La cantante de Pansori

This is one of the best films about the Blues that I have ever seen. I defy you to find a member of the Hoary Tarnation of Blues, Delta, Mississippi, USA, that wouldn't spit, squint up at you and say, "Dang! That is the Blues!" Verdad! And while I'm exclaiming away, I swear to you that as I sat in our little local art house theater the audience just let the tears stream when they must with complete abandon. With no shame. Now there is some eastern magic.

The film begins in an interesting way. The style is clearly modern and places the story distant from a medieval or fantasy era. The young actor's (Kyu-chul Kim) style however hearkens to the older traditions in Korean Theater. And soon his search fades into the story of his emotional roots. The film doesn't make an obvious judgment about the 'life' of these three people or their domination by their father-mentor. Yet the film challenges you to decide if his assumption to rule these growing children is culturally acceptable or extraordinary even in their world at large.

There is a scene in a pension when the song master (Myung-gon Kim) becomes very drunk and garrulous. It is at once hilarious, tense and pathetic. Another, when the itinerants are walking with back packs in the middle of nowhere and begin a spontaneous dancing walk as they go along their way. These are glowing moments in cinema. The productions values are good and keep you placed always on the edge of the wild.

And then the music! This is the blues. Truly, I can say no more.

Sopyonje deals with a a cultural music called Pansori. Until I saw this film I knew nothing about it, but now I appreciate its Beauty and History. If you are looking for a movie that talks greatly about Korean Culture, this is it.

Pansori - the traditional Korean musical storytelling, which is performed by a singer and a drummer, is the key component in this movie. If I were to describe it, I'd compare it heart that fuels this movie and makes it function - it encompasses the Korean culture during the period when Japanese and Western influences are taking over the Korean peninsula.

This movie isn't a musical but music is everywhere around the three main characters and music, or rather - the continuation of this traditional kind of music - is the main motivator for everything. For one, it's the task to save it; for the second, it's the task to please her father; and for the third - it's the task to convince them that Pansori isn't profitable anymore. Each of them had different views on the music and the music filled them up in a different way, creating this unorthodox father-pupil family tandem. Even though their trio broke up and broke them up emotionally, the chain of events concluded with one of the most powerful musical exhibitions in the cinema I've ever seen. The raw emotional display, the sadness mixed with guilt, pity, and remorse, the closure that is both making the audience cry and making the audience feel immense joy - everything that comes into making this movie has an effect that sincerely moves people. At the very least, it moved me more than anything else recently and I couldn't be happier.

Just like its Chinese brother 'Huang tu di' by Chen Kaige is 'Sopyonje' driven forward by its songs, but unlike the former is not the content of the songs most important, the art of the singing is. This art is called pansori, and is a Korean tradition with cousins in China and Japan. In 'Chiwaseon' did I'm Kwon-Taek portray the mad drunken master of a special calligraphy school, here he portrays the mad father that refuses to let go of the art as new times are dawning and has ambitions higher than anyone could accomplish and end up hurting his closest.

I'm Kwon-Taek is a true master at display here. Granted that you are interested in these arts, this movie will hold a strong grip on you from beginning to end by the power of its songs. The lead actress did an amazing job full of emotion through small gestures. Now, please get me one of those scrolls and a record of pansori, please.

I truly believe that this is the best film ever made in Korea until this date (1999). But it may be too difficult to grasp the film's true beauty for most Westerners who are foreign to Korean "chang" which is traditional Korean folk singing.