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Totally F***ed Up

  • 1993
  • TV-MA
  • 1h 18min
PUNTUACIÓN EN IMDb
6,5/10
4,7 mil
TU PUNTUACIÓN
Totally F***ed Up (1993)
Six queer teenagers struggle to get along with each other and with life in the face of varying obstacles.
Reproducir trailer2:18
1 vídeo
28 imágenes
ComedyDramaRomance

Añade un argumento en tu idiomaSix queer teenagers struggle to get along with each other and with life in the face of varying obstacles.Six queer teenagers struggle to get along with each other and with life in the face of varying obstacles.Six queer teenagers struggle to get along with each other and with life in the face of varying obstacles.

  • Dirección
    • Gregg Araki
  • Guión
    • Gregg Araki
  • Reparto principal
    • James Duval
    • Roko Belic
    • Susan Behshid
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,5/10
    4,7 mil
    TU PUNTUACIÓN
    • Dirección
      • Gregg Araki
    • Guión
      • Gregg Araki
    • Reparto principal
      • James Duval
      • Roko Belic
      • Susan Behshid
    • 17Reseñas de usuarios
    • 15Reseñas de críticos
    • 62Metapuntuación
  • Ver la información de la producción en IMDbPro
  • Vídeos1

    Trailer
    Trailer 2:18
    Trailer

    Imágenes28

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    + 21
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    Reparto principal24

    Editar
    James Duval
    James Duval
    • Andy
    Roko Belic
    • Tommy
    Susan Behshid
    • Michele
    Jenee Gill
    • Patricia
    Gilbert Luna
    • Steven
    Lance May
    • Deric
    Alan Boyce
    Alan Boyce
    • Ian
    Craig Gilmore
    Craig Gilmore
    • Brendan
    Nicole Dillenberg
    • Dominatrix
    Johanna Went
    • Excalibur Lady
    Robert McHenry
    • Andy's Trick
    Brad Minnich
    • 'don't touch mine' Guy
    Michael Costanza
    • Everett
    Babyland
    • Club Band
    • (as Dan and Smith of Babyland)
    Joyce Brouwers
    • Deric's Mom
    Clay Walker
    • Homeless AIDS Guy
    Aymee Valdes
    • Hysterical Bloody Lady
    Cooper
    • Fagbasher
    • Dirección
      • Gregg Araki
    • Guión
      • Gregg Araki
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios17

    6,54.6K
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    Reseñas destacadas

    7akoaytao1234

    A LGBTQ Classic

    My fourth Araki. Another of his 90s End-of-the-World series. Again, here James Duval is front center with his group of rag-tag not-your-average LGBTQ misfits akin to John Hughes clique. Unlike the strawberry tinged life of those 80s cliques, this kids have to face isolation, sexual identification and familial rejection where being out is still also being out there.

    I love how film's tackle this LGBTQ teenager's problems. Especially, the character's talking about being thrown out or cheating and such, which given the time it was made, handled with care and compassion. It was after all, the 90s. AIDS death was still on the uptick. Its nice to see how they have each other's back even with some of stuff.

    Stylistically, it is very lofi, no budget vibes. You could feel the indie-ness of the film. Its rough and almost scratchy which makes me remember those Waters and Warhol films. And with the additional talking heads, made it have that documentary feel.

    Overall, this was a very interesting watch. A great time capsule of a troubling time. When out is also being out there alone with other alike. Excited to watch Nowhere soon.
    10thescourge

    EASILY ONE OF THE BEST GAY MOVIES EVER MADE

    I saw this film in 1995 at the ICA in London, and it blew me away - and it still does today. Mostly because it treates the characters as genuine real PEOPLE,

    and without stereotypes. Even in today's age of "will and grace" crap, it still holds up as ten times more genuine.

    A lot of people complain that nothing much happens - but that's what these

    characters are destined to do- nothing much. They're problem is that they can't find a place to hang out, to fit in, to find others like them. They are nihilistic outcasts, and because they're gay in 1993, they're even more outcast - but

    partially by themselves. This film shows this better than any film I've seen since...

    -ken
    neion

    Pure Garbage

    I've seen all of Gregg Araki's Films except the ones before "The Living End" and I thought all of them were fantastic. But not this one, it is a peice of garbage. First of all, this film gives no incite whatsoever on what it is like to be a gay teen. It never delves deep into the characters to show how they feel, and in the end we are left wondering what the hell happened. Ok so I saw the film about two years ago, so I can't comment fresh after seeing it. I have never been so aware of a film being shot on film as I was with this one. Araki uses WAY too many close-ups (which work for his other films) but in this one all there seems to be is CLOSE-UPS, CLOSE-UPS, CLOSE-UPS! It drove me insane. This probably would have worked if ANY of the characters were interesting in the slightest, but instead we are treated to LONG close-up pseudo documentary like shots of boring dialogue delivered by boring actors. I am so angry that I spent 100 dollars to import two copies of this for me and my friend, who is also a big Araki fan and couldn't even finish watching this piece of crap. Final Verdict, you will most likely not enjoy this film even if you are a big Araki fan. watch his other movies instead (except for Splendor ech!)
    7gavin6942

