Eclipse total (Dolores Claiborne)

If there is one thing I always fear, than it must be movies about bad marriages, an abusive husband, child abuse ... How often do you get a good movie with such subjects. Not very often, because most of the time these are awful TV-movies that seem to be written at a rate of at least one an hour. Always following the same concept, always trying to make the poor viewer cry his eyes out while saying that that poor woman / child didn't deserve to be treated that bad. Now don't get me wrong, I'm certainly not saying that it should be tolerated. Men who do such awful things can't be punished hard enough, but the movies that are made about this subjects are complete crap most of the time.

"Dolores Claiborne" tells the story of a woman who is accused of murdering the wealthy woman she worked for as a maid in Maine. When her daughter Selena finds out that her mother is accused of this crime, she immediately returns home from New York, leaving her job as an important reporter behind for a while. But she doesn't return to support her mother as you might expect. No, she's almost certain that she did it and she seems to try to get a good story out of it. But gradually she finds out what really happened and in the meantime some awful things about Selena's troubled childhood, the awful family life,... come floating at the surface again.

I know that I said in the beginning of this review that most movies with such a subject are plain crap, but there are always expectations to every rule and "Dolores Claiborne" certainly is one of those exceptions. It was written by Stephen King and it shows. The man knows how to build up suspense and certainly can give you an uneasy feeling while reading his books or watching one of 'his' movies. And "Dolores Claiborne" has a lot more depth than you might expect at first. The only thing is that they have managed to disguise it, not giving away too much information at a time. Only at the end of the movie you'll fully understand what has happened and what the reason was for both women to react the way they did.

What I also liked, next to the story, was the way everything is shot. All the scenes in the present are shot in those cool blue tones, but these blend seamlessly into the flashbacks that were shot in vivid colors. This gives an extra touch to the story that certainly works. You know exactly what is the present and what is the past, but those colors also add a lot to the drama.

But the way a movie was shot alone doesn't make it good of course. That's what good actors who do some excellent things are for. And that's also exactly what you'll get from Kathy Bates, Jennifer Jason Leigh, Christopher Plummer... Jennifer Jason Leigh is nice as the daughter, but it's Kathy Bates and Christopher Plummer who give away the best performances in my opinion. Bates is stunning as the tormented woman who's personality seems so strong, while in reality she is a broken soul who wishes for nothing much but to die as soon as possible, so all her misery can end. And I also loved Plummer as Detective John Mackey who's hate against Dolores is so big, because she is the only spot on an almost spotless career. He has solved all his cases except for one and he'll not rest until he can send Dolores to jail.

All in all this is a very good and suspenseful movie that never tries to become a tearjerker, despite the heavy subject. It offers some great acting, nice photography and a good story. That's about all I can wish for in a movie and I give it at least a 7.5/10, maybe even an 8/10.

This is one of those movies I have on my must watch again list and have seen it numerous times, it never gets old.

Being a fan of Stephen King, Kathy Bates, Jennifer Jason Leigh, David Strathairn, Christopher Plummer and John C. Reilly, probably, but not necessarily helps, the story is just that good.

It is a classic Stephen King book I read in a very short period of time without putting it down much.

It is also a Stephen King novel that has been adapted to the screen very well, unlike others novels he has written. Probably because it features only real people who most could relate to in real life.

Kathy Bates is outstanding and probably up there with the best I have seen with her in the starring role, Misery would come a close second even though she got an Oscar for it, rather than this one.

Early on some would regard this as a very dreary movie, which it probably is, just ignore that and continue watching all the way through. Don't give up half way, it is another genuine Stephen King masterpiece and you will be rewarded for persevering.

Solid 8/10

I first saw "Dolores Claiborne" when it came out in 1995 and have seen it again some 3 or 4 times since, a practice I dedicate only to "certified" masterpieces. At first, I couldn't figure out why I kept revisiting "D.C." when it showed up on cable - it's not a cinematic wonder or a work of art (something it doesn't strive to be, by the way), not even a story that you can say it's really original. But as I became more familiar with the film, I could see why it always pulled me in: it's a triumph of story-telling, of the WAY and PACE the story is revealed in small precise doses much like slowly completing a puzzle, the kind of film you can only let go when the last missing piece (Selena's final flashback) fits into place.

