    • Mrs. Duncan
    Anne Dunkley
    • Scarf Girl in Nightclub Show
    David Danns
    • Bongo Man in Nightclub Show
    Myles Freeman
    • Ape Man in Nightclub Show
    Geoffrey Hutchings
    Geoffrey Hutchings
    • Squadron Leader Alec Laing
    Christopher Fairbank
    Christopher Fairbank
    • Tom Harrison, Art Director
    • Dirección
      • Clint Eastwood
    • Guión
      • Peter Viertel
      • James Bridges
      • Burt Kennedy
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios73

    6,513.8K
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    Reseñas destacadas

    6macataque

    creator's block

    On one level, this film is a failure: It's a fictionalized knock-off of the behind-the-scenes machinations of the making of "The African Queen" with Bogart & Hepburn directed by John Huston. This surface level is not so enthralling. On a second level, the level I believe the artists really wanted to put across, it isn't so enthralling either. Nevertheless, they are to be commended for attempting something unusual: An effort to show the creative process -- and the fears lurking within barring the fruition of art, often at great costs to health and personal relationships. In ranking Eastwood's films, this film falls below "Unforgiven", "Million Dollar Baby", "Bird" or "The Bridges of Madison County", but the subtext here raises its status. A must-see for the serious artist or wannabe.
    6butchfilms

    How John Huston tries to hunt an elephant in Africa before to begin shooting "the African Queen"

    "White Hunter Black Heart" is directed and played by Clint Eastwood.

    Clint Eastwood plays John Wilson (the great director John Huston in real life) in this movie, and shows us how he spent his time trying to hunt an elephant in Africa the previous weeks an days before to begin shooting the famous movie "The African Queen".

    I liked the performance of Clint Eastwood as John Wilson (John Huston), but I didn't like that so much time in the movie were focus in the hunting of the elephant. I would have liked to watch more about how the movie "The African Queen" was shot, and how were the relationships between John Huston, Humphrey Bogart and Katharine Hepburn during the shooting.
    8hokeybutt

    Underrated Classic... Clint Eastwood plays John Huston!

    (4 outta 5 stars)

    One of Clint Eastwood's most unjustly-neglected movies... he directed and stars as a cranky, strong-willed movie director (he's actually playing the real-life John Huston, though his character is called "Wilson" in the movie... and the book it was based on). In Africa to direct an action-comedy ("The African Queen" in real life) Wilson throws the project into turmoil when he suddenly becomes obsessed with hunting and killing an elephant. "It's not a crime... it's bigger than that... it's a SIN," he says by way of justification. It takes a while to get used to Clint trying to play John Huston... trying to talk in a different style of voice than we're used to hearing... but the dialogue and story are so compelling that you forget that Clint really is the wrong guy for this role. And yet, by the time the movie reaches it's devastating final line... Clint has made the character his own. As far as Clint's directing work goes... I would rank this film right after "Unforgiven"... yes, even better than "Mystic River"!
    5rupie

    good idea, poorly done

    This film is billed as being 'loosely based' on an episode in the life of John Huston. 'Loosely based' is a misnomer as this film couldn't be about anything BUT John Huston, right down to Clint's attempt to imitate Huston's arch quasi-British-accented drawl. The episode is Huston's sojourn in Africa to direct a movie whose title is never mentioned in the film (the closest is when Clint-cum-Huston, asked the title, replies, "I don't know. The African something-or-other." A bit too coy). This pretense of not knowing the film wears thinner and thinner as we see the spitting image of the boat that was used in "The African Queen", and as two stars arrive who look and sound just like Kate Hepburn and Humphrey Bogart (but are not so named in the film). The 'Bogart' character, on the first day of filming, even wears a costume exactly like that H.B. wore in the movie. This is a docudrama about the making of "The African Queen" that is pretending not to be a docudrama about the making of "The African Queen." What is it pretending to be? I don't really know, as it is just a disjointed series of episodes that show us - I guess - what a wild and crazy guy John Huston was. But he is not, at least in this movie, wild and crazy enough to sustain a whole movie. It has what appears to be intended as a 'tragic' ending, but it falls flat. There doesn't seem to be any point to the whole thing. Skip it. See "The African Queen" again instead.
    bigsleepj

    Eastwood is good (as usual) in an uneven film

    White Hunter, Black Heart both left me confused as well as breathless. The movie, that I saw earlier this year on television, struck me as deep yet peculiar. Clint Eastwood, in one of his most memorable roles ever, John Wilson, goes out to shoot an elephant while what he really should be doing is shoot a Hollywood movie in the 1950s.

