La Biblia: Génesis

"Genesis: The Creation and the Flood" is a good film if you want someone to read the Bible to you. It is 98% narrated by the British actor Paul Scofield. The actors rarely speak.

This film covers a period in the Bible that is difficult to dramatise. There are so many characters in bloodline between the creation of man and the birth of Noah that you can't pick a main protagonist. The film makers could have dealt with this in two ways:

OPTION 1 - Break this period down into three or four separate stories linked together by a narrator i.e 1)The Creation, 2) Adam & Eve 3)Cain & Able, 4) Noah

OPTION 2 - Use a narrator to read the Bible.

In this film they use a narrator to read the Bilble and it seems as if he is reading the Bible almost word for word. The "actors" rarely speak. I'm not even sure if they are actors as their faces rarely convey any emotion. The actors from the silent movie period such as Charlie Chaplin were able to convey emotions without speaking. The actors in this film however just move from one scene to another with blank faces whilst the narrator reads from the Bible.

I gave this film 1/10 because the score by Ennio Morricone was soothing. The score was the only redeeming factor.

A rara-avis production in low-budget dealing with the first part of the book of Genesis and regarding the early stories in the Old Testament . We open with the Creation of the World, recreating the seven days in which Nature comes to life at the first light of dawn Creation . And arriving in the Garden of Eden with Adam and Eve and continuing on to Cain and the murder of Abel , and finally Noah . It is narrated by a heavy voice-in-off , as in the Italian version by Omero Antonutti and the English language by Paul Scofield . Concerning the unforgettable adventure of Man from the Creation . At the beginning all-enveloping darkness. Suddenly, a child's voice, frightened, questioning, pierces the darkness... The first flickering rays of light begin to sculpt mysterious shapes out of the darkness . As God creating the world in seven days . While a very old man exhorting a kid to see the wonders of the earth. And it is with this child's eyes that we will witness the creation of the world . Adam appears, and is soon joined by Eve. Paradise could be theirs, but as time goes by, they grow restless, inquisitive... They approach the Tree of Knowledge and the evil serpent . It results in the sins carried out by Adam and Eva and, subsequently ,finding distress , pain, and mortality. After their fall and banishment from Eden, they are cursed by God to suffer for their disobedience, although it quickly becomes clear that they have not been abandoned by him. Their sons Cain and Abel play out a story that will continue to darken the Creation until the end of time . As Cain kills his brother Abel and God put on Cain a doomed mark . And angered by the corruption of Cain's progeny, by the lust and greed ruling the cities, God vows to wipe away his creatures and begin anew. With Noah and his family , sons : Shem , Japheth , Ham and wives . The ark is built, the animals led into their pens, and the rain begins beating on the timbers, flooding the land, bringing fear and death. When the rains have devastated the world, the waters recede, the ark touches ground, and the dove sent out by Noah returns with an olive branch - the sign of new life and of a new pact with God. ...In the Beginning . The Greatest Story of All Time...The Greatest Story of All Time...with one of the most celebrated casts of all time! The first adventure story...the first love story...the first murder story...the first suspense story...the first story of faith.

An Italian retelling of the Bible stories narrated by Paul Scofield and Omero Antonutti who also played Noah . The title is a bit of a misnomer as the film only covers the first 22 chapters of the first book of Genesis . It covers various Biblical episodes and and open with the Creation of the World and arrive at the Garden of Eden with Adam and Eve, Cain and Abel and Noah and the Flood . It features overlong , slow takes , non-actors in authentic locations , sensitivity , passionate humanism and even some non-sense Iraq war scenes . Rousing and extraordinary soundtrack by Ennio Morricone , including chorus music . Gorgeous and evocative cinematography shot on usual location in Morocco . There is another better adaptation titled : The Bible in the beginning (1966) by John Huston with Michael Parks , Stephen Boyd , George C Scott , Ava Gardner , Richard Harris and Franco Nero play brothers-turned-enemies .

This strangely mounted production was produced by Rai 1 , Lux Vide , Lube, Biblical Studio Morocco and being well directed by ErmannoOlmi , though it doesn't gives the feel of a Cecil B De Mille spectacle . Olmi was a good and artistic filmmaker who made thought-provoking and sensitive films . Olmi was really influenced by the work of Roberto Rosselini. He usually includes social commentaries , overlong , slow-moving takes and using non-actors in authentic locations who frequently participate in dances . His best films were : The Tree of Wooden Clogs (1978) , The Legend of the Holy Drinker (1988) and Il mestiere delle armi (2001) . He also directed and produced a lot of documentaries. Rating 6/10 . The film will appeal to religious people .

Am ambitious adaptation of the first book of the Bible, taking us up to the time of Noah, GENESIS: THE CREATION AND THE FLOOD is a film that's beautiful to watch. The film was shot in Morocco employing a cast of mostly locals, and it looks absolutely stunning: if you ever wanted to see a film that displays the inherent beauty of nature, then this is the one. It took my breath away in places.

As a Biblical adaptation, it has its work cut out. GENESIS lacks a single leading character so this film adopts a voice over (by Paul Scofield) to intone much of the story involving Adam and Eve, Cain and Abel, and Noah. It's all simple and straightforward, with admittedly powerful scenes (inserting modern-day conflict into one section is a genius idea) but it's also very slow and long-winded despite a running time of only an hour and a half.

The lack of a decent budget is also apparent - we never really see the flood despite the lengthy section telling Noah's story - but that doesn't really matter given the calibre of Ermanno Olmi's direction. This is a worthy adaptation, but not really a film you'd want to go back to.

The Bible stories of modern times (pretty much since 1970) have tended to be extreme one way or the other.

The trouble is that one extreme tries to make the Bible a depressing bit of racist Nazi propaganda, while the other extreme makes it "Mickey Mouse".

This goes into the Mickey Mouse extreme, but it isn't pretentious about it. It's quite obviously made for kids, and there is no attempt to make it otherwise. That's a bit of a saving grace.

I was very moved by the images in this lyric evocation of the Book of Genesis by the great Italian director Ermanno Olmi, whose TREE OF WOODEN CLOGS is one of my favorite films of all time.

Through a series of painterly images, and the calming, soothing narration of Omero Antonutti (Paul Scofield in the English version,) we are hand-led from the creation of man (in simple, elemental, but effective brush-strokes) to the fall of man, to what constitutes the longest segment of the film, Noah's construction of the ark, and the first of mankind's redemptions. Omero Antonutti plays the old man, the prophet-vessel of God himself as his boat is the vessel of a new humanity. The loading of the animals, the sense among Noah's extended family during the voyage that they are part of something greater than themselves, the dove at Ararat with the olive branch in its mouth, the vista of a subsiding ocean, all create, with the simplest of means, an impression that can be sublimely moving. And we ask ourselves why. What special gift can make a film director convert images, words, and sounds into the sacramental?

The music and musical selections by Ennio Morricone (with a great deal of Bulgarian women's chants incorporated) create a haunting impression as well. One does not have to be a great believer or even a believer at all, to be swayed by this work of wondrous poetry.