Regreso inesperado

Just imaging "Kramer vs. Kramer" gone extreme and you've got "Mother's Boys". The movie uses exactly the same concept of "Kramer vs. Kramer", of a mother who abandoned her family for 3 years but has now returned to reclaim her kids from the father. It was someone was simply saying; Hey that "Kramer vs. Kramer" movie is a good one, lets turn it into a thriller!

It's not like the concept of the movie is a terrible bad idea but however the execution of it is. The movie offers too little big surprises and the movie surely could had used some more tension and other thriller elements. The movie is filled with some missed opportunities, they could and should had made the mother character far more psychotic and evil. She basically now gets too little psychotic to do in this movie, which causes the tension and mystery of this movie not to work out.

Surprising to see how big the cast of this movie is. It's perhaps also the only reason why this movie still remains a watchable one. The actors still make the movie interesting and worthwhile to watch. Although Jamie Lee Curtis and Peter Gallagher aren't even in the same league! Jamie Lee Curtis totally outclasses Peter Gallagher so much, that at almost becomes embarrassing to watch. Jamie Lee Curtis plays a great role and she handles it just right. Joanne Whalley also pulls off alright and there are some fine supporting actors such as Vanessa Redgrave, John C. McGinley, Joss Ackland and Paul Guilfoyle but their roles are unfortunately all way too small.

It's not a terribly bad movie but it's also not really one that ever surprises or leaves a big impression on you. A real lackluster and filled with many missed opportunities and wasted potential. Therefor I also can't really recommend this movie to anyone.

5/10

http://bobafett1138.blogspot.com/

What's this? Jamie Lee Curtis is the bad guy, not the victim? Yes, she really can act (not just scream). This movie can be summed up in one word: predictable. If you've ever seen Fatal Attraction, The Hand That Rocks the Cradle, or any other film of that ilk, then you've pretty much seen this one, too. Still, it's worth watching, if for no other reason than to see Jamie Lee in the role of the psychopathic killer.

MOTHER'S BOYS allows Jamie Lee Curtis to showcase her bad side as Jude Madigan, a crazed, psychotic mum determined to take her estranged family back.

To Jude, the fact that she abandoned her husband and two sons for three years is immaterial. She simply must have her family back at all costs.

Uh oh!

It seems that dad has a new girlfriend. This sets up a perfect opportunity for Ms. Curtis to sink her teeth into some insane antics.

MOTHER'S BOYS is a fairly tense, nearly bloodless thriller. The real fun comes from watching Jude grow increasingly reckless, dangerous, and homicidal.

FANS OF MS. CURTIS TAKE NOTE: She doth display her birthday suit. Well, some of it anyway. In a bubble bath, where -Gasp!- a boobular is shown...

This is one of the numerous "…..from Hell" movies which came out in the late eighties and early nineties following the success of "Fatal Attraction" (one-night-stand-from-Hell). Others in the genre include "Pacific Heights" (tenant-from-Hell), "The Hand that Rocks the Cradle" (nanny-from-Hell) and "Single White Female" (flatmate-from-Hell). "Mother's Boys" controversially presents us with Jamie Lee Curtis as the mother-from-Hell.

Robert Madigan is a single father with three young sons. The reason he is single is that three years ago his wife Judith ("Jude") left him without explanation and disappeared from his life and that of the boys. Robert now has a new girlfriend, Callie, whom he intends to marry as soon as his divorce from Jude can be finalised. Jude, however, has other ideas. She reappears in Robert's life as abruptly as she disappeared from it and wants to resume their life together. When Robert makes it quite clear that he wants nothing more to do with her, Jude reacts with fury, mostly directed against Callie. Although Callie did not come into Robert's life until after Jude had abandoned him, Jude irrationally blames her for breaking up her marriage and comes to see her as the only obstacle standing between herself and her husband. Jude tries hard to win back the affections of her sons as part of a scheme to get revenge on Callie, even posing naked in front of her eldest boy, eleven-year-old Kes. (This tasteless scene, with its implications of paedophile incest, has come in for much well-deserved criticism. I understand, however, that in Bernard Taylor's source novel the incest was more than just implied. It will not be anywhere near the top of my list of required holiday reading this year).

The first part of the film is reasonably interesting, and could have been the basis of a much better film. The two female adversaries are well characterised. (Robert, the main male character, is little more than the prize the two women fight over). Callie, played by the kitten-faced Joanne Whalley-Kilmer, is the cute girl-next door type, far more motherly than the boys' biological mother. (She works as the assistant principal at their school). The home she and Robert intend to share when they are married (the film makes it clear they are not cohabiting before marriage) is a spacious, comfortable house in the country, made of solid wood and stone. Jude, by contrast, is played by Curtis as a seductress, all high heels, tight mini-skirts and bleached-blonde hair, glamorous but hard and brassy. By contrast to Callie and Robert's Country Living style, Jude is a metropolitan type, living in an expensively over-decorated city apartment in an Art Deco block. Her talent for alienating people is such that even her own mother takes Robert's side against her.

Whalley-Kilmer was at one time tipped for Hollywood stardom, especially after her fine performance in "Scandal", but never quite seemed to make it. Appearing in too many films like this one was probably the main reason. Jamie Lee, however, quickly bounced back from this setback; her next film was the highly successful "True Lies", in which she once again got to show us just what a fine body she had for a woman in her mid thirties. Peter Gallagher, as Robert, makes a rather bland hero, and Vanessa Redgrave, as Jude's mother, looks as through she can't really understand why she signed on for this film in the first place.

From about halfway, however, the film starts to deteriorate and declines into lurid melodrama. I won't set out all the plot turns, but can say that they become progressively nastier and more implausible. Anyone familiar with the moralistic vice-punished-and-virtue-rewarded conventions of this particular genre will be able to work out the broad outlines of the ending. If you want to know the full gory details you will have to watch the film itself, but I doubt if you will find them very edifying. Like several unsuccessful "….from Hell" movies (the more recent "Swimfan" is another example) "Mother's Boys" fails because it tries too hard to shock. 4/10

Well acted (Jamie Lee Curtis does a great job) and with a plot (and jump scares) that will leave you grabbing your sit, this thriller may be a bit too much for some people, specially considering that incest and pedophilia are among its themes.

A disturbed woman returns to her family after being gone without any explanation for 3 years. She now wants her husband back while using her oldest son (the only one she seems to connect with) to achieve her goals.

Manipulative, violent and cold as ice Curtis plays that disturbing role of this mother who seems she couldn't care less about her kids, only wishing to get back into bed with her husband.

Not wanting to reveal too much here, I'll just say that I didn't find the ending completely predictable (was expecting worse, from the direction the movie was going).

All in all, this was a very tense and at the same time entertaining movie. I'd advise any thriller fan to give it a try, always keeping in mind that it was done in the 90's.