Desde Pekín con amor

Standard comedy about a wannabe spy who gets double crossed by his boss, except hes got a chopper (butcher knife) and knows how to use it!

The plot is pretty thin, but this is still a funny movie, as are most of Chow's movies. Be sure to add this to any Stephen Chow marathons you might be hosting, otherwise, you can miss this one for another of his better films.

I think Stephen Chow is the most genius director and actor in Hong KONG,China. The way he demonstrate something is first class in Hong Kong. After seen all 9 comments i want to say something about the "gore" and something else that make some people feel uncmofortable.Actually this film has criticism to Hongkong films through the contrast of two kinds of performance,make-up,consum and other things. You can find the different way to perform violence.The shot of the robbery in the mall has nearly no blood but only with the way criminals eat,silence and few words the horror can be felt.And the next scene is the usually way diretors used in Hongkong,two people was stabbed with knives in their body and one people was sliced off his fingers.But this scene cant be compared to the previous one with respect to convulse in the audience. There is another example.The bullet removal scene nearly don't have any detail about the wound.They haven't shot the wound since they begin to work but the pain can be still strongly felt. That is what i talk about, Stephen Chow want to say performance is the best way to impress audience.The excessive detailed scene without decent performance backfired. Watch carefully,the difference of two rhythms of conversation, ways they make up, switches of scenes can be found in the movie.

Caught this on DVD the other day...and I was laughing and smiling until the shopping mall sequence...where it abruptly shifted gears and positively reveled in cruelty and heartbreak...and then went back to being a goofy(but still blood-soaked) spoof. Well , I guess that 's part of the craziness of Hong Kong cinema that we all love....and I'm still smiling about the hilarious weapons and gadgets...the "solar flashlight" is priceless. Well worth seeing. Bond fans will love the riotous imitation of Maurice Binder's main title visuals...opening action sequence is as good as anything you'd see in a Bond film and Anita Yuen makes an adorable foil/adversary/partner for Chow. (But as I said, it is pure Stephen Chow nutball fun...like the guys who made "Shaun Of The Dead" and "Hot Fuzz", Chow takes no prisoners when he's out to bend a genre inside out and backwards.)

One of Stephen Chow's finest works, so many iconic dialogues and characters. Yes, it is a little derogatory, but it reflects the views of many Hong Kong people at the time, but it is done mostly as comic relief. At the heart of it, I don't think Stephen was being racist, but more as a poke at the system. The movie is only a little less than 1.5 hours long, it's amazing how such a simple film can get so much done in such a short period of time with enough plot and character development to make it a classic. Watching the movie so many years later, I get to see a lot of things I couldn't understand as a kid, and appreciate this film even more. It serves as a token of the past, and in a way reflects how society and perception have changed over the years.

When I first saw this film I didn't know what to make of it - is it a Chinese James Bond or is it a Chinese Austin Powers. Well its neither and both at the same time if you get the drift.

Nevertheless it is totally insanely funny with its very silly plot and characters that had no credibility and I really enjoyed watching it. Fairly violent - but what else would you expect from a Hong Kong action film.