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Cuatro bodas y un funeral

Título original: Four Weddings and a Funeral
  • 1994
  • 13
  • 1h 57min
PUNTUACIÓN EN IMDb
7,1/10
176 mil
TU PUNTUACIÓN
POPULARIDAD
2130
18
Rowan Atkinson, Kristin Scott Thomas, Hugh Grant, Andie MacDowell, Simon Callow, John Hannah, and Charlotte Coleman in Cuatro bodas y un funeral (1994)
Home Video Trailer from Gramercy Pictures
Reproducir trailer0:31
1 vídeo
99+ imágenes
Comedia negraComedia románticaSátiraComediaDramaRomance

En el transcurso de cinco actos sociales, un soltero comprometido debe considerar la idea de que puede haber descubierto el amor.En el transcurso de cinco actos sociales, un soltero comprometido debe considerar la idea de que puede haber descubierto el amor.En el transcurso de cinco actos sociales, un soltero comprometido debe considerar la idea de que puede haber descubierto el amor.

  • Dirección
    • Mike Newell
  • Guión
    • Richard Curtis
  • Reparto principal
    • Hugh Grant
    • Andie MacDowell
    • James Fleet
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,1/10
    176 mil
    TU PUNTUACIÓN
    POPULARIDAD
    2130
    18
    • Dirección
      • Mike Newell
    • Guión
      • Richard Curtis
    • Reparto principal
      • Hugh Grant
      • Andie MacDowell
      • James Fleet
    • 320Reseñas de usuarios
    • 80Reseñas de críticos
    • 81Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Nominado para 2 premios Óscar
      • 24 premios y 27 nominaciones en total

    Vídeos1

    Four Weddings and a Funeral
    Trailer 0:31
    Four Weddings and a Funeral

    Imágenes429

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    + 422
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    Reparto principal67

    Editar
    Hugh Grant
    Hugh Grant
    • Charles - Wedding One
    Andie MacDowell
    Andie MacDowell
    • Carrie - Wedding One
    • (as Andie Macdowell)
    James Fleet
    James Fleet
    • Tom - Wedding One
    Simon Callow
    Simon Callow
    • Gareth - Wedding One
    John Hannah
    John Hannah
    • Matthew - Wedding One
    Kristin Scott Thomas
    Kristin Scott Thomas
    • Fiona - Wedding One
    David Bower
    David Bower
    • David - Wedding One
    Charlotte Coleman
    Charlotte Coleman
    • Scarlett - Wedding One
    Timothy Walker
    • Angus the Groom - Wedding One
    Sara Crowe
    Sara Crowe
    • Laura the Bride - Wedding One
    Ronald Herdman
    • Vicar - Wedding One
    Elspet Gray
    Elspet Gray
    • Laura's Mother - Wedding One
    Philip Voss
    Philip Voss
    • Laura's Father - Wedding One
    Rupert Vansittart
    Rupert Vansittart
    • George the Boor at The Boatman - Wedding One
    Nicola Walker
    Nicola Walker
    • Frightful Folk Duo - Wedding One
    Paul Stacey
    • Frightful Folk Duo - Wedding One
    Simon Kunz
    Simon Kunz
    • John with the Unfaithful Wife - Wedding One
    Rowan Atkinson
    Rowan Atkinson
    • Father Gerald - Wedding Two
    • Dirección
      • Mike Newell
    • Guión
      • Richard Curtis
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios320

    7,1176.1K
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    Reseñas destacadas

    Lolly53

    Wonderful Movie...except for that insipid Andie MacDowell

    This movie is brilliant, funny, charming, witty, touching. It has two problems, both of them related to the lead female character, Carrie (played by Andie MacDowell).

    The first is that the character is not written to be at all likeable. She is engaged to a rich older man she clearly doesn't really love (I think we're supposed to infer that she's a golddigger) and cheats on him with someone she doesn't really care about either (Hugh Grant). Later we learn that she's a slut and a homewrecker (see her appearance at wedding #4--don't tell me it wasn't conniving!). What would make us want this woman to win our beloved Charlie (Hugh Grant) (who is also something of a cad, but a loveable one)?

