Salto al peligro

This movie was made at the same time as „Terminal velocity" with Charlie Sheen. Some people are complaining that one movie is a rip-off the other. To be honest I don't know who is right. I don't really care. Both movies are on the same level. Both are decent popcorn movies to kill some time. Nothing to write home about.

I have a soft spot for Gary Busey and I'm happy that he's the villain in "Drop zone" . Wesley Snipes as hero is nice , because he gives his rather generic hero some depth. You can obviously feel his pain.

The movie has some quite attractive photography and interesting music. It also gives us some insight at the skydivers community.

All in all it's not a bad way to spend a night. I give it 4/10.

Drop Zone is an action ride from start to finish starring Wesley Snipes as a detective hunting down the men who killed his brother. No, the movie won't win any academy awards, but it is a thoroughly enjoyable action romp. The action is excellent, the girls are gorgeous, and the musical score is top notch. If you go in looking for a touching movie, don't bother. But if you just want something to enjoy for a couple hours of visual fun that requires little mental exercise, this will do quite nicely.

A '4' is twice what this turkey deserves (a '2') but it's appropriate for a number of reasons, and the primary reason is John Badham who does an excellent job when given something to work with (WarGames, Stakeout 1 & 2, Point of No Return, Bird on a Wire, et al). But since making this flick all his movie projects have been real duds. Maybe there's a connection?

Another two reasons are Yancy Butler and Claire Stansfield who provide the requisite eye candy. Another reason is Gary Busey who always knows how to play the stereotypical slime ball and do it at least half well. And the final reason is the skydiving which is exciting.

But that's where it ends. This is otherwise a movie much like Do or Die, made with preconceptions in mind ('hey let's make a movie with lots of skydiving sequences') and no worries if the story actually makes any sense. And don't you worry about it either because it doesn't. One could elaborate here but those elaborations would be spoilers. And hey - dramatic denouement it ain't but if you don't got that...

So why a '4' instead of a '2'? Why when the lead is being done by - Wesley Snipes? Why indeed? Precisely for the above reasons - and because as a whole it's exciting and not a total waste of time. In other words it isn't Gone with the Wind but maybe you don't feel like seeing Gone with the Wind tonight anyhow.

The tale deals with U.S. Marshal (Wesley Snipes) who along with his brother (Malcolm Jamal Warner) are caring a convict (Michel Jeter) into a Boeing plane . Then he is abducted by a villain (Gary Busey) and underlings (Luca Bercovici and Claire Stanfield) and dropped in parachute . Snipes sets off in pursuit and is signed up in a skydiving airport instruction (managed by Yancy Butler) with the aim to resolve the issue .

It's an action-ride movie from start to finish and the intrigue is continued . This solid though predictable thriller contains dazzling airborne stunts which keeps you tied on the edge of your seat . The film mingles suspense , tension , thriller, action-packed and is very entertaining because happens several events . The final confrontation amongst the protagonist and enemies is stimulating and breathtaking . Mind-numbing and incredible storyline is redeemed by breathtaking skydiving scenes . If you can suspend you disbelief , this crime-adventure is just enjoyable and keep you entertained . The movie is fast moving and the action pace is rightly directed and for that reason the flick isn't boring , nor dreary but is bemusing . Of course , the spotlights and great climax of the film are the flight scenes , it is spellbound and overwhelming . There aren't special effects but ¨stunts¨ who make it astounding . Wesley Snipes interpretation is good , he is making an important step as an action movie hero-star (Blade) . Gary Busey plays very nice the nasty role , as usual , and Yancy Butler is enticing and enjoyable . Hans Zimmer music is fine but with too much tuning knob and little symphonic music .

The motion picture collaborated to create the ¨ skydiving genre film ¨ whose initial outing was ¨The Gypsy Moths¨(1969) by John Frankenheimer , thus has a certain remembrance to : ¨Break Point¨ (Patrick Swayze and Keanu Reeves) , ¨Terminal velocity¨ (with Charlie Sheen and Natassja Kinski) and ¨Cutaway¨ (Tom Berenger and Stephen Baldwin) . The motion picture was correctly directed by the veteran Joh Badham with assured and fast moving direction . Badham's breakthrough credit was the box office smash Fever Saturday night (1977) ; other hits on his resume include The Blue Thunder (1983), War games (1983), and Shortcircuit (1986). He's a nice director who achieved his greatest success in the 80s and 90s . He directed several hits (Nick of time , Skateout ,Point of No Return , Bird on a wire) , though today making TV movies (Jack Bull , Floating away) and television episodes (Crossing Jordan, Psych, Las Vegas, Standoff , Heroes). In addition , ¨Drop zone¨ film in which the action lovers will enjoy this ode to the skydiving sport, in spite of story deficiencies . Rating : Good , worthwhile watching .

<*sigh!*> Am I the only one this entire sad, weary world who notices that all these action films use the exact (and I mean exact!) same plot? Or am I just the only one who cares?

As action movies go, this one is OK, I guess. (But that's a little bit like saying "As cases of diarrhea go, this one was OK.") On the plus side, the aerial photography depicting the skydiving scenes was spectacular. There were the requisite number of explosions, chase scenes, and witty banter on the part of both the hero (Wesley Snipes) and the villain (Gary Busey), delivered archly in the expectation that one of their ripostes might become a popular catchphrase. And Yancy Butler is not too hard to look at, either.

However, if I pay $8 or $9$ to watch a film, I expect a little more than something made from a cookie cutter. Hollywood spends a great deal of time, effort and money putting together movies with extraordinary special effects, and they've become quite good at it. OK, so I'm impressed! Can't a few more of them work a little bit on story, characterization and dialogue? Is that really too much to ask?

As I watched this movie (and to be fair, I stumbled across it on television rather than paying an exorbitant ticket price at the theater; this probably made me more disposed to be tolerant) All I could think was that this is what Coleman Francis might have made had he had a bigger budget. Maybe he would have thrown in more coffee, cigarettes, booze and bad tempered swearing as well.