    The only person on the crew who shares his view and almost understand him is Pete Verril (Jeff Fahey), a writer brought on to improve the script. Although Pete supports Wilson, Pete realizes that the hunt of an elephant is more than just an adventure for Wilson, but an obsession. Wilson is willing to compromise the entire crew's careers and futures just to commit "the only legal sin."

    The movie has certain themes, including conservation, obsession and movie-making theories. The themes aren't explored too well, which explains the muddled ending. But still this is an enjoyable film.

    Based on a novel by Peter Viertel, based on his experiences while filming the African Queen, the film is either going to grip you from the start, or bore you to death. You'll ever like it or forget it. The ending takes a little figuring out (especially at mentioning the title), but people who like movies about film making and Africa should like this.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      The main character, John Wilson, portrayed by Clint Eastwood, was based on legendary director John Huston; Jeff Fahey's Pete Verrill writer character was based on novelist Peter Viertel; George Dzundza's Paul Landers producer character was based on producer Sam Spiegel; Marisa Berenson's Kay Gibson character was based on Katharine Hepburn, and Richard Vanstone's Phil Duncan character was based on Humphrey Bogart.
    • Pifias
      The plane's flight to Africa is marked from it's starting point in Europe, south to it's destination in Uganda. The shot then switches to the plane flying over the Victoria Falls, Zimbabwe.
    • Citas

      John Wilson: I would like to tell you a little story.

      Mrs. MacGregor: Oh, I love stories.

      John Wilson: Well, you mustn't interrupt now, because you're way too beautiful to interrupt people. When I was in London in the early 40's, I was dining one evening at the Savoy with a rather select group of people, and sitting next to me was a very beautiful lady, much like yourself.

      Mrs. MacGregor: Now you're pulling my leg.

      John Wilson: Now, just listen, dear. Well, we were dining and the bombs were falling, and we were all talking about Hitler and comparing him with Napoleon, and we were all being really brilliant. And then, suddenly, this beautiful lady, she spoke up and said that was the thing she didn't mind about Hitler, was the way he was treating the Jews. Well, we all started arguing with her, of course. Though, mind you, no one at the table was Jewish. But she persisted. Are you listening, honey?

      Mrs. MacGregor: Mustn't interrupt Daddy.

      John Wilson: That's right. You're way too beautiful for that. Anyway, she went on to say that that's how she felt about it, that if she had her way, she would kill them all, burn them in ovens, like Hitler. Well, we all sat there in silence. Then finally, I leaned over to her and I said, "Madam, I have dined with some of the ugliest goddamn bitches in my time. And I have dined with some of the goddamndest ugly bitches in this world. But you, my dear, are the ugliest bitch of them all." Well, anyway, she got up to leave and she tripped over a chair and fell on the floor. And we all just sat there. No one raised a hand to help her. And finally when she picked herself up I said to her one more time: "You, my dear, are the ugliest goddamn bitch I have ever dined with." Well, you know what happened? The very next day, she reported me to the American Embassy. And they brought me in for reprimand. And then when they investigated it, they found out she was a German agent. And they locked her up.

      [smiles]

      John Wilson: Isn't that amazing?

      Mrs. MacGregor: Why did you tell me that story?

      John Wilson: Oh, I don't know. It wasn't because I thought you were a German agent, honey. But I was tempted tonight to say the very same thing to you. I didn't want you to think I had never said it before. You, madam, are the - Well, you know the rest.

    • Conexiones
      Featured in Siskel & Ebert & the Movies: Postcards from the Edge/Saving Grace/White Hunter, Black Heart/After Dark, My Sweet (1990)
    • Banda sonora
      Satin Doll
      Written by Duke Ellington, Johnny Mercer and Billy Strayhorn

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    Preguntas frecuentes19

    • How long is White Hunter Black Heart?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 23 de noviembre de 1990 (España)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Caçador blanc, cor negre
    • Localizaciones del rodaje
      • Lake Kariba, Zimbabwe
    • Empresas productoras
      • Malpaso Productions
      • Rastar Pictures
      • Warner Bros.
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 24.000.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 2.319.124 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 165.450 US$
      • 16 sept 1990
    • Recaudación en todo el mundo
      • 2.319.124 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 52min(112 min)
    • Color
      • Color
    • Relación de aspecto
      • 1.85 : 1

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