Stalingrado

I had the honour of knowing a German soldier who fought in the streets of Stalingrad and was one of the few (about 9,000) who got out, on an aircraft. He was the father of one of my boyhood schoolmates, a quiet decent man, his face would light up in a kind of animation whenever the subject was raised, but he wouldn't talk about it to us boys.

He's gone now, poor old fellow. He spent the last years of his life living in a Caravan/humpy on the foot of a mountain in Southern Australia, estranged from his wife, who never forgave him after she discovered he'd fathered a child to another woman during WW2 and was secretly supporting the child financially.

A kinder, more honorable man would be hard to find. I think this film succeeds in depicting the decency of the people on both sides of the conflict as well as the obligatory sadism of the Officer who ordered the firing squad shootings of Russian civilians.

It's pity the Germans still feel no WW2 Film is complete unless traces of the 'evil Nazi' are included. On the other hand it was not lost on myself at least, that the prayer scene, in which the German Army chaplain made a long point of the fact that each Wehrmacht soldier had 'God with us' imprinted under his belt buckle. While the Godless communists enemy did not.

Maybe this is a sly inclusion by the filmaker showing how European peasantry has been propagandised to hate and kill the enemy for centuries.

Stalingrad was the largest battle ever fought in human history. The Germans lost 300,000 frontline combat troops and later, the second World War. This is the best Film ever made on the subject. It is fitting that it was done by Germans.

Bernhard

I first saw Stalingrad about 7 years ago and to this day it still hits me as hard as the first time I watched it. It is the story of Leutnant von Witzland, Unteroffizier Rohleder, Obergefreiter Reiser, and Oberschütze Müller and their desperate fight for survival in the deadliest battle in the history of war: STALINGRAD. The film starts off in Italy in the summer of 1942 where their platoon is resting following heavy combat in North Africa. Soon they are on a train heading for the Eastern Front. The men of 1st Platoon laugh and joke, play games, write letters home, and enjoy the view of western Russia as they head for the Ukraine. This is as light-hearted as the film gets. What follows is a very accurate and graphic portrayal of the infamous battle. It pulls no punches. It's main antagonist is Hauptmann Haller, a field police officer who thinks nothing of allowing his men to abuse and murder Russian and Ukrainian prisoners. At one point he lines up a group of civilians and has them shot saying they were partisans.

The combat scenes themselves are even more horrific. In one scene a German soldier hits a Russian over the head with a shovel as the Russian is trying to kill Ltn. von Witzland. In another scene a German soldier is cut in half by a Russian tank shell. There are many other gruesome scenes in the film, but they are necessary. The world has to see what happened in the Battle of Stalingrad. To see its brutality. To have its heart broken at the horrendous waste of the soldiers' lives. Over 2 million people lost there lives. Only 6000 of Field Marshal Paulus' 250,000-man 6th Army survived the battle. As with the battle, the film itself does not have a happy ending. And that's the way it should be. And as you watch this film, remember one thing, not every German soldier who fought in the war was a criminal. They were mostly decent people caught up in events well beyond their control.

Stalingrad should be ranked right up there among the top World War II movies ever made. I can't say it's the best but it certainly is a great film and is under rated in its importance. What the movie is about is simple. It shows the German soldiers war on the Russian front, in Stalingrad from the point of view of a few German soldiers. It should not be viewed with the intentions of seeing the battle of Stalingrad or any strategic view of the Russian Front. This is from the eyes of a select few. You won't see the broad picture. Just like the average soldier doesn't see it. He knows and sees the part of the war that is directly around him. That is his world and that is how you will see it. It's often very graphic and brutally honest in its depictions. The cold and the feeling of hopelessness were excellently portrayed. You could just feel it. I did have one major problem with the German English barrier. I watched this on DVD. It was dubbed in English and I chose to also play it with English subtitles. I started to see that frequently the subtitles and the dubbing were different. That was annoying hearing one thing and reading different words for the same lines. I soon shut off the subtitles and started watching it over again from the beginning without the subtitles. I have no idea if the subtitles or the dubbing was the more accurate translation. I'm very glad I viewed this film and I'm sure that I will watch it a second time. Highly recommended. A must see for the historian and war movie fan.

This film affected me on many emotional levels. I saw the results of the war in East and West Berlin in 1957. While in Berlin I lived with a girl my age who lost her father in the battle for Stalingrad. Her tales made my hair stand on end as he was one of the many young Germans send there to fight as a punishment for errors,(read that as failure to win), in other battle zones.

It isn't well understood, but the Eastern Front was used as a threat and as a punishment by Hitler. Even Schindler in the film Schindler's List used that threat on the train station in order to get his bookkeeper released from the death train.

There are two scenes that will haunt be for the rest of my life:

The scene where Lt. Hans von Witzland, played by a very young and splendid Thomas Kretschmann, and the Russian actress Dana Vavrova who plays Irina.

That scene is so emotionally charged that it left both actors physically shaking. I can't imagine having to repeat that scene more than once. To have to hold that raw, totally exposed feeling/expression and body language while lights are adjusted and a different angle is used must have been physically and mentally exhausting for these two brilliant actors. They perform a brutal Dance Macabre that is both horrific and fascinating.

This scene is no longer about an enemy and the one who has been conquered. It is about a young man desperate to find one moment of humanity on an endless nightmare and a young woman who hates him and herself and yet can not resolve her situation. That he is a German and she is Russian is not as important as that they are both souls in torment with no way out.

The human agony of that scene is superior to anything I have seen in over 60 years of watching movies.

The other is the final scene between Dominique Horwitz and Kretschmann as Fritz and Hans clinging to each other overwhelmed and miniaturized by the vast Russian winter.

That final scene reminds me of Napoleon's death march from Moscow in 1812. The results were to same. No enemy can come marching into Russia and live to march out again.

I began watching this film firmly committed to cheering the Russians and hating the Germans.

By the end I was crying for them all.

That is the message of this fine film. War is a waste...a waste of human lives, of property, and of moral and religious focus.

This is a classic anti-war film not unlike All Quiet on the Western Front or What Price Glory.

Absorbing, horrendous descent into the nightmare of combat. Focusing on the invading German army (into the Soviet Union) in the second world war, the impact no less awful. These men are enlisted men, who had no more control over their government's criminal actions, than US troops had over their government during the Vietnam War. Or any government sending their military in any war, for that matter. To assume they could belies a certain lack of acquaintance or experience, with the structure of a military organization.

These men are trapped like rats, and survival at any cost, to preserve ones life is paramount. Politics and lofty notions fly out the window, as the veneer of civilized behavior is stripped off.

STALINGRAD is gripping, grotesque, poignant and pitiful in its graphic presentation of war time experience. Highly recommended.