    Carrie might not have been so unpalatable if they'd found an actress who could actually ACT to play her, but instead, they hired Andie MacDowell, who may be pretty, but is as stiff and lifeless as the scenery. Maybe she thinks that's what's called for in a British movie. I wonder that the people casting movies haven't realized that Andie MacDowell simply plays the same character in every movie she's in. By the end of this film, you're incredibly frustrated. You want to adore this movie, because everything about it is so perfect, except for the fact that you hate Andie MacDowell' s character with a passion and wish that she would die so that Charlie could find happiness with a woman who can act.
    7rooprect

    Hated it when I saw it in '94, loved it last night

    When I saw this film in '94, I was expecting something a little snappier & edgier like the rom-coms of the time (such as "Singles" or "When Harry Met Sally"). Instead, its low-key, subtle, British presentation caught me off guard and left me a little bit unfulfilled.

    I now realize that's because I was an idiot at the time. Subtlety is this film's strength, and Hugh Grant's performance is impeccable in that regard. There aren't a lot of wisecracking zingers or situational craziness, but Hugh's portrayal of a cute, clueless, British playboy is something he does par excellence. Andie McDowell's portrayal of a disconnected, almost soulless enigma is equally compelling, although on first viewing I didn't understand the character.

    The comedy comes through Hugh's strained reactions to the insane situations he finds himself in. Things happen that would reduce a normal human to hysterics, but Hugh is forced to ride it out with proper British decorum. For example, there's one scene where finds himself stuck at a table with EVERY ONE of his ex-girlfriends, trying to play it off as politely as possible while they take turns freaking out at him.

    Something to note: Unlike films like "Harry Met Sally" and "Singles" which focus equally on the characters, this movie is essentially from Hugh's viewpoint, and Andie's character is almost peripheral. With that in mind, it's not a standard love story between two people. Instead it's about one man stumbling through the concept of romance.

    If you like rom-coms that take a different approach, this is a good one for you to check out. I also recommend "Forget Paris" (about what happens to a couple AFTER 'happily ever after') and "Object of Beauty" (starring Andie McDowell & John Malkovich as a pair of dysfunctional, small-time con artists in love).

    If you're a Hugh Grant fan, you'll love this film, period.
    peacham

    Delightful Diversion

    "Four Weddings And A Funeral" is indeed a delightful little comedy with some wondeful writing and polished performances.Hugh Grant shines in a role that unfortunately left Him typecast to this day (for a different side of Grant see his brilliant Fredrich Chopin in "Impromptu".) and Kristen Scott Thomas is perfect as the enigmatic Fiona...witty,beautiful and touching. Simon Callow nearly steals the film as Gareth..He is one of the world's finest stage actors and its nice to see him get a film role he can really sink his teeth into. Andie McDowall is very convincing as the object of Grant's affection and Corin Redgrave has a well acted cameo as McDowall's fiancee Hamish. over all a jolly good film,funny,touching and sharp.
    slayerbecca

    Romantic Comedy Done Right

    Four Weddings and a Funeral is a wonderful movie. Romantic comedies often throw people off because they tend to be cheesy or depressingly sugar-coated. However, this is a truly wonderful movie.

    First off, the cast is terrific. They play off of each other wonderfully and it makes for a delightful atmosphere. Just take the lead, Hugh Grant, whose character doesn't appear fit the stereotypical lead at all. The humor is very witty, and the jokes are guaranteed to make you laugh even after you've seen the movie a dozen times.

    Situations in the movie are set up to be played out perfectly. In one scene Hugh Grant is at a wedding and is seated with all of his ex-girlfriends. The scene is set up for utter humiliation.

    Even with the quick-witted characters, and all the weddings, it wouldn't be a movie without that touch of drama that for many might just get a tear out of them.

    Hands down all around great movie to fit most every occasion.
    9jckruize

    Droll romantic comedy showcases Hugh Grant in his best role.

    Richard Curtis, author of Rowan Atkinson's sublime Blackadder TV series, here contributes a romantic comedy screenplay which is actually romantic AND actually funny. American hacks should take note: it's possible to write comedy based on the battle of the sexes that doesn't rely on misogyny and gross-out humor.

    Hugh Grant at his most charming leads a talented ensemble cast in this warm-hearted tale of unrequited and requited love that so impressed stodgy Academy voters it actually got a Best Picture nomination. I won't quibble with those who say it was undeserving -- although some of the other user comments are ridiculously hostile to such a lightweight romp -- but I will defend its makers for crafting a genuine crowd-pleaser that relies on story, character and witty dialogue for its appeal.

    The essence of good romantic comedy is what Curtis and director Mike Newell capture particularly well in this film (more effectively than Curtis' other Grant hit, NOTTING HILL) and it's this: love makes us do stupid things. We err in choice, we blunder in execution, we make utter fools of ourselves, and yet we don't give up. We still strive. We still search for that perfect someone. And the glory is -- sometimes we get lucky.