    Totally Not That Fouled Up

    This is the first film from Gregg Araki, the man who made "Doom Generation" and "Nowhere". Like those films, the theme is the end of the world and features a backdrop of industrial music (Ministry, My Life With the Thrill Kill Kult, 16 Volt, etc.). The only difference is the lack of budget and big name actors (no Rose McGowan or John Ritter). We follow the lives of a group of gay and lesbian teenagers over the course of roughly two weeks. We see their struggles against oppression, their personal lives. An AOL user would summarize this films as "Buttsecks? O RLY? Ya RLY." but that's just ignoring the overall themes to focus on the more distasteful aspects of the film. If you're ans Araki fan or want a new experience, check this film out. It's not nearly as weird as his other films (no aliens or talking decapitated heads), but it will warp your perception of the world. And the end, while very abrupt, leaves something of a lasting effect.
    8buyjesus

    araki's most sincere effort

    with obvious allusions to vivre sa vie (the film is divided into 14 seemingly randomly segregate segments), gregg araki takes a journey into the lives of a group of gay teens in LA (not ALL gay teens, just a group). Well, maybe journey is the wrong word for it. Those familiar with Araki's other works are aware that they are loud, colorful, bombastic, and over-exentuated. They are also very MOBILE, in that a lot happens in the stories (usually someone gets killed, they run from johnny law, etc.). Totally F**ked up is not a mobile film. It doesn't go anywhere. Araki seems to proscribe in this film to the philosophy ( a Rossellini/ Godard staple) that life is less about actions or even interactions than boredom and other people's stories. James Duval plays a teen who broods in self-antipathy, spouting off despeate (and often pathetic) catch phrases like "life is sh**." or "love does not exist." But the underlying notion is that he really has lost faith and all hope, and as much as it ills him to become a statistic he keeps creeping that way, unable to find an outlet to truly express his real dismays.

    Araki's trademark self-coined slang and gother-than-thou art references are still in tact as we view this period of life that is less transitional emotionally than just a shift of behaviors- as we all act like babies. maybe it's just making up excuses - a character being lured into cheating because of a bootleg nine inch nails video- or maybe it's just talking in goofy language and popping pills in abandonned garages to watch each other fall over.

    as for the film's "crappy" look, I could either chock it up to lack of funds or intentional grainy filming. After all, every single one of his films are laced with characters using intentionally awful dialogue and intentionally bad acting to disguise its actual intentions. it makes since that he could do this visually too. And with the interspersed interviews with steven's video camera- it could easily be construed as the actual camera eye of the group, a 7th member if you will. either way, it didn't distract me.

    People who enjoyed Araki's other films because of the pretty colors and big loud noises need not apply themselves to this film, because it does take patience. but the result is a rewarding experience.

    Más del estilo

    Nowhere
    6,5
    Nowhere
    Maldita generación
    6,2
    Maldita generación
    Vivir hasta el fin
    6,6
    Vivir hasta el fin
    Splendor
    6,0
    Splendor
    This Is How the World Ends
    6,7
    This Is How the World Ends
    Three Bewildered People in the Night
    5,8
    Three Bewildered People in the Night
    Kaboom
    5,7
    Kaboom
    Oscura inocencia
    7,6
    Oscura inocencia
    The Long Weekend (O'Despair)
    5,6
    The Long Weekend (O'Despair)
    Smiley Face
    5,8
    Smiley Face
    Here Now
    5,9
    Here Now
    Now Apocalypse
    6,4
    Now Apocalypse

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      First part of Gregg Araki's Teenage Apocalypse Trilogy. The other two parts are Maldita generación (1995) and Nowhere (1997). James Duval stars in all three films.
    • Citas

      Patricia: Let me tell you what the problem with the stupid fucking world is. All the stupid people are breeding like mad having tens and tens of kids, while the cool people aren't having any! So, the population just keeps getting stupider and stupider! I mean, it's no wonder the whole world's going down the toilet.

    • Conexiones
      Featured in Beyond Clueless (2014)
    • Banda sonora
      Motorskill
      Written by 16 Volt, Eric Powell (uncredited)

      Performed by 16 Volt

      Published by Ink Head

      Courtesy of Eric Powell & Reconstriction

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    Preguntas frecuentes15

    • How long is Totally F***ed Up?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 13 de enero de 1995 (Reino Unido)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Totally Fucked Up
    • Localizaciones del rodaje
      • Los Ángeles, California, Estados Unidos
    • Empresas productoras
      • Blurco
      • Desperate Pictures
      • Muscle + Hate Studios
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en Estados Unidos y Canadá
      • 101.071 US$
    • Recaudación en todo el mundo
      • 101.071 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 18 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.37 : 1

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