How the story manages to make such initially repulsive characters (all of them!!) develop into sympathetic (or at least pathetic) ones is of course Stephen King's special talent, expertly translated by the fine jobs by the screenwriter, actors and director of "Dolores Claiborne". The cinematography is kind of obvious in its distinct color treatment of past and present, but the entire cast is inspired, including Kathy Bates' best-ever performance (she has stated so herself), especially in the flash-back scenes; delightfully virtuoso Judy Parfitt (you just keep hoping along for more Vera's scenes, and each one of them is a knockout); and reliable pros Christopher Plummer, David Strathairn (such an underrated actor!) and John C. Reilly. Even Jennifer Jason Leigh for once has her irritating mannerisms fit perfectly to build her terribly tormented character.

That's what good story-telling is all about: even if you already know the plot from A to Z, you just want to see once again the way it unfolds, like a good scary fairy tale. "Dolores Claiborne" is not without faults, but it's certainly worth your time, and even more than once.

Few Stephen King works of fiction translate well to the screen. Horror elements are best left described rather than shown - so that the darkest recesses of our own imaginations can fill in the details. The horror visions of others may or may not affect us the same way - more often than not, they fall short of true terror.

But DOLORES CLAIBORNE is the exception - a masterful condensation of the Stephen King novel of the same name. More compact and deeply psychological than the novel, the film focuses almost exclusively on telling the story (in both present-day AND multiple flashback story lines) of Dolores Claiborne and her daughter, Selena.

Charged with murdering her wealthy but crippled employer, Dolores (Kathy Bates) is reunited with her estranged daughter, Selena (Jennifer Jason-Leigh). Sullen, brilliant, but deeply disturbed by a past that still obviously haunts her, Selena returns to the lonely and isolated Maine fishing village to help her mother face the legal and familial issues raised by the murder accusation.

We learn that Dolores had previously been suspected of killing her abusive and alcoholic husband. The same detective who had been unable to press the case 17 years earlier is now assigned to the new investigation. And as his work proceeds, secrets from the past reveal themselves, through brilliant use of flashbacks.

The acting by all concerned is first rate, with Bates giving probably her finest non-Oscar-nominated performance. Jason-Leigh is spot-on as the psychologically damaged and cynical Selena - more a victim than even she knows. Christopher Plummer is excellent as the detective.

Taylor Hackford's direction is absolutely brilliant - as is the use of color saturation and creative scene blending and transition to move seamlessly between present and past.

This is an outstanding film - well worth the Oscar nominations it received (as well as those it did not!). HIghest rating!

And the last horse crosses the finishing line! It's actually taken me until now to watch Dolores Claiborne but better late than never.

This is the very final Stephen King adaptation for me and that saddens me as I tend to very much enjoy them.

Starring Kathy Bates, Jennifer Jason Leigh and the excellent Christopher Plummer this thriller blew me away to an extent I simply didn't expect.

Set in New England (As all Stephen King tales tend to be) it tells the story of a woman arrested for the murder of the woman she worked for. Her arrest has lured her estranged daughter back home all the way from New York and results in family secrets being dragged kicking and screaming into the light

Alike most King works the movie heavily relies on flashbacks and it works wonders here. Over the course of over two hours the truth is gradually chipped away at until the highly impressive finale and series of twists.

Kathy Bates & Christopher Plummer are on form as always and take this already masterful tale and truly make the characters their own.

Also starring John C Reilly who would go onto do mostly comedy this is a near perfectly crafted little tale that begs the simple question "Why don't they make movies like this anymore?"

Essential viewing.

The Good:

Cast knock it out of the park

Beautifully written

Very well directed

Stunning location

The Bad:

Nothing springs to mind

Things I Learnt From This Movie:

Stephen King needs to write more books so they can adapt them into more movies before I start getting withdrawal symptoms