    Going along on this quest with Grant and friends is as enjoyable an entertainment as you're lucky to find in your local DVD section.

    Intereses relacionados

    Phoebe Waller-Bridge and Sian Clifford in Fleabag (2016)
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    Meg Ryan and Billy Crystal in Cuando Harry encontró a Sally... (1989)
    Comedia romántica
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    Sátira
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    Comedia
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    Drama
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    Romance

    Argumento

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    ¿Sabías que...?

    Editar
    • Curiosidades
      For several years after its release, this movie was the highest-grossing British movie in history, with worldwide box office in excess of $260 million.
    • Pifias
      The image of King Charles III is reversed. His medals are shown on his right side; however, personal medals are always worn on the left near the heart.

      Those worn in someone else's honor are worn on the right.
    • Citas

      [at Gareth's funeral]

      Matthew: Gareth used to prefer funerals to weddings. He said it was easier to get enthusiastic about a ceremony one had an outside chance of eventually being involved in. In order to prepare this speech, I rang a few people, to get a general picture of how Gareth was regarded by those who met him: 'Fat' seems to have been a word people most connected with him. 'Terribly rude' also rang a lot of bells. So very 'fat' and very 'rude' seems to have been a stranger's viewpoint. On the other hand, some of you have been kind enough to ring me and let me know that you loved him, which I know he would have been thrilled to hear. You remember his fabulous hospitality, his strange experimental cooking: the recipe for "Duck à la Banana" fortunately goes with him to his grave. Most of all, you tell me of his enormous capacity for joy. When joyful, when joyful for highly vocal drunkenness. But I hope joyful is how you will remember him, not stuck in a box in a church. Pick your favourite of his waistcoats and remember him that way. The most splendid, replete, big-hearted, weak-hearted as it turned out, and jolly bugger most of us ever met. As for me, you may ask how I will remember him, what I thought of him. Unfortunately, there I run out of words. Perhaps you will forgive me if I turn from my own feelings to the words of another splendid bugger: W.H. Auden. This is actually what I want to say: "Stop all the clocks, cut off the telephone, Prevent the dog from barking with a juicy bone. Silence the pianos and with muffled drum, Bring out the coffin, let the mourners come. Let the aeroplanes circle, moaning overhead, Scribbling on the sky the message 'He is Dead'. Put crepe bows 'round the white necks of the public doves, Let traffic policemen wear black cotton gloves. He was my North, my South, my East and West, My working week and my Sunday rest; My noon, my midnight, my talk, my song. I thought that love would last forever; I was wrong. The stars are not wanted now; put out every one, Pack up the moon and dismantle the sun; Pour away the ocean and sweep up the wood, For nothing now can ever come to any good."

    • Créditos adicionales
      The list of credits is presented as "Cast (almost in order of appearance)".
    • Versiones alternativas
      Charles curses heavily each time he is late for a wedding. In the italian TV version he uses milder words for the first wedding, and switches to harsh language for the others.
    • Conexiones
      Featured in Four Weddings and a Funeral: Production Featurette (1993)
    • Banda sonora
      But Not for Me
      (1930)

      Written by George Gershwin and Ira Gershwin

      Performed by Elton John

      Produced by Steve Lindsey

      Published by Warner Chappell Music Ltd.

      © 1993 William A. Bong Ltd.

      Elton John appears courtesy of Photogram Ltd. and MCA Records, Inc.

      Recorded at Ocean Way Recording Studios, Los Angeles and Metropolis, London

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    Preguntas frecuentes24

    • How long is Four Weddings and a Funeral?Con tecnología de Alexa
    • What is Charles' relationship to the couples?
    • What is the poem that is read at Gareth's funeral?
    • How does the Partridge Family song go?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 26 de agosto de 1994 (España)
    • País de origen
      • Reino Unido
    • Idiomas
      • Inglés
      • Lenguaje de signos británico
    • Títulos en diferentes países
      • Quatre bodes i un funeral
    • Localizaciones del rodaje
      • St Clement's, West Thurrock, Essex, Inglaterra, Reino Unido(Funeral)
    • Empresas productoras
      • Polygram Filmed Entertainment
      • Channel Four Films
      • Working Title Films
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 4.400.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 52.700.832 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 138.486 US$
      • 13 mar 1994
    • Recaudación en todo el mundo
      • 245.700.832 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 57min(117 min)
    • Mezcla de sonido
      • Dolby Stereo
    • Relación de aspecto
      • 1.85 : 1

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